HELINA METAFERIA / FEBRUARY 20 / MSU BROAD / 7PM
Helina Metaferia is an AAHD Artist in Residence: Critical Race Studies. Metaferia is an interdisciplinary artist working in performance, video, installation, and collage. Her research is devoted to asserting the black body into sites of systemic oppression. Her lecture is presented in association with a solo exhibition at (SCENE) Metrospace.
This lecture is additionally sponsored by the MSU Federal Credit Union.
On Friday October 16th from 3-5:30 pm, we are lucky enough to have Broadway’s Carrie Manolakos giving a masterclass in singing that is free and open to all College of Art & Letters students!
Carrie Manolakos is a Broadway star, actress, writer, and recording artist best known for her roles on stage, including Sophie Sheridan in Broadways Mamma Mia! and Elphaba in the National Tour of Wicked. Carrie can also be heard as a voice on The Greatest Showman and Incredibles 2, and her live interpretation of Radiohead’s Creep became an international phenomenon nearing 4 million views and counting.
To attend, please register using the Zoom link below as soon as possible. Students can participate in the webinar by asking questions and observing.
Carrie will also be doing an online live concert with the Wharton Center on Friday October 23rd.
Rania Stephan and The Three Disappearances of Soad Hosni
Join video artist Rania Stephan for a screening and discussion of her award-winning video, The Three Disappearances of Soad Hosni (2011). Stephan’s film, what she calls “an archaeology of images, identity, and memory,” ponders one of the great disappearing acts in the history of global cinema: the legacy and still mysterious death of Egyptian actress Soad Hosni. Hosni’s creative labor and iconic roles helped to define Egyptian cinema, and her personal life, never far from the public eye, generated a robust media legacy of its own. Drawing on footage from more than sixty rare videotapes that took Stephan over a decade to collect, the video emphasizes not official film archives, but the analog consumer electronics that kept Hosni’s work alive informally.