An exhibition of nature, science, philosophy, art history plus found objects and words by Robert B. Park.
September 15- November 4, 2017
(SCENE) Metrospace and the MSU Department of Art, Art History, and Design are excited to announce the opening of Quantum Entanglement featuring the work of Robert B. Park of Bath, Michigan. Park received his BFA in 1969 from Michigan State University, after completing his degree he returned in the early 70’s to obtain a teaching certification. Park’s work has been extensively shown regionally and nationally. His work is held in private collections through the United States and abroad. Throughout his career, his work has been the recipient of awards from exhibitions nationwide. This exhibition is the result of decades of making.
During Exhibitions (SCENE) Metrospace maintains the following hours and is free and open to the public with the exception of some special programming:
Our next exhibition at the MSU Union Art Gallery, Grand River, a solo exhibition featuring the work of Jeffery Evergreen. Evergreen recieved his MFA in Print Media from Cranbrook in 2014 and BFA from Michigan State University in 2004 with a concentration in Painting & Sculpture.
The circulation, remediation, and recombination of images is the current focus of Evergreen’s arts practice. He uses a combination of digital and print processes to deconstruct contemporary images and draw attention to the materials and processes used and invite viewers to reconsider their personal relationship with images, technology, and mass media. But rather than offering some ideologically over-simplified answer, he prefers that larger questions about meaning and cultural value persist, coming to the fore to initiate conversations in which a more broad and balanced understanding may be achieved.
Self – Clarissa R Gerber
Show Dates: May 25- July 21, 2018
Reception: Saturday, July 21
Whether understood as complex physiological organisms or as souls swaddled in flesh, humans embody mystery and potentiality. My interest goes beyond the unseen and incorporeal elements to embrace the physicality of people as well as their collective psychology. I find subtle moments revealing—the tension in an arm, the curve of a shoulder, the intense look in an eye, and the connections people make when they look at each other.
My work rides the edge between different modes of painting with color acting as a central component. I am drawn to that space where representation meets abstraction and where volume and flatness intersect. Overlapping marks create layers of paint that both reveal and conceal, similar to our physical surroundings’ ability to both reflect and influence our identity. My current series acts as both a study of persona and as conduit to express emotion for myself, for the model, and for the viewer. Through the use of color and the expressive language of paint, my work connects the personal to that which links us as human beings.
Clarissa R Gerber received her Master of Fine Arts degree in Painting from Michigan State University in 2011. Gerber is a figurative painter who uses color and the expressive language of paint to present the human form, both physically and psychologically. Her work has been exhibited numerous times in national juried exhibitions, including the Brooklyn Waterfront Artists Coalition in Brooklyn, New York; Gallery 263 in Cambridge, Massachusetts; Union Street Gallery in Chicago Heights, Illinois; and First Street Gallery in New York City. In 2015, Gerber had a solo exhibition entitled Sensation in the Sheetz and McLanahan Galleries on the campus of Penn State Altoona. She is currently an Assistant Professor of Art at Cuyahoga Community College in Cleveland, Ohio. Additional information and images of Gerber’s work are available at ClarissaRGerber.com.
Rania Stephan and The Three Disappearances of Soad Hosni
Join video artist Rania Stephan for a screening and discussion of her award-winning video, The Three Disappearances of Soad Hosni (2011). Stephan’s film, what she calls “an archaeology of images, identity, and memory,” ponders one of the great disappearing acts in the history of global cinema: the legacy and still mysterious death of Egyptian actress Soad Hosni. Hosni’s creative labor and iconic roles helped to define Egyptian cinema, and her personal life, never far from the public eye, generated a robust media legacy of its own. Drawing on footage from more than sixty rare videotapes that took Stephan over a decade to collect, the video emphasizes not official film archives, but the analog consumer electronics that kept Hosni’s work alive informally.