Atul Bhalla | Monday, September 16 | 105 S. Kedzie | 6pm
Atul Bhalla is a conceptual artist who uses photography, performance, video, sculpture, and installation to immerse himself in the physical, historical, spiritual, and political significance of water. Bhalla is a Professor in the Department of Art and Performance Art at Shiv Nadar University in India.
Ed Tech Brown Bag #1: Speed Dating
Wed., Feb 5. 12:00-1:00pm. Wells Hall B342
ELC Ed Tech Specialist Austin Kaufmann will give a 2-minute Speed Dating pitch for each of his Ten Most Frequently Used Ed Tech Tools. Participants will note down which tools they are most interested in, and based on their top choices, Austin will create a semester schedule for smaller group trainings. (Feel free to bring your lunch!)
This virtual Locus event will provide a collegial forum for scholars in any discipline to share research developments at any stage (including brainstorming, works in progress, and/or fully developed projects), as well as ideas and best practices for teaching. Presentations and conversation will cover a variety of topics specific to digital technologies and gender studies. Please join us!
Register at: https://forms.gle/gcTWRjxXNh8gfoQj7
“A Visionary New Build: The Department of African American and African Studies”
Presented by Tamura Lomax, Ph.D., and Ruth Nicole Brown, Ph.D., of the Department of African American and African Studies
Description: In this episode of Conversations with CAL, Dr. Ruth Nicole Brown and Dr. Tamura Lomax reveal their experiences joining MSU during a global pandemic and discuss the visionary new build of the Department of African American and African Studies.
RSVP LINK: https://msu.zoom.us/s/96416030134
Rania Stephan and The Three Disappearances of Soad Hosni
Join video artist Rania Stephan for a screening and discussion of her award-winning video, The Three Disappearances of Soad Hosni (2011). Stephan’s film, what she calls “an archaeology of images, identity, and memory,” ponders one of the great disappearing acts in the history of global cinema: the legacy and still mysterious death of Egyptian actress Soad Hosni. Hosni’s creative labor and iconic roles helped to define Egyptian cinema, and her personal life, never far from the public eye, generated a robust media legacy of its own. Drawing on footage from more than sixty rare videotapes that took Stephan over a decade to collect, the video emphasizes not official film archives, but the analog consumer electronics that kept Hosni’s work alive informally.
Digital Humanities at Michigan State University is proud to extend its symposium series on Global DH into its sixth year. Digital humanities scholarship continues to be driven by work at the intersections of a range of distinct disciplines and an ethical commitment to preserve and broaden access to cultural materials. The most engaged global DH scholarship, that which MSU champions, values digital tools that enhance the capacity of scholarly critique to reflect a broad range of literary, historical, new media, and cultural positions, and diverse ways of valuing cultural production and knowledge work. Particularly valuable are strategies in which the digital form manifests a critical perspective on the digital content and the position of the researcher to their material.
With the growth of the digital humanities, particularly in under-resourced and underrepresented areas, a number of complex issues surface, including, among others, questions of ownership, cultural theft, virtual exploitation, digital rights, endangered data, and the digital divide. We view the 2021 symposium as an opportunity to broaden the conversation about these issues. Scholarship that works across borders with foci on transnational partnerships and globally accessible data is especially welcome.
Michigan State University has been intentionally global for more than 60 years, with over 1,400 faculty involved in international research, teaching, and service. For the past 20 years, MSU has developed a strong research area in culturally engaged, global digital humanities. Matrix, a digital humanities and social science center at MSU, has done dozens of digital projects in West and Southern Africa that have focused on ethical and reciprocal relationships and capacity building. WIDE has set best practices for doing community engaged, international, archival work with the Samaritan Collections, Archive 2.0. Today many scholars in the humanities at MSU are engaged in digital projects relating to global, indigenous, and/or underrepresented groups and topics.
Find out more about this free and fully virtual event, including the Call for Proposals and Registration information at http://msuglobaldh.org.