Workshop Title: Remediating Viruses
If you are interested in attending the workshop please contact firstname.lastname@example.org to register and for more information.
Tagny Duff is an interdisciplinary media artist, scholar and educator working across media art and microbiology with a particular interest in microbial interaction and scientific practices from a cultural point of view. Duff has exhibited biological art works nationally and internationally in venues such the Science Gallery in Ireland (2011) and Espace Multimédia Gantner, France (2015). She has published numerous peer-reviewed articles on the overlap between art and sciencemethodologies and approaches including the recent publication “Mangling Methods Across Performance Research, Biological Arts and Life Sciences” published by Media-N Journal of the New Media Caucus. She is the recipient of numerous prizes and grants from the Canada Council for the Arts, Social Sciences and Humanities Research Council of Canada (SSHRC), Fonds de recherche du Québec – Société et culture (FRQSC). Duff is an associate professor in the Department of Communication Studies at Concordia University and is the Director/founder of Fluxmedia, a network for artists, scientists, and humanities researchers to engage in collaboration across art and the life sciences www.fluxnetwork.net. She is also founder of the Speculative Life Lab housed in the Milieux institute for Arts, Culture and Technology at Concordia. Duff lives and works in Montreal, Québec. www.speculativelife.com
DRAWN TO PRINT
A national juried exhibition of drawning and printmaking and everything inbetween.
July 27 – August 31, 2018
Reception July 27, 6-8PM
This exhibition is the result of a national call and features works on paper that explore the ways in which the diverse and inclusive mediums of drawing and printmaking converge and are completely separate.
The path followed by a brayer can begin with a pencil, a mouse, a cut, or a maybe a stencil. There is no limit to the ideas that can be explored through drawing or printmaking. The presence of the artist in these processes can be at the forefront or separated by many layers of information. Surfaces can be additive or subtractive. Lines and forms can be ink, paint, graphite, thread, a cut or a tear. The work in this exhibition meets with the act of one material being pulled across the surface of another.
This exhibition features work from:
HECTOR DEL CAMPO
SALLY SCHLUTER TARDELLA
DEL HARROW/ OCTOBER 16 / 109 S KEDZIE / 6PM
Spanning the genres of sculpture, ceramics and design, Del Harrow is an Associate Professor at CSU. His art practice integrates traditional manual and skill-based forming processes with digital fabrication technology. His work is an ongoing exploration of the possibility that a tactile physical form might contain, creating sites for the imagination and the thinking of thoughts.
For more information about Del Harrow, please visit:
TITUS KAPHAR / NOVEMBER 5 / MSU Union Ball Room /6PM
Born in Kalamazoo, Michigan, Titus Kaphar lives and works on the east coast. Kaphar’s
mixed media work, speaks to the most vital discussions happening around race,
diversity, and reconciliation in the U.S. Kaphar exposes how all depictions, no matter
how personal or grandiose, are always fictional, imperfect, and capable of being
remade. He is the distinguished recipient of the Gwendolyn Knight and Jacob Lawrence
Fellowship as well as the 2015 Creative Capital Award and 2016 Rauschenberg Artist
as Activist Fellowship.
For more information about Titus Kaphar, please visit:
Textscapes are 3D printed documents to reemphasis printing in modern technological world.
May 17 – July 12, 2019
Textscapes are 3D printed documents to reemphasis printing in modern technological world. Printing technology was first created in ancient China to reproduce text using woodblocks, however today’s definition had been widely adopted in 3D printing, an additive process more often to create objects instead of duplicate text. Textscape generates letter-sized 3D documents to visually profile the subject matters of the texts, such as cities, landscapes or figures. These documents make reading process interactive for general audience or blind people, as knowledge as well as art. This series of work has variations of braille, language characters, calligraphies and number systems to bridge the contents and its visuality in architecture, landscape, portraits and abstract matters.
Hongtao Zhou is an interdisciplinary scholar and artist, he researches, practices and teaches in the areas of Design, Architecture, Exhibition Design, Furniture Design & Fabrication and Contemporary Sculpture & Installation. Hongtao holds a PhD from Purdue University, a MFA from University of Wisconsin-Madison and a MS from Northeast Forest University of China. He is a professor at Tongji College of Design and Innovation (D&I) and a visiting professor at University of Hawaii-Manoa (UHM). Hongtao had been serving as the Director of the UHM Haigo and Irene Shen Architecture Gallery. Currently he is Executive Member and Curator of the National Association of Chinese Artists in American Academia.
Hongtao has exhibited nationally & internationally including Centre Pompidou, Gwangju Design Biennale-South Korea, National Museum of China, Milan Design Week, Milwaukee Art Museum, Chazen Museum of Art, Haggerty Museum of Art, Indiana State Museum and Historic Sites, Charles Allis Art Museum, Honolulu Museum of Art School, Philadelphia Art Alliance, Houston Center for Contemporary Craft, Museum of Contemporary Craft in Portland, Central Academy of Fine Arts Museum in Beijing and Taiwan Design Center. He published his work and research in Interior Design, Interni, Design Bureau, Transmaterial, Metropolis, American Craft, Artdaily Zhuangshi Magazine, Modern Weekly and Huffington Post. Centre Pompidou and the University of Virginia collected his work. Hongtao’s work is currently on view in the 2019 Venice Biennale in collaboration with TONTSEN DESIGN in the European Cultural Centre Exhibition.
This exhibition made possible thanks to the MSU College of Arts and Letters, Department of Art, Art History, and Design. Special Thanks to Xia Gao, Associate Professor of Apparel and Textile Design. Work shown made possible by Jiabao Zhu, Project Assistant, Making Lab, Tongji University, College of Design and Innovation (D&I).
“Cornbelt Catholicism” with Dr. Kristy Nabhan-Warren, Professor at University of Iowa
Thursday, October 3rd, 7:00pm, Lake Huron Room, MSU Union
Mystical Phenomena in Modern Catholicism: An Illustrated Talk
with Prof. Paula Kane, Endowed Chair of Contemporary Catholic Studies
Thursday, October 8th, 7:30pm
Among the more unusual elements of Catholic mysticism is the tradition of stigmata, chosen persons who are marked supernaturally with the wounds of the crucified Christ. The lecture will address the case of an American stigmatic of the early twentieth century and the political uses made of such events for a Catholic population trying to adapt to American society.
Please register for the Zoom event: