EVENTS

Calendar

Jun
1
Fri
SOMETIMES BLUEBIRD- Group Exhibition @ (SCENE) Metrospace
Jun 1 – Jul 15 all-day
SOMETIMES BLUEBIRD- Group Exhibition @ (SCENE) Metrospace | East Lansing | Michigan | United States

SOMETIMES BLUEBIRD

June 2 – July 15, 2018
Reception Friday, June 1, 2018 6–8pm

Sometimes Bluebird featuring the work of Marcos Valella, Britta Urness, and Jacquelynn Sullivan. This special exhibition is organized by Britta Urness. Sometimes Bluebird brings the work of three artists together to discover new layers of abstraction, the relationship between humans and experience, and what can materialize as an object – as an artwork – or appear as an activity. All three artists lean on differing subject matter (permanence, action, memory, communication, the self) and the resulting installations can be read as both ephemeral or long-lasting.

Aug
3
Fri
THEN NOW Painting and Drawings by Dianne Wolter @ MSU Union Art Gallery
Aug 3 – Oct 5 all-day
THEN NOW Painting and Drawings by Dianne Wolter @ MSU Union Art Gallery | East Lansing | Michigan | United States

THEN NOW

Featuring Dianne Wolter’s paintings and sculptures.

August 3- October 5, 2018

Reception September 8, 3-5PM

 

ARTIST STATEMENT

Painting provides me a process driven opportunity to experiment, discover, manipulate, play, and sometimes even tell a story. I value mark making and like to see evidence of the history of the process in the finished painting. Narrative has been a component of my art that allows me to ask questions and make observations. I use whimsy as a means to enliven or to soften the content. Recurring themes and images return to new environments. Images that possess a personal iconography are infused with content from experiences and memories that hold power. I begin by creating an active ground plane, and then working out to the surface, sometimes finding rather than imposing imagery. I enjoy working figuratively, layering, searching for ideas and inspiration from the manipulation of the media, and often but not always embracing a narrative.

Adding papier-mâché sculpture to my studio involvement has been a logical and natural extension to my previous singular focus of two-dimensional work.  The process is reductive, starting with foam forms that have been created by gluing construction foam into blocks that can be carved. Papier-mâché mulch and layers of paper finish off the surfaces and ease transitions and contours. The torn paper can communicate a new narrative while holding onto its past. I find myself stacking forms which is another way of layering, bringing elements together in proximity or support, contrasting familiar with fantastic.

BIO

Dianne Wolter graduated from Michigan State University in 1965 with a Bachelor of Fine Arts degree and a teaching certificate. Teaching and studio involvement have been the focus of her professional life since then.  She concentrated on fabric collage for the first 14 years of her creative journey, teaching it in public schools throughout southern Michigan sponsored by the Michigan Council for the Arts. In 1979, Wolter began teaching after school art classes in her home studio to area children. Sharing her studio with children was a rewarding and meaningful opportunity. To concentrate more fully on her own art, she retired from teaching in 2002 to focus more on painting. A whim to make a cat riding on a unicycle introduced sculpture as an additional interest. Since then, Wolter has been enjoying both sculpture and painting.

For more information about Dianne’s work please visit her website:

http://www.diannewolter.com/

Oct
16
Tue
Del Harrow Visiting Artist Lecture @ 109 South Kedzie Hall
Oct 16 @ 6:00 pm – 7:30 pm
Del Harrow Visiting Artist Lecture @ 109 South Kedzie Hall | East Lansing | Michigan | United States

DEL HARROW/ OCTOBER 16 / 109 S KEDZIE / 6PM

Spanning the genres of sculpture, ceramics and design, Del Harrow is an Associate Professor at CSU. His art practice integrates traditional manual and skill-based forming processes with digital fabrication technology. His work is an ongoing exploration of the possibility that a tactile physical form might contain, creating sites for the imagination and the thinking of thoughts.

For more information about Del Harrow, please visit:

del harrow

Apr
27
Sat
International Sculpture Day @ Kresge Art Center, Sculpture Annex
Apr 27 @ 12:00 pm – 4:00 pm
International Sculpture Day @ Kresge Art Center, Sculpture Annex | East Lansing | Michigan | United States

The Open House celebration of ISDay (International Sculpture Day) is Saturday, April 27 from 12:00pm-4:00pm, located in the Sculpture Building. The open house features work by graduate students Mary Peacock and Marcos Serafim, as well as graduating senior Richard Tanner. There’s also course work from Construction/Fabrication and Installation/Mixed Media. Come enjoy food, fun, and great conversations!

Current exhibitions featuring sculpture students:
Eli and Edythe Broad Art Museum, The Master of Fine Arts Exhibition
(SCENE) Metrospace: The 2019 Undergraduate Exhibition

Sep
16
Mon
Atul Bhalla Visiting Artist Lecture @ 105 S. Kedzie Hall
Sep 16 @ 6:00 pm – 7:30 pm
Atul Bhalla Visiting Artist Lecture @ 105 S. Kedzie Hall | East Lansing | Michigan | United States

Atul Bhalla | Monday, September 16 | 105 S. Kedzie | 6pm

Atul Bhalla is a conceptual artist who uses photography, performance, video, sculpture, and installation to immerse himself in the physical, historical, spiritual, and political significance of water. Bhalla is a Professor in the Department of Art and Performance Art at Shiv Nadar University in India.

Nov
20
Wed
Luis A. Sahagun Visiting Artist-in-Residence: Critical Race Studies Lecture @ MSU Broad Art Museum
Nov 20 @ 7:00 pm – 8:30 pm
Luis A. Sahagun Visiting Artist-in-Residence: Critical Race Studies Lecture @ MSU Broad Art Museum | East Lansing | Michigan | United States

Luis A. Sahagun | Wednesday, November 20 | Broad Art Museum | 7pm

Luis Sahagun is an AAHD Artist-in-Residence: Critical Race Studies. Sahagun’s drawings, sculptures, paintings, and performances confront the palpable inescapability of race and transforms art into an act of reclamation. As a previously undocumented immigrant and former laborer, Sahagun’s work focus on the importance of Latinx cultures and contributions in order to combat the anti-immigration and anti-Latinx national rhetoric that persists throughout the country.

Support for this lecture is provided by the MSU Federal Credit Union, Broad Art Museum, The College of Arts and Letters, and the Department of Art, Art History, and Design.

Feb
17
Wed
Beatriz Cortez Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom
Feb 17 @ 4:00 pm – 5:30 pm
Beatriz Cortez Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom

Beatriz Cortez | February 17 | Virtual on Zoom | 4 PM EST

Beatriz Cortez (b. 1970, San Salvador, El Salvador; lives and works in Los Angeles) received an MFA from the California Institute of the Arts, and a Ph.D. in Literature and Cultural Studies from Arizona State University. Cortez’s work explores simultaneity, life in different temporalities, and different versions of modernity, particularly in relation to memory and loss in the aftermath of war and the experience of migration, and in relation to imagining possible futures. She has had solo exhibitions at Craft Contemporary, Los Angeles (2019); Clockshop, Los Angeles (2018); Vincent Price Art Museum, Los Angeles (2016); Monte Vista Projects, Los Angeles (2016); Centro Cultural de España de El Salvador (2014); and Museo Municipal Tecleño (MUTE), El Salvador (2012), among others. Cortez has participated in numerous group exhibitions, including at the Henry Art Gallery, Seattle (2019); Ballroom Marfa, TX (2019); Socrates Sculpture Park, New York (2019); John Michael Kohler Arts Center, Sheboygan, WI (2018); Hammer Museum, Los Angeles (2018); BANK/MABSOCIETY, Shanghai, China (2017); Whitney Museum of American Art, New York (2017); Centro Cultural Metropolitano, Quito, Ecuador (2016); and Los Angeles Contemporary Exhibitions (2016). Cortez is the recipient of the Artadia Los Angeles Award (2020), the inaugural Frieze Arto LIFEWTR Sculpture Prize (2019), the Emergency Grant from the Foundation of Contemporary Arts (2019), the Rema Hort Mann Foundation Emerging Artist Grant (2018), the Artist Community Engagement Grant (2017), and the California Community Foundation Fellowship for Visual Artists (2016).

For more information about Beatriz Cortez and their work, please visit their website

This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.

https://msu.zoom.us/j/97803340342 pw: mutants

For the security of our events, please do not share the link and password on social media.

Feb
24
Wed
Kelly Akashi Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom
Feb 24 @ 4:00 pm – 5:30 pm
Kelly Akashi Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom

Kelly Akashi | February 24 | Virtual on Zoom | 4 PM EST

This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.

https://msu.zoom.us/j/97803340342 pw: mutants

Material tactility, its possibilities, limitations, and transformation form the core of Kelly Akashi’s practice. Originally trained in analog photography, traditional processes and the materiality of documents continue to inform and fuel her sculptural explorations. Working in a variety of media, such as wax, bronze, fire, glass, silicone, copper, and rope, Akashi investigates the capacity and boundaries of these elements and their ability to construct and challenge conventional concepts of form.

Born in 1983 in Los Angeles, Kelly Akashi currently lives and works in Los Angeles, California. The artist graduated with a MFA from University of Southern California in 2014. Akashi studied at the Staatliche Hochschule für Bildende Künste – Städelschule in Frankfurt am Main and received her BFA at Otis College of Art and Design in 2006.

Currently on view at the Aspen Art Museum is a new commissioned sculpture, Cultivator, which will be on view at the museum’s Crown Commons through March 2021. Winner of the 2019 Carolyn Glasoe Bailey Foundation Art Prize the artist had a residency at the foundation in Ojai, California. Other residencies include ARCH Athens, Greece (2019) and at Headlands Center for the Arts, Sausalito, CA (2019) – both of which concluded with a solo exhibition. Other important solo exhibitions include Long Exposure curated by Ruba Katrib at the SculptureCenter, New York (2017). The artist’s work is currently featured in Ground/work at the Clark Art Institute and Possédé·e·s at MoCo Montpellier Contemporain in France. Other notable group exhibitions include the Hammer Museum’s biennial, Made in L.A. (2016); Museum of Contemporary Art, Detroit (2017); LA: A Fiction, Musée d’art contemporain de Lyon, France (2017); Take me (I’m Yours), curated by Hans Ulrich Obrist, Jens Hoffmann, and Kelly Taxter, Jewish Museum, New York (2016); Can’t Reach Me There, Midway Contemporary Art, Minneapolis (2015).

For more information about Kelly Akashi and their work, please visit their website.

Mar
17
Wed
Nikita Gale Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom
Mar 17 @ 4:00 pm – 5:30 pm
Nikita Gale Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom

Nikita Gale | March 17 | Virtual on Zoom | 4 PM EST

This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.

https://msu.zoom.us/j/97803340342 pw: mutants

Nikita Gale (b. 1983, Anchorage, Alaska; lives and works in Los Angeles) is an artist living and working in Los Angeles, California and holds a BA in Anthropology with an emphasis in Archaeological Studies from Yale University and earned an MFA in New Genres at UCLA. Gale’s practice is often structured by long-term obsessions with specific objects and the ways these objects gesture towards particular social and political histories. Gale uses ubiquitous consumer technologies as frameworks to consider how individuals potentially reproduce their relationships to objects within their relationships to psychic space and political, social, and economic systems. For Gale, the term “reproduction” is as much a mechanical, technical process as it is a process rooted in sex, biology, and the organic.

On a more physical register, Gale’s work points to the ways that many technologies can be understood as instruments that extend or amplify the body through a relationship to touch. Reproduction connects humans to a desire for extension and amplification both biologically and through industrial processes. By engaging with materials that have properties that are simultaneously acoustic and protective, Gale’s recent work considers the role of the audience as a social arena and examines the ways in which silence and noise function as political positions and conditions.

Nikita’s work has recently been exhibited at MoMA PS1 (New York); LACE (Los Angeles); Commonwealth and Council (Los Angeles); Matthew Marks Gallery (Los Angeles); The Studio Museum in Harlem (New York); Rodeo Gallery (London); Ceysson & Benetiere (Paris); and in “Made in L.A. 2018” at the Hammer Museum (Los Angeles). Gale’s work has appeared in numerous publications including The New York Times, Artforum, Art in America, Art21, AQNB, Frieze, Vogue, and Flash Art. Nikita currently serves on the Board of Directors for GREX, the west coast affiliate of the AK Rice Institute for the Study of Social Systems.

For more information about Nikita Gale and their work, please visit their website.

Mar
24
Wed
Amanda Ross-Ho Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom
Mar 24 @ 4:00 pm – 5:30 pm
Amanda Ross-Ho Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom

Amanda Ross-Ho | March 24 | Virtual on Zoom | 4 PM EST

This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.

https://msu.zoom.us/j/97803340342 pw: mutants

Amanda Ross-Ho’s work draws from a broad hierarchy of structures, mapping connectivity within the overlapping ecologies of personal and universal phenomena. Her evolving personal language combines forensic and theatrical gestures, diagramming the reflexive relationships between production, presentation, and the social contracts of viewership. Her sculpture, painting, photography, installation, and most recently, public works have been exhibited widely, nationally, and internationally.

Amanda Ross-Ho holds a BFA from the School of the Art Institute of Chicago and an MFA from the Roski School of Art, University of Southern California.  Solo exhibitions include Cherry and Martin, Los Angeles, Hoet Bekaert, Belgium, The Pomona Museum of Art, Mitchell-Innes and Nash New York, The Visual Arts Center, Austin, TX, Shane Campbell Gallery, Chicago, The Museum of Contemporary Art Los Angeles, Vleeshal Center for Contemporary Art, Middelburg, Netherlands, the Bonner Kunstverein, Bonn, Germany, The Approach, London, and Praz-Delavallade, Paris. Group exhibitions include Artists Space, New York, The Henry Art Gallery, Seattle, The Orange County Museum of Art, The Museum of Contemporary Art, Los Angeles, The Yerba Buena Center for the Arts, San Francisco, The Museum of Contemporary Art, Chicago, The Walker Art Center, Minneapolis, The New Museum, New York, The Museum of Modern Art, New York, and the 2008 Whitney Biennial. In 2013 she debuted her first large-scale commissioned public work at The Museum of Contemporary Art, Chicago, and in 2015, she presented a new large-scale sculpture commission in City Hall Park, New York City through the Public Art Fund. Ross-Ho’s work has been featured in Artforum, The New York Times, ArtReview, Modern Painters, Art in America, Flash Art, Art + Auction, and Frieze among others. She lives and works in Los Angeles.

For more information about Amanda Ross-Ho and their work, please visit their website.