ZIG JACKSON / OCTOBER 8 / B310 WELLS / 7PM
Photographer and Professor at SCAD, Zig Jackson identifies and tackles issues that sometimes radically different Native American tribes have in common such as how to deal with tourism. marketing, myth, traditions, and stereotyping. He uses his work to raise awareness about cultural identity, representation, and appropriation to touch on issues like paternalism, sovereignty, and commodification.
For more information about Zig Jackson, please visit:
DEL HARROW/ OCTOBER 16 / 109 S KEDZIE / 6PM
Spanning the genres of sculpture, ceramics and design, Del Harrow is an Associate Professor at CSU. His art practice integrates traditional manual and skill-based forming processes with digital fabrication technology. His work is an ongoing exploration of the possibility that a tactile physical form might contain, creating sites for the imagination and the thinking of thoughts.
For more information about Del Harrow, please visit:
RENEE MUSSAI / OCTOBER 25 / 107 S KEDZIE / 6PM
London-based curator, writer, and art historian, Renée Mussai is Curator and head of Archive at Autograph ABP, an arts charity that works internationally in photography and film, addressing themes of cultural identity, race, representation and human rights.
OLIVIA GUDE / NOVEMBER 12 / 107 S KEDZIE / 6PM
Olivia Gude is a Professor of Art Education at SAIC and a Professor Emerita at UIC. Gude is a member of the Council for Policy Studies in Art Education and of the Educational Advisory Board of the PBS series Art 21. Her research focuses on developing new paradigms for visual art curriculum.
This lecture is additionally sponsored by MSU Broad.
DR STEPHEN EISENMAN / NOVEMBER 29 / MSU LIBRARY GREEN ROOM / 6PM
Dr. Stephen Eisenman is a Professor of Art History at Northwestern. Eisenman is the author of nine books, including most recently Zooicide, with the artist Sue Coe. Eisenman has also curated and reviewed exhibitions, written articles and op-eds. Eisenman will present the keynote lecture for the 2018 Art History & Visual Culture Symposium.
Fundamentals of Comic Art and Graphic Novel students from this semester will have their work featured at Hollow Mountain Comics and Games in East Lansing, MI. This in-store signing on Saturday, December 8th begins at 12pm and ends at 2pm. Stop-in to purchase a copy of their comic books and get it signed by the artist.
MSU Union Art Gallery
49 Abbott Road, Rm. 230, East Lansing, MI 48824
The Wash (As It Seams)
Solo exhibition featuring the work of Babette Shaw.
January 21 – March 2, 2019
Artist Lecture January 31 6pm, Natural Science Rm. 326
Exhibition Reception February 1, 6 – 8pm
Babette Shaw Artist Statement
As human beings, we communicate through language, visual and verbal. We have within us an innate desire to connect with one another, yet our language, essential to communication, often serves to polarize us both interpersonally and through the maintenance of institutionalized systems of dominance, oppression, and coercion. Inherent within our language are misogynistic words, phrases, and ideals that inform us and affect the way we interact with one another.
Inception of this work began with a certain group of political leaders speaking mis-information about womxn’s bodies; as a consequence, most womxn, regardless of party alignment, voted against their interests. Yet, statements and occurrences made public throughout the recent United States election processes reveal what low-base views we are willing to accept about womxn, however damaging or oppressive to the potential growth beyond them. Misogynistic language, gendered ideals, gendered scripts influence our politics, our laws, our institutions, the wage gap, our public and personal spaces, our social and interpersonal relationships. These bodies of work are representative of personal narratives and of individual womxn who have chosen to share their stories.
Babette Shaw Bio
Babette Shaw, native to California, is an exhibiting photography-based social practice artist whose work includes photography, sculpture, fiber art, installation, and the written or spoken word.
She received her MFA in Photography from The University of Memphis with undergraduate academic pursuits in fine art photography, creative writing, and gender studies. As an artist, she addresses issues concerning gender and race constructions and disparities in contemporary culture, as well as their historic and archaic underpinnings. Shaw currently teaches at the University of North Carolina, Greensboro. Alongside her art practice and her teaching, she has served on numerous panels for organizations, including the National Center for Research on Women (CROW), and has given lectures at various academic and community-based institutions. Her work is in public and private collections across the country.
Shaw is here to engage the Michigan State University campus as Visiting Artist and Scholar to invite students, past and present (as well as other members from the community), to participate in one of her social practice projects, The Panty Project, which is designed to help individuals and communities heal from gendered and sexual trauma and abuse. While on campus, Shaw will be meeting with womxn from the greater MSU community who have chosen to share their stories as part of this ongoing work. If you are interested in participating in The Panty Project, please email firstname.lastname@example.org.
BABETTE SHAW / JANUARY 31 / 326 NATURAL SCIENCE / 6PM Photography-based social practice artist, Babette Shaw addresses issues concerning gender and race constructions and disparities in contemporary culture, as well as their archaic underpinnings. Shaw teaches at UNC, Greensboro and her lecture accompanies a solo exhibition at the MSU Union Art Gallery.