EVENTS

Calendar

Oct
4
Fri
Nothing Compares to Sinead O’Connor: Religion, Music, and Popular Culture
Oct 4 @ 12:00 pm – 1:00 pm

A conversation with Religious Studies faculty members and undergraduate students.

REL faculty members: Dr. Amy DeRogatis, Dr. Mohammad Khalil, Dr. David Stowe, and Dr. Morgan Shipley

Friday, October 4th, 12:00pm, A306 Wells Hall

Nov
20
Wed
Luis A. Sahagun Visiting Artist-in-Residence: Critical Race Studies Lecture @ MSU Broad Art Museum
Nov 20 @ 7:00 pm – 8:30 pm
Luis A. Sahagun Visiting Artist-in-Residence: Critical Race Studies Lecture @ MSU Broad Art Museum | East Lansing | Michigan | United States

Luis A. Sahagun | Wednesday, November 20 | Broad Art Museum | 7pm

Luis Sahagun is an AAHD Artist-in-Residence: Critical Race Studies. Sahagun’s drawings, sculptures, paintings, and performances confront the palpable inescapability of race and transforms art into an act of reclamation. As a previously undocumented immigrant and former laborer, Sahagun’s work focus on the importance of Latinx cultures and contributions in order to combat the anti-immigration and anti-Latinx national rhetoric that persists throughout the country.

Support for this lecture is provided by the MSU Federal Credit Union, Broad Art Museum, The College of Arts and Letters, and the Department of Art, Art History, and Design.

Dec
5
Thu
HIVES Presentation/Reading with Petra Kuppers @ 300 Bessey Hall (The Writing Center)
Dec 5 @ 4:00 pm – 5:30 pm
HIVES Presentation/Reading with Petra Kuppers @ 300 Bessey Hall (The Writing Center)

Please join us and invite your students:

 

Presentation/Reading with Petra Kuppers

Petra Kuppers is a disability culture activist, a community artist, and a Professor of English, Women’s Studies, Theatre and Dance, and Art and Design

Date: Thursday, December 5, 2019

Time:  4-5:30 pm

Location: 300 Bessey Hall (The Writing Center)

 

 

Presented by HIVES, The Writing Center, and Legacies of the Enlightenment

Oct
16
Fri
Writing & Pedagogy Workshops: Anti-Racist @ via Zoom
Oct 16 @ 3:00 pm – 5:00 pm
Writing & Pedagogy Workshops: Anti-Racist @ via Zoom

Anti-Racist Pedagogy and Online Teaching

Schedule: 16 October, 3 PM – 4 PM (via Zoom), with Cristóbal Martinez

This workshop is aimed to address the pressing need to implement an anti-racist pedagogy in Online Teaching. Graduate student Cristóbal Martinez will share his efforts to enact an anti-racist pedagogy for online instruction. This workshop will be open to graduate instructors affiliated with the College of Arts and Letters and we are expecting a guest speaker for the event who will give a talk about anti-racist pedagogy.

Feb
17
Wed
Beatriz Cortez Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom
Feb 17 @ 4:00 pm – 5:30 pm
Beatriz Cortez Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom

Beatriz Cortez | February 17 | Virtual on Zoom | 4 PM EST

Beatriz Cortez (b. 1970, San Salvador, El Salvador; lives and works in Los Angeles) received an MFA from the California Institute of the Arts, and a Ph.D. in Literature and Cultural Studies from Arizona State University. Cortez’s work explores simultaneity, life in different temporalities, and different versions of modernity, particularly in relation to memory and loss in the aftermath of war and the experience of migration, and in relation to imagining possible futures. She has had solo exhibitions at Craft Contemporary, Los Angeles (2019); Clockshop, Los Angeles (2018); Vincent Price Art Museum, Los Angeles (2016); Monte Vista Projects, Los Angeles (2016); Centro Cultural de España de El Salvador (2014); and Museo Municipal Tecleño (MUTE), El Salvador (2012), among others. Cortez has participated in numerous group exhibitions, including at the Henry Art Gallery, Seattle (2019); Ballroom Marfa, TX (2019); Socrates Sculpture Park, New York (2019); John Michael Kohler Arts Center, Sheboygan, WI (2018); Hammer Museum, Los Angeles (2018); BANK/MABSOCIETY, Shanghai, China (2017); Whitney Museum of American Art, New York (2017); Centro Cultural Metropolitano, Quito, Ecuador (2016); and Los Angeles Contemporary Exhibitions (2016). Cortez is the recipient of the Artadia Los Angeles Award (2020), the inaugural Frieze Arto LIFEWTR Sculpture Prize (2019), the Emergency Grant from the Foundation of Contemporary Arts (2019), the Rema Hort Mann Foundation Emerging Artist Grant (2018), the Artist Community Engagement Grant (2017), and the California Community Foundation Fellowship for Visual Artists (2016).

For more information about Beatriz Cortez and their work, please visit their website

This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.

https://msu.zoom.us/j/97803340342 pw: mutants

For the security of our events, please do not share the link and password on social media.

Feb
24
Wed
Kelly Akashi Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom
Feb 24 @ 4:00 pm – 5:30 pm
Kelly Akashi Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom

Kelly Akashi | February 24 | Virtual on Zoom | 4 PM EST

This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.

https://msu.zoom.us/j/97803340342 pw: mutants

Material tactility, its possibilities, limitations, and transformation form the core of Kelly Akashi’s practice. Originally trained in analog photography, traditional processes and the materiality of documents continue to inform and fuel her sculptural explorations. Working in a variety of media, such as wax, bronze, fire, glass, silicone, copper, and rope, Akashi investigates the capacity and boundaries of these elements and their ability to construct and challenge conventional concepts of form.

Born in 1983 in Los Angeles, Kelly Akashi currently lives and works in Los Angeles, California. The artist graduated with a MFA from University of Southern California in 2014. Akashi studied at the Staatliche Hochschule für Bildende Künste – Städelschule in Frankfurt am Main and received her BFA at Otis College of Art and Design in 2006.

Currently on view at the Aspen Art Museum is a new commissioned sculpture, Cultivator, which will be on view at the museum’s Crown Commons through March 2021. Winner of the 2019 Carolyn Glasoe Bailey Foundation Art Prize the artist had a residency at the foundation in Ojai, California. Other residencies include ARCH Athens, Greece (2019) and at Headlands Center for the Arts, Sausalito, CA (2019) – both of which concluded with a solo exhibition. Other important solo exhibitions include Long Exposure curated by Ruba Katrib at the SculptureCenter, New York (2017). The artist’s work is currently featured in Ground/work at the Clark Art Institute and Possédé·e·s at MoCo Montpellier Contemporain in France. Other notable group exhibitions include the Hammer Museum’s biennial, Made in L.A. (2016); Museum of Contemporary Art, Detroit (2017); LA: A Fiction, Musée d’art contemporain de Lyon, France (2017); Take me (I’m Yours), curated by Hans Ulrich Obrist, Jens Hoffmann, and Kelly Taxter, Jewish Museum, New York (2016); Can’t Reach Me There, Midway Contemporary Art, Minneapolis (2015).

For more information about Kelly Akashi and their work, please visit their website.

Feb
26
Fri
2021 MSU Comics Forum @ Virtual
Feb 26 @ 8:30 am – Feb 27 @ 5:00 pm
2021 MSU Comics Forum @ Virtual

Please join us for the 14th annual MSU Comics Forum. This is a multi-day, annual event for scholars, creators and fans of the comics medium.  Events include keynote addresses from an award-winning creator and scholar in the field, an artist alley, academic panel discussions, comic book discussion groups and more.  MSU is also home of the Comic Art and Graphic Novel Minor, the MSU Comic Art and Graphic Novel Podcast, and the largest public collection of comic books in the world which is housed in our Special Collections Library.

This event is free and open to the public and this year all of the events will be hosted online.

Artist Alley open February 26 – March 5, 2021
FRIDAY, FEBRUARY 26 & SATURDAY, FEBRUARY 27, 2021
Panel Discussions & Keynote Lectures Schedule:
MSU Comics Forum YouTube Channel
Schedule on MSU Comics Forum Panel Discussions Page

        Friday, February 26, 2021        

8:30 am (EST) Welcome Remarks

9:00 am (EST) Roundtable 1: Comics as Data North America (CaDNA)
Participants:

  • Julian Chambliss, Professor of English, Michigan State University, (Moderator)
  • Justin Wigard, Michigan State University
  • Kate Topham, Digital Humanities Archivist, Michigan State University

10:00 am (EST) Break

10:15 am (EST) Roundtable 2: Graphic Narratives Network
Participants:

  • Valentina Denzel, Associate Professor of French Literature, Michigan State University
  • David Humphrey, Assistant Professor of Japanese and Global Studies, Michigan State University
  • Sadam Issa, Assistant Professor of Arabic Studies, Michigan State University
  • Catherine Ryu, Associate Professor of Japanese Studies, Michigan State University, (Moderator)
  • Lynn Wolff, Associate Professor of German Studies, Michigan State University

11:15 am (EST) Lighting Round #1
Participants:

  • Brianna Anderson, “What Will the World Be Like When I Grow Up?”: Picturing Children’s Eco-Activism in World War 3 Illustrated #46″
  • Samantha Cutrara, “Not all graphic histories are created equal”
  • Jason Lapidus, “Creator communities in the time of quarantine”

12:15 pm – 2:00 pm (EST) Lunch Break

2:00 pm (EST) Roundtable 3:Behind the Scenes in Graphic Novel Publishing
Participants:

  • Gina Gagliano, Publishing Director, Random House Graphic
  • Whitney Leopard, RHG Senior Editor, Random House Graphic
  • Patrick Crotty, RHG Senior Designer, Random House Graphic
  • Gwen Tarbox, Western Michigan University, (Moderator)

3:00 pm – 3:15 pm(EST) Break

3:15 pm (EST) Roundtable 4: Comics as / in / of / History
Participants:

  • Maryanne Rhett, Monmouth University (Moderator)
  • Kaleb Knoblauch, UC Davis
  • Lawrence Abrams, UC Davis
  • Elizabeth Pollard, San Diego State University

4:15 pm – 4:30 pm (EST) Break

4:30 pm (EST) Lightning Round #2

  • Chris Sanagan, “Primary Sources: Inspiration for Storytelling”
  • Sean Carleton, “”Getting Graphic with Activist Histories”
  • Scott Chantler, “BIX: Visualizing Rhythm”
5:30 pm – 7:00 pm (EST) Break

7:00 pm – 8:30 pm (EST) Creator Keynote

Kevin Huizenga’s graphic novels include CursesThe Wild Kingdom, Gloriana, and the recently released The River at Night.  His work has been translated into six languages, garnered five Ignatz awards, as well as nominations for Harvey and Eisner awards.  In 2020, The Guardian named The River at Night one of the best comics of the past decade.  Huizenga lives in Minneapolis where he taught in the Comic Art program at the Minneapolis College of Art and Design from 2015-2019.

       Saturday, February 27, 2021      

9:00 am (EST) Roundtable 5: Graphic Medicine
Participants

  • A. David Lewis, Massachusetts College of Pharmacy and Health Science
  • Candida Rifkind, The University of Winnipeg
  • Teresa Wong, Author and Artist
  • Sam Hester, Author and Artist

10:00am – 10:15 am (EST) Break

10:15 am (EST) Roundtable 6: LGBTQ+ and Comics
Participants:

  • Andre M. Carrington (Moderator), University of California, Riverside
  • Margaret Galvan, University of Florida
  • Justin Hall, Writer
  • Nic Gitau, Librarian & President of Geeks OUT
  • Mariko Tamaki, Artist

11:15 am – 12:00 pm (EST) Break

12:00 pm (EST) Scholar Keynote
Deborah E. Whaley, University of Iowa
Black Women in Sequence: Rethinking and Reinking Black Women in Comics

This talk will explore graphic novel production and comic book fandom, focusing in particular on women of African descent as deployed in television, film, animation, and print representations of comic strip, comic book, and graphic novel characters. Whaley will also discuss Black women artists and writers of sequential art, and how Japanese comics, music, and politics shapes their comic art.

1:00 pm – 1:15 pm (EST) Break

1:15pm (EST) Roundtable 7: Fashion, Bodies, and Sex
Participants:

  • Joan Ormrod, Manchester Metropolitan University,
  • Trina Robbins, Independent scholar and comics creator
  • Sydney Heifler, Ohio State University, (Moderator)

2:15 pm – 2:30 pm (EST) Break

2:30 pm (EST)
Roundtable 8: Representation and Comics
Participants:

  • Julian Chambliss, Michigan State University (Moderator)
  • John Jennings, University of California, Riverside
  • Andy Kunka, University of South Carolina, Sumter
  • Beth LePensee, Michigan State University

3:30 pm – 3:45 pm (EST) Break

3:45 pm (EST) Roundtable 9: Pedagogy and Comics
Participants:

  • Leah Misemer, Georgia Tech
  • Susan Kirtley, Portland State University
  • Jonathan Flowers, Worcester State
  • Zack Kruse, Michigan State University (Moderator)

4:45 pm (EST) Closing Remarks

These events are made possible thanks to support from The MSU College of Arts and Letters, The Department of English, The Journal of Popular Culture, The Department of Art, Art History and Design, Gary Hoppenstand, MSU Muslim Studies, Capital Area District Libraries, The Residential College in the Arts and Humanities, The MSU Libraries Special Collections, The MSU Main Library, MATRIX: The Center for the Humane Arts, Letters, and Social Sciences Online, and BRD Printing.

Mar
17
Wed
Nikita Gale Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom
Mar 17 @ 4:00 pm – 5:30 pm
Nikita Gale Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom

Nikita Gale | March 17 | Virtual on Zoom | 4 PM EST

This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.

https://msu.zoom.us/j/97803340342 pw: mutants

Nikita Gale (b. 1983, Anchorage, Alaska; lives and works in Los Angeles) is an artist living and working in Los Angeles, California and holds a BA in Anthropology with an emphasis in Archaeological Studies from Yale University and earned an MFA in New Genres at UCLA. Gale’s practice is often structured by long-term obsessions with specific objects and the ways these objects gesture towards particular social and political histories. Gale uses ubiquitous consumer technologies as frameworks to consider how individuals potentially reproduce their relationships to objects within their relationships to psychic space and political, social, and economic systems. For Gale, the term “reproduction” is as much a mechanical, technical process as it is a process rooted in sex, biology, and the organic.

On a more physical register, Gale’s work points to the ways that many technologies can be understood as instruments that extend or amplify the body through a relationship to touch. Reproduction connects humans to a desire for extension and amplification both biologically and through industrial processes. By engaging with materials that have properties that are simultaneously acoustic and protective, Gale’s recent work considers the role of the audience as a social arena and examines the ways in which silence and noise function as political positions and conditions.

Nikita’s work has recently been exhibited at MoMA PS1 (New York); LACE (Los Angeles); Commonwealth and Council (Los Angeles); Matthew Marks Gallery (Los Angeles); The Studio Museum in Harlem (New York); Rodeo Gallery (London); Ceysson & Benetiere (Paris); and in “Made in L.A. 2018” at the Hammer Museum (Los Angeles). Gale’s work has appeared in numerous publications including The New York Times, Artforum, Art in America, Art21, AQNB, Frieze, Vogue, and Flash Art. Nikita currently serves on the Board of Directors for GREX, the west coast affiliate of the AK Rice Institute for the Study of Social Systems.

For more information about Nikita Gale and their work, please visit their website.

Mar
18
Thu
Stephanie Kerschbaum Writing Center Event @ Zoom
Mar 18 @ 1:00 pm – 2:00 pm
Stephanie Kerschbaum Writing Center Event @ Zoom

Stephanie Kerschbaum

Title: “Signs of Disability in the Writing Center”

RSVP LINK

Abstract: Where and how and when does disability emerge in the writing center? In this talk, Stephanie Kerschbaum will briefly discuss her concept of “signs of disability” and how it can usefully inform the way we approach our work in the writing center. Signs of disability are material-discursive-rhetorical cues that point to the presence of disability in some way, shape or form. One way for writing center staff and tutors to orient to these signs is to think about the stories we tell about our experiences and what those stories might reveal about where we are putting our attention (or not putting it). Attendees will have a chance to do some freewriting and reflection during the talk.

Bio: Stephanie L. Kerschbaum is currently Associate Professor of English at the University of Delaware, and beginning July 1, 2021, she will be Associate Professor and Director of the Expository Writing Program at the University of Washington. Her first book, Toward a New Rhetoric of Difference, won the 2015 CCCC Advancement of Knowledge Book Award and she is the co-editor of Negotiating Disability: Disclosure and Higher Education. Her work has appeared in a range of journals and collections, and she’s currently at work on a book called Signs of Disability focused on how disability becomes available for noticing in everyday encounters. She can be reached at kersch.uw@gmail.com and loves to hear about all kinds of signs of disability from other people.

RSVP LINK

Mar
24
Wed
Amanda Ross-Ho Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom
Mar 24 @ 4:00 pm – 5:30 pm
Amanda Ross-Ho Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom

Amanda Ross-Ho | March 24 | Virtual on Zoom | 4 PM EST

This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.

https://msu.zoom.us/j/97803340342 pw: mutants

Amanda Ross-Ho’s work draws from a broad hierarchy of structures, mapping connectivity within the overlapping ecologies of personal and universal phenomena. Her evolving personal language combines forensic and theatrical gestures, diagramming the reflexive relationships between production, presentation, and the social contracts of viewership. Her sculpture, painting, photography, installation, and most recently, public works have been exhibited widely, nationally, and internationally.

Amanda Ross-Ho holds a BFA from the School of the Art Institute of Chicago and an MFA from the Roski School of Art, University of Southern California.  Solo exhibitions include Cherry and Martin, Los Angeles, Hoet Bekaert, Belgium, The Pomona Museum of Art, Mitchell-Innes and Nash New York, The Visual Arts Center, Austin, TX, Shane Campbell Gallery, Chicago, The Museum of Contemporary Art Los Angeles, Vleeshal Center for Contemporary Art, Middelburg, Netherlands, the Bonner Kunstverein, Bonn, Germany, The Approach, London, and Praz-Delavallade, Paris. Group exhibitions include Artists Space, New York, The Henry Art Gallery, Seattle, The Orange County Museum of Art, The Museum of Contemporary Art, Los Angeles, The Yerba Buena Center for the Arts, San Francisco, The Museum of Contemporary Art, Chicago, The Walker Art Center, Minneapolis, The New Museum, New York, The Museum of Modern Art, New York, and the 2008 Whitney Biennial. In 2013 she debuted her first large-scale commissioned public work at The Museum of Contemporary Art, Chicago, and in 2015, she presented a new large-scale sculpture commission in City Hall Park, New York City through the Public Art Fund. Ross-Ho’s work has been featured in Artforum, The New York Times, ArtReview, Modern Painters, Art in America, Flash Art, Art + Auction, and Frieze among others. She lives and works in Los Angeles.

For more information about Amanda Ross-Ho and their work, please visit their website.