Please join the Department of Art, Art History, and Design on Tuesday, October 27 at 4 pm for a special lecture series titled Mutant Salon hosted by Young Joon Kwak, 2020-2021 Artist-in-Residence: Critical Race Studies. The second speaker in this series is artist Gordon Hall. This series is free and open to the public.
This event doesn’t require pre-registration, if you are interested in joining our zoom webinar, please join using the following link and password. https://msu.zoom.us/j/97803340342 pw: mutants
Gordon Hall is a sculptor, performance-maker, and writer based in New York. Hall has presented solo exhibitions at EMPAC (2014), Foxy Production (2014), Temple Contemporary (2016), The Renaissance Society (2018), MIT List Visual Arts Center (2018), and Portland Institute for Contemporary Art (2019). Hall’s sculptures and performances have been exhibited in a variety of group settings including Museum of Contemporary Art Chicago (2010), SculptureCenter (2012), Movement Research (2012), Brooklyn Museum (2014), White Columns (2015), Whitney Museum of American Art (2015), Hessel Museum at Bard College (2015), Chapter NY (2015), Art in General (2016), Wysing Arts Centre (2017), Abrons Arts Center (2017), Socrates Sculpture Park (2017), The Drawing Center (2018), David Zwirner New York (2018), and the Verge Center for the Arts (2019).
For more information about Gordon Hall, please visit their website:
Rania Stephan and The Three Disappearances of Soad Hosni
Join video artist Rania Stephan for a screening and discussion of her award-winning video, The Three Disappearances of Soad Hosni (2011). Stephan’s film, what she calls “an archaeology of images, identity, and memory,” ponders one of the great disappearing acts in the history of global cinema: the legacy and still mysterious death of Egyptian actress Soad Hosni. Hosni’s creative labor and iconic roles helped to define Egyptian cinema, and her personal life, never far from the public eye, generated a robust media legacy of its own. Drawing on footage from more than sixty rare videotapes that took Stephan over a decade to collect, the video emphasizes not official film archives, but the analog consumer electronics that kept Hosni’s work alive informally.