EVENTS

Calendar

Nov
17
Fri
American Council on the Teaching of Foreign Languages Expo 2017 @ Music City Center, Nashville, TN
Nov 17 – Nov 19 all-day

The ACTFL Annual Convention and World Languages Expo is an international event bringing together more than 7,000 language educators from all languages, levels, and assignments. Our goal is to provide a comprehensive professional development experience that will have an impact on language educators at all levels of teaching and in turn help their students to succeed in their language learning process. Come participate in the world’s most comprehensive language education meeting of the minds featuring more than 800 educational sessions in a variety of formats that focus on innovative programs, emerging trends that impact the language profession, and research-informed practices. While the exhibit hall will showcase more than 250 companies exhibiting their latest products and services, it is a learning experience within itself where you will find exhibitor sponsored workshops, the ACTFL Collab Zone, the Social Media Lounge, a Career Café, and an ACTFL Confer-sation Corner.

Nov
12
Mon
Olivia Gude Visiting Art Educator Lecture @ 107 South Kedzie Hall
Nov 12 @ 6:00 pm – 7:30 pm
Olivia Gude Visiting Art Educator Lecture @ 107 South Kedzie Hall | East Lansing | Michigan | United States

OLIVIA GUDE / NOVEMBER 12 / 107 S KEDZIE / 6PM

Olivia Gude is a Professor of Art Education at SAIC and a Professor Emerita at UIC. Gude is a member of the Council for Policy Studies in Art Education and of the Educational Advisory Board of the PBS series Art 21. Her research focuses on developing new paradigms for visual art curriculum.

This lecture is additionally sponsored by MSU Broad.

Feb
23
Sat
Learning Symposium: A Conversation Among CALLeagues @ Wells Hall (B-Wing Classrooms)
Feb 23 @ 1:00 pm – 4:00 pm

The primary activity at this event will be low-stakes, open house-style Table Presentations with “lightning talks” focusing specifically on Computer Assisted Language Learning (CALL) and ed tech tools and practices more generally. MSU’s Center for Language Training and Advancement (CeLTA) and hosts Adam Gacs (German) and Shannon Spasova (Russian) will also facilitate several presentations that will be broadcast and recorded for online participants.

Oct
2
Wed
jackie sumell Visiting Artist-in-Residence: Critical Race Studies Lecture @ MSU Broad Art Museum
Oct 2 @ 7:00 pm – 8:30 pm
jackie sumell Visiting Artist-in-Residence: Critical Race Studies Lecture @ MSU Broad Art Museum | East Lansing | Michigan | United States

jackie sumell | Wednesday, October 2 | Broad Art Museum | 7pm

jackie sumell is an AAHD Artist-in-Residence: Critical Race Studies. sumell is a multidisciplinary artist and prison abolitionist inspired most by the lives of everyday people. Her work is anchored at the intersection of activism and education. sumell’s collaboration with Herman Wallace (a prisoner-of-consciousness and member of the “Angola 3”) has positioned her at the forefront of the public campaign to end solitary confinement in the United States.

Support for this lecture is provided by the MSU Federal Credit Union, Broad Art Museum, The College of Arts and Letters, and the Department of Art, Art History, and Design.

 

 

Apr
2
Thu
POSTPONED: Elusive Conversations Philosophy & Environmental Governance Symposium @ Kellogg Hotel & Conference Center
Apr 2 @ 9:00 am – Apr 3 @ 7:45 pm
POSTPONED: Elusive Conversations  Philosophy & Environmental Governance Symposium @ Kellogg Hotel & Conference Center | East Lansing | Michigan | United States

MSU Philosophy & Environmental Governance regrets to announce that the Elusive Conversations Symposium has been postponed.  Please look for a new date for this event coming this August 2020.

hosted by MSU Philosophy & Environmental Governance

Two day symposium with three keynote speakers.

KEYNOTE  SPEAKERS

Deborah McGregor
York University’s Osgoode
Hall Law School

Christopher Preston
University of Montana

Andrew Light
George Mason University & World Resources Institute

The richness and diversity of contemporary environmental philosophy remains largely absent from the everyday dis- course and decision-making processes of
environmental governance. One reason for this is a sincere difficulty in translating the less tangible and measurable aspects of our environmental relationships into community practices and governing policies. More difficult still, the mechanisms of environmental decision-making have been historically structured
under the influence of latent environmental philosophies that are neither neutral nor equally welcoming to all considerations. The best plans too often produce the same impoverished results.

THIS SYMPOSIUM seeks to envision a richer and more inclusive environmental governance, proposing specific steps for how environmental philosophy can better engage current governance practices.

 

Oct
27
Tue
Gordon Hall Mutant Salon Talk @ Virtual on Zoom
Oct 27 @ 4:00 pm – 5:30 pm
Gordon Hall Mutant Salon Talk @ Virtual on Zoom

Please join the Department of Art, Art History, and Design on Tuesday, October 27 at 4 pm for a special lecture series titled Mutant Salon hosted by Young Joon Kwak,  2020-2021 Artist-in-Residence: Critical Race Studies. The second speaker in this series is artist Gordon Hall. This series is free and open to the public.

This event doesn’t require pre-registration, if you are interested in joining our zoom webinar, please join using the following link and password. https://msu.zoom.us/j/97803340342 pw: mutants

Gordon Hall is a sculptor, performance-maker, and writer based in New York. Hall has presented solo exhibitions at EMPAC (2014), Foxy Production (2014), Temple Contemporary (2016), The Renaissance Society (2018), MIT List Visual Arts Center (2018), and Portland Institute for Contemporary Art (2019). Hall’s sculptures and performances have been exhibited in a variety of group settings including Museum of Contemporary Art Chicago (2010), SculptureCenter (2012), Movement Research (2012), Brooklyn Museum (2014), White Columns (2015), Whitney Museum of American Art (2015), Hessel Museum at Bard College (2015), Chapter NY (2015), Art in General (2016), Wysing Arts Centre (2017), Abrons Arts Center (2017), Socrates Sculpture Park (2017), The Drawing Center (2018), David Zwirner New York (2018), and the Verge Center for the Arts (2019).

For more information about Gordon Hall, please visit their website:
http://gordonhall.net

Feb
17
Wed
Beatriz Cortez Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom
Feb 17 @ 4:00 pm – 5:30 pm
Beatriz Cortez Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom

Beatriz Cortez | February 17 | Virtual on Zoom | 4 PM EST

Beatriz Cortez (b. 1970, San Salvador, El Salvador; lives and works in Los Angeles) received an MFA from the California Institute of the Arts, and a Ph.D. in Literature and Cultural Studies from Arizona State University. Cortez’s work explores simultaneity, life in different temporalities, and different versions of modernity, particularly in relation to memory and loss in the aftermath of war and the experience of migration, and in relation to imagining possible futures. She has had solo exhibitions at Craft Contemporary, Los Angeles (2019); Clockshop, Los Angeles (2018); Vincent Price Art Museum, Los Angeles (2016); Monte Vista Projects, Los Angeles (2016); Centro Cultural de España de El Salvador (2014); and Museo Municipal Tecleño (MUTE), El Salvador (2012), among others. Cortez has participated in numerous group exhibitions, including at the Henry Art Gallery, Seattle (2019); Ballroom Marfa, TX (2019); Socrates Sculpture Park, New York (2019); John Michael Kohler Arts Center, Sheboygan, WI (2018); Hammer Museum, Los Angeles (2018); BANK/MABSOCIETY, Shanghai, China (2017); Whitney Museum of American Art, New York (2017); Centro Cultural Metropolitano, Quito, Ecuador (2016); and Los Angeles Contemporary Exhibitions (2016). Cortez is the recipient of the Artadia Los Angeles Award (2020), the inaugural Frieze Arto LIFEWTR Sculpture Prize (2019), the Emergency Grant from the Foundation of Contemporary Arts (2019), the Rema Hort Mann Foundation Emerging Artist Grant (2018), the Artist Community Engagement Grant (2017), and the California Community Foundation Fellowship for Visual Artists (2016).

For more information about Beatriz Cortez and their work, please visit their website

This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.

https://msu.zoom.us/j/97803340342 pw: mutants

For the security of our events, please do not share the link and password on social media.

Feb
24
Wed
Kelly Akashi Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom
Feb 24 @ 4:00 pm – 5:30 pm
Kelly Akashi Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom

Kelly Akashi | February 24 | Virtual on Zoom | 4 PM EST

This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.

https://msu.zoom.us/j/97803340342 pw: mutants

Material tactility, its possibilities, limitations, and transformation form the core of Kelly Akashi’s practice. Originally trained in analog photography, traditional processes and the materiality of documents continue to inform and fuel her sculptural explorations. Working in a variety of media, such as wax, bronze, fire, glass, silicone, copper, and rope, Akashi investigates the capacity and boundaries of these elements and their ability to construct and challenge conventional concepts of form.

Born in 1983 in Los Angeles, Kelly Akashi currently lives and works in Los Angeles, California. The artist graduated with a MFA from University of Southern California in 2014. Akashi studied at the Staatliche Hochschule für Bildende Künste – Städelschule in Frankfurt am Main and received her BFA at Otis College of Art and Design in 2006.

Currently on view at the Aspen Art Museum is a new commissioned sculpture, Cultivator, which will be on view at the museum’s Crown Commons through March 2021. Winner of the 2019 Carolyn Glasoe Bailey Foundation Art Prize the artist had a residency at the foundation in Ojai, California. Other residencies include ARCH Athens, Greece (2019) and at Headlands Center for the Arts, Sausalito, CA (2019) – both of which concluded with a solo exhibition. Other important solo exhibitions include Long Exposure curated by Ruba Katrib at the SculptureCenter, New York (2017). The artist’s work is currently featured in Ground/work at the Clark Art Institute and Possédé·e·s at MoCo Montpellier Contemporain in France. Other notable group exhibitions include the Hammer Museum’s biennial, Made in L.A. (2016); Museum of Contemporary Art, Detroit (2017); LA: A Fiction, Musée d’art contemporain de Lyon, France (2017); Take me (I’m Yours), curated by Hans Ulrich Obrist, Jens Hoffmann, and Kelly Taxter, Jewish Museum, New York (2016); Can’t Reach Me There, Midway Contemporary Art, Minneapolis (2015).

For more information about Kelly Akashi and their work, please visit their website.

Mar
17
Wed
Nikita Gale Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom
Mar 17 @ 4:00 pm – 5:30 pm
Nikita Gale Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom

Nikita Gale | March 17 | Virtual on Zoom | 4 PM EST

This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.

https://msu.zoom.us/j/97803340342 pw: mutants

Nikita Gale (b. 1983, Anchorage, Alaska; lives and works in Los Angeles) is an artist living and working in Los Angeles, California and holds a BA in Anthropology with an emphasis in Archaeological Studies from Yale University and earned an MFA in New Genres at UCLA. Gale’s practice is often structured by long-term obsessions with specific objects and the ways these objects gesture towards particular social and political histories. Gale uses ubiquitous consumer technologies as frameworks to consider how individuals potentially reproduce their relationships to objects within their relationships to psychic space and political, social, and economic systems. For Gale, the term “reproduction” is as much a mechanical, technical process as it is a process rooted in sex, biology, and the organic.

On a more physical register, Gale’s work points to the ways that many technologies can be understood as instruments that extend or amplify the body through a relationship to touch. Reproduction connects humans to a desire for extension and amplification both biologically and through industrial processes. By engaging with materials that have properties that are simultaneously acoustic and protective, Gale’s recent work considers the role of the audience as a social arena and examines the ways in which silence and noise function as political positions and conditions.

Nikita’s work has recently been exhibited at MoMA PS1 (New York); LACE (Los Angeles); Commonwealth and Council (Los Angeles); Matthew Marks Gallery (Los Angeles); The Studio Museum in Harlem (New York); Rodeo Gallery (London); Ceysson & Benetiere (Paris); and in “Made in L.A. 2018” at the Hammer Museum (Los Angeles). Gale’s work has appeared in numerous publications including The New York Times, Artforum, Art in America, Art21, AQNB, Frieze, Vogue, and Flash Art. Nikita currently serves on the Board of Directors for GREX, the west coast affiliate of the AK Rice Institute for the Study of Social Systems.

For more information about Nikita Gale and their work, please visit their website.

Mar
24
Wed
Amanda Ross-Ho Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom
Mar 24 @ 4:00 pm – 5:30 pm
Amanda Ross-Ho Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom

Amanda Ross-Ho | March 24 | Virtual on Zoom | 4 PM EST

This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.

https://msu.zoom.us/j/97803340342 pw: mutants

Amanda Ross-Ho’s work draws from a broad hierarchy of structures, mapping connectivity within the overlapping ecologies of personal and universal phenomena. Her evolving personal language combines forensic and theatrical gestures, diagramming the reflexive relationships between production, presentation, and the social contracts of viewership. Her sculpture, painting, photography, installation, and most recently, public works have been exhibited widely, nationally, and internationally.

Amanda Ross-Ho holds a BFA from the School of the Art Institute of Chicago and an MFA from the Roski School of Art, University of Southern California.  Solo exhibitions include Cherry and Martin, Los Angeles, Hoet Bekaert, Belgium, The Pomona Museum of Art, Mitchell-Innes and Nash New York, The Visual Arts Center, Austin, TX, Shane Campbell Gallery, Chicago, The Museum of Contemporary Art Los Angeles, Vleeshal Center for Contemporary Art, Middelburg, Netherlands, the Bonner Kunstverein, Bonn, Germany, The Approach, London, and Praz-Delavallade, Paris. Group exhibitions include Artists Space, New York, The Henry Art Gallery, Seattle, The Orange County Museum of Art, The Museum of Contemporary Art, Los Angeles, The Yerba Buena Center for the Arts, San Francisco, The Museum of Contemporary Art, Chicago, The Walker Art Center, Minneapolis, The New Museum, New York, The Museum of Modern Art, New York, and the 2008 Whitney Biennial. In 2013 she debuted her first large-scale commissioned public work at The Museum of Contemporary Art, Chicago, and in 2015, she presented a new large-scale sculpture commission in City Hall Park, New York City through the Public Art Fund. Ross-Ho’s work has been featured in Artforum, The New York Times, ArtReview, Modern Painters, Art in America, Flash Art, Art + Auction, and Frieze among others. She lives and works in Los Angeles.

For more information about Amanda Ross-Ho and their work, please visit their website.