Costume Party at the Moslem Temple
An exhibition featuring MSU Artist-in-Residence: Critical Race Studies Qais Assali.
March 15- May 11, 2019
Reception: March 15, 2019 6–8PM
Artist Lecture: March 20, 2019 @MSU Broad Art Museum, 7PM
Please join the MSU Union Art Gallery and the MSU Department of Art, Art History, and Design in celebrating the opening of Costume Party at the Moslem Temple on Friday, March 15 beginning at 6pm, remarks will be offered at 6:30pm. This solo exhibition features the work of MSU Artist-in-Residence: Critical Race Studies Qais Assali.
Assali’s interdisciplinary work stages questions between site and the body in relation to his own identity and locale in order to debunk metaphoric surrounding contested geographies. This exhibition was made possible thanks to collaborations with many others. Parade Float was made in collaboration with Syrian-American Artist Amanda Assaley. Mosaic Fountain was made by Syrian-American Artist Michael Howard. O My Lord, Increase me in Knowledge, was painted by Syrian-American Artist Reem Taki.
Costume Party at the Moslem Temple is organized by the MSU Union Art Gallery at Michigan State University. Support for this exhibition and associated programming is provided by the MSU Federal Credit Union, the MSU College of Arts & Letters, MSU Department of Art, Art History, and Design, the MSU Eli & Edythe Broad Art Museum, MSU Museum, MSU Library Digital Scholarship Lab, MSU Library Special Collections, MSU Muslim Studies Program, MSU Students United for Palestinian Rights, University of Michigan Special Collections Research Center, and the Arab American National Museum. Special thanks to Deborah Margolis, Jose Luis Benavides, Sally Howell, Penny Gardner, Becky Gaines, and Michael Dean.
Qais Assali (b. 1987 Palestine) is currently a Visiting Assistant Professor and Artist-in-Residence at Michigan State University. His works with video, installation, lecture performance, sound, photography, and in the archives seek to engage and subvert national geopolitical power dynamics. His interdisciplinary work stages questions between site and the body in relation to his own identity and locale in order to debunk metaphoric surrounding contested geographies.
Assali’s work has been internationally exhibited at Jeune création, Paris (2016); 6018North, Chicago (2018); Festival Artes Vertentes de Tiradentes, Brazil (2016); The Overlook Place, Chicago (2018); solo exhibitions at Akademirommet, Kunstnernes Hus, Oslo (2015); and Khan Al Wakala, Nablus (2016). Assali has been a faculty member at a number of academic institutions in Palestine including Al-Ummah College, Jerusalem, Palestine. Assali holds two master’s degrees – an MA in Art Education from the School of the Art Institute of Chicago and MFA from Bard College Milton Avery Graduate School.
2019 Master of Fine Arts Exhibition
March 23 – May 5, 2019 @Broad Art Museum
Reception March 23 6-8pm, Remarks at 6:30pm
The Master of Fine Arts Exhibition is the culmination of a three-year program in which artists explore their creative practice under the supervision of a faculty guidance committee. Extensive study in a medium or area of concentration, combined with coursework in the history of art and related fields, helps each artist situate their work within the broad field of contemporary art and design practice. The Department of Art, Art History, and Design celebrates the creative research of Laurén Brady, Chelsea Markuson, Mary Peacock, Mehrdad Sedaghat, and Andrew Somoskey as evidence of their achievement and continuing promise.
This year the annual Master of Fine Arts Prize will be awarded to an outstanding candidate by guest juror Dr. Tina Rivers Ryan, Assistant Curator at the Albright-Knox Art Gallery.
The 2019 Master of Fine Arts Exhibition is organized by the MSU Department of Art, Art History, and Design and the Eli and Edythe Broad Art Museum at Michigan State University, with curatorial oversight by Georgia Erger, Curatorial Assistant. Support for this exhibition is provided by the Graduate School at MSU and the John and Susan Berding Family Endowment.
UNDERGRADUATE EXHIBITION 2019
RECEPTION: Friday, April 5th
6:00-8:00PM // Remarks & Awards at 7PM
SHOW DATES: April 5 – April 28
Join us on Friday, April 5th from 6:00-8:00PM for the opening reception for the 2019 Undergraduate Exhibition at (SCENE) Metrospace. The 2019 Department of Art, Art History, and Design Undergraduate Exhibition marks an important achievement for our student exhibitors. These students continue a long history preceded by thousands of alumni who have shown in past Undergraduate Exhibitions at MSU. Centered in a learning environment that values the development of personal vision, critical inquiry, and philosophical reflection, undergraduate students across all disciplines make intellectual and artistic discoveries. This exhibition features a sampling of coursework from Apparel & Textile Design, Ceramics, Comics, Drawing, Electronic Art & Intermedia, Graphic Design, Photography, Painting, Printmaking, and Sculpture.
Alison Wong, Guest Juror
Alison Wong is first-generation Chinese American artist, curator, and educator based in Detroit, MI. Wong received her MFA from Cranbrook Academy of Art in Bloomfield Hills, MI and her BFA from Maryland Institute College of Art in Baltimore, MD. Primarily working in the field of painting and drawing, Wong takes inspiration from her personal histories and her professional practice as and Director and Curator of Wasserman Projects, founder of Butter Projects, and Adjunct Faculty at College for Creative Studies.
The Open House celebration of ISDay (International Sculpture Day) is Saturday, April 27 from 12:00pm-4:00pm, located in the Sculpture Building. The open house features work by graduate students Mary Peacock and Marcos Serafim, as well as graduating senior Richard Tanner. There’s also course work from Construction/Fabrication and Installation/Mixed Media. Come enjoy food, fun, and great conversations!
Current exhibitions featuring sculpture students:
Eli and Edythe Broad Art Museum, The Master of Fine Arts Exhibition
(SCENE) Metrospace: The 2019 Undergraduate Exhibition
Textscapes are 3D printed documents to reemphasis printing in modern technological world.
May 17 – July 12, 2019
Textscapes are 3D printed documents to reemphasis printing in modern technological world. Printing technology was first created in ancient China to reproduce text using woodblocks, however today’s definition had been widely adopted in 3D printing, an additive process more often to create objects instead of duplicate text. Textscape generates letter-sized 3D documents to visually profile the subject matters of the texts, such as cities, landscapes or figures. These documents make reading process interactive for general audience or blind people, as knowledge as well as art. This series of work has variations of braille, language characters, calligraphies and number systems to bridge the contents and its visuality in architecture, landscape, portraits and abstract matters.
Hongtao Zhou is an interdisciplinary scholar and artist, he researches, practices and teaches in the areas of Design, Architecture, Exhibition Design, Furniture Design & Fabrication and Contemporary Sculpture & Installation. Hongtao holds a PhD from Purdue University, a MFA from University of Wisconsin-Madison and a MS from Northeast Forest University of China. He is a professor at Tongji College of Design and Innovation (D&I) and a visiting professor at University of Hawaii-Manoa (UHM). Hongtao had been serving as the Director of the UHM Haigo and Irene Shen Architecture Gallery. Currently he is Executive Member and Curator of the National Association of Chinese Artists in American Academia.
Hongtao has exhibited nationally & internationally including Centre Pompidou, Gwangju Design Biennale-South Korea, National Museum of China, Milan Design Week, Milwaukee Art Museum, Chazen Museum of Art, Haggerty Museum of Art, Indiana State Museum and Historic Sites, Charles Allis Art Museum, Honolulu Museum of Art School, Philadelphia Art Alliance, Houston Center for Contemporary Craft, Museum of Contemporary Craft in Portland, Central Academy of Fine Arts Museum in Beijing and Taiwan Design Center. He published his work and research in Interior Design, Interni, Design Bureau, Transmaterial, Metropolis, American Craft, Artdaily Zhuangshi Magazine, Modern Weekly and Huffington Post. Centre Pompidou and the University of Virginia collected his work. Hongtao’s work is currently on view in the 2019 Venice Biennale in collaboration with TONTSEN DESIGN in the European Cultural Centre Exhibition.
This exhibition made possible thanks to the MSU College of Arts and Letters, Department of Art, Art History, and Design. Special Thanks to Xia Gao, Associate Professor of Apparel and Textile Design. Work shown made possible by Jiabao Zhu, Project Assistant, Making Lab, Tongji University, College of Design and Innovation (D&I).
Associate Professor, Art History
Natural History of the Sixth Extinction in Ann Hamilton’s the common S E N S E
October 18, 2019 , 12:00-1:00 pm, Flex Space at the Digital Scholarship Lab MSU Library, 2nd floor.
Coffee and refreshments provided
Dr. Margot B. Valles
Dr. Dov-Ber Kerler, Dr. Jack Kugelmass and Dr. Eli Rosenblatt
Dr. Margot B. Valles (MSU) will chair a panel bringing together three scholars of Yiddish who are 2019-2020 Frankel Institute Fellows exploring the theme of “Yiddish Matters” at the University of Michigan. Dr. Dov-Ber Kerler (Dr. Alice Field Cohn Chair in Yiddish Studies at Indiana University) is a contemporary Yiddish poet and ethnographer who is currently exploring the relationship between Yiddish poetry and the status of Yiddish today. Dr. Jack Kugelmass (Professor of Anthropology and the Melton Legislative Professor at the University of Florida) is a cultural anthropologist who studies Jewish identity and ethnography, particularly through travel narratives. Dr. Eli Rosenblatt (Northwestern University) works on racial politics and Ashkenazi identity through Yiddish literature. Together the panelists will explore Yiddish writing and culture in diverse contexts.
Father Patrick Desbois
Meticulous Nazi records of Jews killed in the death camps identify fewer than half of the Holocaust’s victims. When, where and how were the other victims killed? Father Patrick Desbois, Founder and President of Yahad – In Unum and Braman Endowed Professor of the Practice of the Forensic Study of the Holocaust at the Center for Jewish Civilization of Georgetown University, has sought and found the answers to these questions.
In 2004, he founded Yahad – In Unum (“Together in One”) whose original charter was documenting the evidence of the Holocaust in Eastern Europe. By studying the archives and interviewing the eyewitnesses to the 75-year-old crime of the Holocaust, Father Desbois and his team were able to shed light on a forgotten mechanism in Hitler’s killing machine – the Einsatzgruppen, mobile killing squads that rounded up Jews by the thousands and shot them dead in towns and villages across Eastern Europe.
Yahad-In Unum’s relentless study and research into the “Holocaust by Bullets” has revealed chilling parallels between the Nazi atrocities and those committed today by ISIS – particularly in its murder and enslavement of Yazidis. For the last several years, Father Desbois and his team have been gathering testimony from the survivors of those crimes in Northern Iraq. They have also established centers for children and women in refugee camps to help former captives’ transition back into society.