EVENTS

Calendar

Jul
27
Fri
DRAWN TO PRINT National Juried Exhibition @ (SCENE) Metrospace
Jul 27 – Aug 31 all-day
DRAWN TO PRINT National Juried Exhibition @ (SCENE) Metrospace | East Lansing | Michigan | United States

DRAWN TO PRINT

A national juried exhibition of drawning and printmaking and everything inbetween.

July 27 – August 31, 2018

Reception July 27, 6-8PM

This exhibition is the result of a national call and features works on paper that explore the ways in which the diverse and inclusive mediums of drawing and printmaking converge and are completely separate.

The path followed by a brayer can begin with a pencil, a mouse, a cut, or a maybe a stencil. There is no limit to the ideas that can be explored through drawing or printmaking. The presence of the artist in these processes can be at the forefront or separated by many layers of information. Surfaces can be additive or subtractive. Lines and forms can be ink, paint, graphite, thread, a cut or a tear. The work in this exhibition meets with the act of one material being pulled across the surface of another.

This exhibition features work from:

CONNOR ACHESON
DANIEL ALYIM
BRANDIN BARÓN
CURTIS BARTONE
ANNE BEIDLER
PATRICIA BENDER
SUZIE BUCHHOLZ
ANTONIO CARDOSO
EVAN CHRISTOPHERSON
DUSTIN CLARK
AMANDA COE
ANDREW DECAEN
HECTOR DEL CAMPO
SUZANNE DITTENBER
MATT DRISSEL
EVAN FERRARO
CYNDI FORD
SARAH HEYWARD
TRAVIS JANSSEN
JOHN JUDGE
CAROL MYERS
JOSH NEWTH
KATHLEEN ROGERS
MARK ROSPENDA
DIANE STAVER
SALLY SCHLUTER TARDELLA
BRUCE THAYER
OLIVIA TIMMONS
MARGI WEIR
JANE ZICH

Aug
3
Fri
THEN NOW Painting and Drawings by Dianne Wolter @ MSU Union Art Gallery
Aug 3 – Oct 5 all-day
THEN NOW Painting and Drawings by Dianne Wolter @ MSU Union Art Gallery | East Lansing | Michigan | United States

THEN NOW

Featuring Dianne Wolter’s paintings and sculptures.

August 3- October 5, 2018

Reception September 8, 3-5PM

 

ARTIST STATEMENT

Painting provides me a process driven opportunity to experiment, discover, manipulate, play, and sometimes even tell a story. I value mark making and like to see evidence of the history of the process in the finished painting. Narrative has been a component of my art that allows me to ask questions and make observations. I use whimsy as a means to enliven or to soften the content. Recurring themes and images return to new environments. Images that possess a personal iconography are infused with content from experiences and memories that hold power. I begin by creating an active ground plane, and then working out to the surface, sometimes finding rather than imposing imagery. I enjoy working figuratively, layering, searching for ideas and inspiration from the manipulation of the media, and often but not always embracing a narrative.

Adding papier-mâché sculpture to my studio involvement has been a logical and natural extension to my previous singular focus of two-dimensional work.  The process is reductive, starting with foam forms that have been created by gluing construction foam into blocks that can be carved. Papier-mâché mulch and layers of paper finish off the surfaces and ease transitions and contours. The torn paper can communicate a new narrative while holding onto its past. I find myself stacking forms which is another way of layering, bringing elements together in proximity or support, contrasting familiar with fantastic.

BIO

Dianne Wolter graduated from Michigan State University in 1965 with a Bachelor of Fine Arts degree and a teaching certificate. Teaching and studio involvement have been the focus of her professional life since then.  She concentrated on fabric collage for the first 14 years of her creative journey, teaching it in public schools throughout southern Michigan sponsored by the Michigan Council for the Arts. In 1979, Wolter began teaching after school art classes in her home studio to area children. Sharing her studio with children was a rewarding and meaningful opportunity. To concentrate more fully on her own art, she retired from teaching in 2002 to focus more on painting. A whim to make a cat riding on a unicycle introduced sculpture as an additional interest. Since then, Wolter has been enjoying both sculpture and painting.

For more information about Dianne’s work please visit her website:

http://www.diannewolter.com/

Nov
5
Mon
Titus Kaphar Visiting Artist Lecture @ MSU Union Ball Room
Nov 5 @ 6:00 pm – 7:30 pm
Titus Kaphar Visiting Artist Lecture @ MSU Union Ball Room | East Lansing | Michigan | United States

TITUS KAPHAR / NOVEMBER 5 / MSU Union Ball Room /6PM
Born in Kalamazoo, Michigan, Titus Kaphar lives and works on the east coast. Kaphar’s
mixed media work, speaks to the most vital discussions happening around race,
diversity, and reconciliation in the U.S. Kaphar exposes how all depictions, no matter
how personal or grandiose, are always fictional, imperfect, and capable of being
remade. He is the distinguished recipient of the Gwendolyn Knight and Jacob Lawrence
Fellowship as well as the 2015 Creative Capital Award and 2016 Rauschenberg Artist
as Activist Fellowship.

For more information about Titus Kaphar, please visit:

https://kapharstudio.com/

Dec
6
Thu
Experiments in Digital Video– Screening Fall 2018 @ Studio 60 Theatre, MSU Auditorium, Room 60
Dec 6 @ 6:00 pm – 8:00 pm
Experiments in Digital Video-- Screening Fall 2018 @ Studio 60 Theatre, MSU Auditorium, Room 60 | East Lansing | Michigan | United States
Experiments in Digital Video – Screening Fall 2018
This video screening proudly presents a series of works produced by Experiments in Digital Video students during Fall 2018.  In this class, students were offered an introduction to core skills and concepts used in digital video production, with an emphasis on art-making, conceptual thinking and experimentation. This screening will feature films by Andrew Hudson, Fabian Alvarado, Davzee Card, Ian Deatrick, Anna Warbel, Emily Caldwell, Hannah Blaz, Miranda Buck, and Katrina-Monica Zaccarias Carulla.
Thursday, Dec 6 – 8 PM
STUDIO 60 THEATRE
MSU AUDITORIUM BUILDING Room 60
542 Auditorium Road
STA 384 / Instructor: Adam Brown / TA: Marcos Serafim
Department of Art, Art History and Design
Michigan State University
Jan
21
Mon
The Wash (as it seams) @ MSU Union Art Gallery
Jan 21 @ 12:00 pm – Mar 2 @ 2:00 pm
The Wash (as it seams) @ MSU Union Art Gallery | East Lansing | Michigan | United States

MSU Union Art Gallery

49 Abbott Road, Rm. 230, East Lansing, MI 48824

 

The Wash (As It Seams)

Solo exhibition featuring the work of Babette Shaw.

January 21 – March 2, 2019

Artist Lecture January 31 6pm, Natural Science Rm. 326

Exhibition Reception February 1, 6 ­– 8pm

 

 

Babette Shaw Artist Statement

As human beings, we communicate through language, visual and verbal.  We have within us an innate desire to connect with one another, yet our language, essential to communication, often serves to polarize us both interpersonally and through the maintenance of institutionalized systems of dominance, oppression, and coercion.  Inherent within our language are misogynistic words, phrases, and ideals that inform us and affect the way we interact with one another.

Inception of this work began with a certain group of political leaders speaking mis-information about womxn’s bodies; as a consequence, most womxn, regardless of party alignment, voted against their interests.  Yet, statements and occurrences made public throughout the recent United States election processes reveal what low-base views we are willing to accept about womxn, however damaging or oppressive to the potential growth beyond them.  Misogynistic language, gendered ideals, gendered scripts influence our politics, our laws, our institutions, the wage gap, our public and personal spaces, our social and interpersonal relationships.  These bodies of work are representative of personal narratives and of individual womxn who have chosen to share their stories.

Babette Shaw Bio

Babette Shaw, native to California, is an exhibiting photography-based social practice artist whose work includes photography, sculpture, fiber art, installation, and the written or spoken word.

She received her MFA in Photography from The University of Memphis with undergraduate academic pursuits in fine art photography, creative writing, and gender studies.  As an artist, she addresses issues concerning gender and race constructions and disparities in contemporary culture, as well as their historic and archaic underpinnings. Shaw currently teaches at the University of North Carolina, Greensboro.  Alongside her art practice and her teaching, she has served on numerous panels for organizations, including the National Center for Research on Women (CROW), and has given lectures at various academic and community-based institutions. Her work is in public and private collections across the country.

Shaw is here to engage the Michigan State University campus as Visiting Artist and Scholar to invite students, past and present (as well as other members from the community), to participate in one of her social practice projects, The Panty Project, which is designed to help individuals and communities heal from gendered and sexual trauma and abuse. While on campus, Shaw will be meeting with womxn from the greater MSU community who have chosen to share their stories as part of this ongoing work. If you are interested in participating in The Panty Project, please email b@babetteshaw.com.

Mar
20
Wed
Qais Assali Visiting Artist-in-Residence: Critical Race Studies Lecture @ MSU Broad Art Museum
Mar 20 @ 7:00 pm – 8:15 pm
Qais Assali Visiting Artist-in-Residence: Critical Race Studies Lecture @ MSU Broad Art Museum | East Lansing | Michigan | United States

QAIS ASSALI / MARCH 20 / MSU BROAD / 7PM

Qais Assali is an AAHD Artist in Residence: Critical Race Studies. His interdisciplinary work stages questions between site and the body in relation to his own identity and locale in order to debunk metaphoric surrounding contested geographies. His lecture is presented in association with a solo exhibition at the MSU Union Art Gallery.

May
17
Fri
Textscape @ MSU Union Art Gallery
May 17 @ 12:00 pm – Jul 12 @ 7:00 pm
Textscape @ MSU Union Art Gallery | East Lansing | Michigan | United States

TEXTSCAPE

Hongtao Zhou

Textscapes are 3D printed documents to reemphasis printing in modern technological world.

May 17 – July 12, 2019

 

Textscapes are 3D printed documents to reemphasis printing in modern technological world. Printing technology was first created in ancient China to reproduce text using woodblocks, however today’s definition had been widely adopted in 3D printing, an additive process more often to create objects instead of duplicate text. Textscape generates letter-sized 3D documents to visually profile the subject matters of the texts, such as cities, landscapes or figures. These documents make reading process interactive for general audience or blind people, as knowledge as well as art. This series of work has variations of braille, language characters, calligraphies and number systems to bridge the contents and its visuality in architecture, landscape, portraits and abstract matters.

Hongtao Zhou is an interdisciplinary scholar and artist, he researches, practices and teaches in the areas of Design, Architecture, Exhibition Design, Furniture Design & Fabrication and Contemporary Sculpture & Installation. Hongtao holds a PhD from Purdue University, a MFA from University of Wisconsin-Madison and a MS from Northeast Forest University of China. He is a professor at Tongji College of Design and Innovation (D&I) and a visiting professor at University of Hawaii-Manoa (UHM). Hongtao had been serving as the Director of the UHM Haigo and Irene Shen Architecture Gallery. Currently he is Executive Member and Curator of the National Association of Chinese Artists in American Academia.

Hongtao has exhibited nationally & internationally including Centre Pompidou, Gwangju Design Biennale-South Korea, National Museum of China, Milan Design Week, Milwaukee Art Museum, Chazen Museum of Art, Haggerty Museum of Art, Indiana State Museum and Historic Sites, Charles Allis Art Museum, Honolulu Museum of Art School, Philadelphia Art Alliance, Houston Center for Contemporary Craft, Museum of Contemporary Craft in Portland, Central Academy of Fine Arts Museum in Beijing and Taiwan Design Center. He published his work and research in Interior Design, Interni, Design Bureau, Transmaterial, Metropolis, American Craft, Artdaily Zhuangshi Magazine, Modern Weekly and Huffington Post. Centre Pompidou and the University of Virginia collected his work. Hongtao’s work is currently on view in the 2019 Venice Biennale in collaboration with TONTSEN DESIGN in the European Cultural Centre Exhibition.

This exhibition made possible thanks to the MSU College of Arts and Letters, Department of Art, Art History, and Design. Special Thanks to Xia Gao, Associate Professor of Apparel and Textile Design. Work shown made possible by Jiabao Zhu, Project Assistant, Making Lab, Tongji University, College of Design and Innovation (D&I).

Oct
3
Thu
Cornbelt Catholicism
Oct 3 @ 7:00 pm

“Cornbelt Catholicism” with Dr. Kristy Nabhan-Warren, Professor at University of Iowa

Thursday, October 3rd, 7:00pm, Lake Huron Room, MSU Union

Oct
8
Thu
Mystical Phenomena in Modern Catholicism: An Illustrated Talk
Oct 8 @ 7:30 pm

Mystical Phenomena in Modern Catholicism: An Illustrated Talk
with Prof. Paula Kane, Endowed Chair of Contemporary Catholic Studies

Thursday, October 8th, 7:30pm

Among the more unusual elements of Catholic mysticism is the tradition of stigmata, chosen persons who are marked supernaturally with the wounds of the crucified Christ. The lecture will address the case of an American stigmatic of the early twentieth century and the political uses made of such events for a Catholic population trying to adapt to American society.

Please register for the Zoom event:
https://msu.zoom.us/webinar/register/WN_pjIaXpu_RoiqX_CH-czopA