Featuring Dianne Wolter’s paintings and sculptures.
August 3- October 5, 2018
Reception September 8, 3-5PM
Painting provides me a process driven opportunity to experiment, discover, manipulate, play, and sometimes even tell a story. I value mark making and like to see evidence of the history of the process in the finished painting. Narrative has been a component of my art that allows me to ask questions and make observations. I use whimsy as a means to enliven or to soften the content. Recurring themes and images return to new environments. Images that possess a personal iconography are infused with content from experiences and memories that hold power. I begin by creating an active ground plane, and then working out to the surface, sometimes finding rather than imposing imagery. I enjoy working figuratively, layering, searching for ideas and inspiration from the manipulation of the media, and often but not always embracing a narrative.
Adding papier-mâché sculpture to my studio involvement has been a logical and natural extension to my previous singular focus of two-dimensional work. The process is reductive, starting with foam forms that have been created by gluing construction foam into blocks that can be carved. Papier-mâché mulch and layers of paper finish off the surfaces and ease transitions and contours. The torn paper can communicate a new narrative while holding onto its past. I find myself stacking forms which is another way of layering, bringing elements together in proximity or support, contrasting familiar with fantastic.
Dianne Wolter graduated from Michigan State University in 1965 with a Bachelor of Fine Arts degree and a teaching certificate. Teaching and studio involvement have been the focus of her professional life since then. She concentrated on fabric collage for the first 14 years of her creative journey, teaching it in public schools throughout southern Michigan sponsored by the Michigan Council for the Arts. In 1979, Wolter began teaching after school art classes in her home studio to area children. Sharing her studio with children was a rewarding and meaningful opportunity. To concentrate more fully on her own art, she retired from teaching in 2002 to focus more on painting. A whim to make a cat riding on a unicycle introduced sculpture as an additional interest. Since then, Wolter has been enjoying both sculpture and painting.
For more information about Dianne’s work please visit her website:
Join the Department of Art, Art History, and Design on Friday, November 2 from 2-4pm in the MSU Main Library 4th Floor Green Room for the Biennial Art History and Visual Culture Alumni Symposium. This is an opportunity to hear from MSU Alumni pursuing careers in a variety of arts and culture related fields.
Eric Booker: Education and outreach at the Studio Museum, New York
Sydney Richards: Matthaei Gardens at University of Michigan, Ann Arbor
Janine Yorimoto Boldt: Curator at American Philosophical Society, Philadelphia
Lisa Wolter: Vice President of ArtsWave Community Campaign, Cincinnati
DR QIANA WHITTED / FEBRUARY 23 / MSU LIBRARY BEAL ROOM / 12PM
Dr. Qiana Whitted teaches at USC, her research focuses on African-American literary studies and American comic books. Her most recently published articles and book chapters explore race, genre, and comics in representations of historical figures such as Nat Turner, Stagger Lee, and Emmett Till. Her forthcoming book on race and social protest in 1950s EC comics will be published in 2019. Whitted is the 2019 Comics Forum Scholar Keynote Speaker.