Our next exhibition at the MSU Union Art Gallery, Grand River, a solo exhibition featuring the work of Jeffery Evergreen. Evergreen recieved his MFA in Print Media from Cranbrook in 2014 and BFA from Michigan State University in 2004 with a concentration in Painting & Sculpture.
The circulation, remediation, and recombination of images is the current focus of Evergreen’s arts practice. He uses a combination of digital and print processes to deconstruct contemporary images and draw attention to the materials and processes used and invite viewers to reconsider their personal relationship with images, technology, and mass media. But rather than offering some ideologically over-simplified answer, he prefers that larger questions about meaning and cultural value persist, coming to the fore to initiate conversations in which a more broad and balanced understanding may be achieved.
June 2 – July 15, 2018
Reception Friday, June 1, 2018 6–8pm
Sometimes Bluebird featuring the work of Marcos Valella, Britta Urness, and Jacquelynn Sullivan. This special exhibition is organized by Britta Urness. Sometimes Bluebird brings the work of three artists together to discover new layers of abstraction, the relationship between humans and experience, and what can materialize as an object – as an artwork – or appear as an activity. All three artists lean on differing subject matter (permanence, action, memory, communication, the self) and the resulting installations can be read as both ephemeral or long-lasting.
DRAWN TO PRINT
A national juried exhibition of drawning and printmaking and everything inbetween.
July 27 – August 31, 2018
Reception July 27, 6-8PM
This exhibition is the result of a national call and features works on paper that explore the ways in which the diverse and inclusive mediums of drawing and printmaking converge and are completely separate.
The path followed by a brayer can begin with a pencil, a mouse, a cut, or a maybe a stencil. There is no limit to the ideas that can be explored through drawing or printmaking. The presence of the artist in these processes can be at the forefront or separated by many layers of information. Surfaces can be additive or subtractive. Lines and forms can be ink, paint, graphite, thread, a cut or a tear. The work in this exhibition meets with the act of one material being pulled across the surface of another.
This exhibition features work from:
HECTOR DEL CAMPO
SALLY SCHLUTER TARDELLA