Note: public screenings of the MSU Film Collective are canceled for Spring 2020
4/9 Cure (dir. Kiyoshi Kurosawa, 1997)
Presented by Joshua Yumibe
Cure is part atmospheric crime film and part philosophical meditation. Detective Takabe (Koji Yakusho) is tracking a series of identical murders, committed under the same bizarre circumstances. Nothing seems to connect the murders and Takabe becomes increasingly frustrated.
Note: public screenings of the MSU Film Collective are canceled for Spring 2020
4/16 Fast Color (dir. Julie Hart, 1998)
Presented by Bria Harper
Hunted by mysterious forces, a young woman who has supernatural abilities must go on the run when her powers are discovered. With nowhere else to go, she flees back to her family and the farmhouse she abandoned long ago. There, while being pursued by the local sheriff, she begins to mend the broken relationships with her mother and daughter and learns that the power she needed was inside her all along.
Please join the Department of Art, Art History, and Design on Thursday, September 24 at 4 pm as we kick-off a special lecture series titled Mutant Salon hosted by Young Joon Kwak, 2020-2021 Artist-in-Residence: Critical Race Studies. The first speaker in this series is artist EJ Hill. This series is free and open to the public.
This event doesn’t require pre-registration, if you are interested in joining our zoom webinar, please join using the following link and password. https://msu.zoom.us/j/97803340342 pw: mutants
EJ Hill (b. 1985, Los Angeles; lives and works in Los Angeles) received his MFA from the University of California, Los Angeles in 2013 and BFA from Columbia College, Chicago in 2011. Solo exhibitions have been held at Radcliffe Institute for Advanced Study, Harvard, MA (2020); Company Gallery, New York (2018); He was a resident at the Studio Museum of Harlem, and is the recipient of the Radcliffe Institute for Advanced Study Fellowship at Harvard University (2018-19), Foundation for Contemporary Arts’ Grants to Artists (2018); Joan Mitchell Foundation Painters & Sculptors Grant (2018), the Mohn Public Recognition Award at the Hammer Museum’s Made in L.A. 2018 (2018), the Los Angeles Artadia Award (2018), the Art Matters Foundation Grant (2017), and the California Community Foundation Fellowship for Visual Artists (2015).
How long is long enough? This is the question that inspired John Lucas’ The Cooler Bandits (2014), a documentary that follows four friends in four stages of incarceration, struggling to confront their future after twenty years in prison. Lending voice to personal experiences of incarceration, the film encourages viewers to grapple with the inequities of our criminal justice system. Join director and artist John Lucas for a special online screening of The Cooler Bandits, followed by a joint discussion with Lucas and those documented in the film. Programmed in partnership with Capital City Film Festival and The Robin Theatre. Registration is required: https://50807.blackbaudhosting.com/50807/Broad-Underground-Film-Series-John-Lucas-and-The-Cooler-Bandits.
John Lucas has worked as a documentary photographer for more than 25 years. John has directed and produced several cutting-edge multimedia projects including collaborative work with poet Claudia Rankine. In 2014 he completed his first feature length documentary entitled, The Cooler Bandits, which was awarded best documentary at the 2014 Harlem International Film Festival.
This program is presented in affilation with John Lucas and Claudia Rankine: Situations, now on view at the MSU Broad. Shown for the first time in a solo exhibition, the collaboratively produced videos address both explicit acts of racism and the insidious racist aggressions that are built into institutional structures and everyday life.
Broad Underground is an ongoing collaboration between the MSU Broad, Michigan State University Film Studies program, and the Michigan State University English Department. This year’s partnering venue is The Robin Theatre in REO Town, Lansing. Special thanks to the Abrams planetarium and Lansing Public Media Center for their continued support.
All events are FREE and open to the public unless otherwise noted.
Student filmmakers in FLM335: Film Directing will hold a virtual YouTube premiere on Tuesday, December 15 at 7pm. Featuring films touching on the collectively decided theme of “rejection,” the films will span a range of genres and treatments. It promises to be an entertaining night of new work made under the most constrained of circumstances!
Cinema has an enduring fascination with cars. From the lure of speed and movement to the threat of the crash, experiences behind the wheel have inspired filmmakers to deliver similar kinetic pleasures. The car also promised jobs, middle-class lifestyle, and movement without limits, but it was built on the dream of cheap gas. We now know that the car’s midcentury “autopia” helped set us on the road to our current climate disaster.
Programmed by Justus Nieland, Professor of English (MSU), Kyle Sittig, Ph.D. Candidate, Department of English (MSU), and Brian R. Jacobson, Professor of Visual Culture (CalTech), “Petrocinema” explores the fateful entanglement of automobiles, film, and finite natural resources. Ranging from government and industrial films produced by the Office of Public Roads, GM, Shell Oil, and BP, to a range of experimental works, this screening program scrutinizes the promise and threat of the car as a commodity, technology, design object, and unsustainable fantasy. Registration is required.
We’ll be doing a synchronous program on the 19th, but we also have an asynchronous program in advance via MSU Mediaspace that we’ll link registrants to after they register. The Detroit-based Jam Handy Organization will be well represented, plus work by Len Lye, Kevin Jerome Everson, Su Friedrich, Alain Resnais, Millie Goldsholl, Kenneth Anger, and sponsored films by GM, BP, the Bureau of Public Roads, and Greenpeace. Plus, Shellarama!
Join video artist Rania Stephan for a screening and discussion of her award-winning video, The Three Disappearances of Soad Hosni (2011). Stephan’s film, what she calls “an archaeology of images, identity, and memory,” ponders one of the great disappearing acts in the history of global cinema: the legacy and still-mysterious death of Egyptian actress Soad Hosni. Hosni’s creative labor and iconic roles helped to define Egyptian cinema, and her personal life, never far from the public eye, generated a robust media legacy of its own. Drawing on footage from more than sixty rare videotapes that took Stephan over a decade to collect, the video emphasizes not official film archives, but the analog consumer electronics that kept Hosni’s work alive informally. Registration is required.
Programmed by Kaveh Askari & Salah Hassan (Professors of English, MSU).
Cinema’s interest in the growth of seeds and plants is as old as the medium itself. As if germinating a seed in our unconscious, film’s fascination with growing things situates seeds and blooms as cognitive stimulants, innovative instructors, and models of the human mind. Join Assistant Professor Lyn Goeringer and Assistant Curator of Academic Collaborations Katie Greulich for a screening of both historical and contemporary films exploring the parallels among the growth of plant matter and human experience, from the early British films documenting seed germination and plant growth to the works of Amir George, who uses plants as a metaphor for communication and consciousness-expansion in contemporary living.
Registration is required.
Programmed by Lyn Goeringer & Katie Greulich
This program is presented in affiliation with Seeds of Resistance , now on view at the MSU Broad. The exhibition draws attention to the long history of plant and human co-evolution and interdependence. Bringing together different global perspectives, the exhibition also takes firm root in the soils of Michigan State University, and features the important work around issues of ecological preservation by faculty, researchers, and students at the university. Plan your visit at broadmuseum.msu.edu.
Broad Underground is an ongoing collaboration between the MSU Broad, the Film Studies Program and the Department of English at MSU, and The Robin Theatre in REO Town, Lansing. Special thanks to the Lansing Public Media Center for their continued support.
Broad Underground Film Series: An exploration of Video Art and Experimental and Avant-Garde film from its earliest developments to the present day.
Broad Art Museum Sculpture Garden
Free to the public
Co-programmed by Justus Nieland and McKayla Sluga
As archives of private memories, home movies offer intimate glimpses into personal and family life. They provide a space of self-portraiture and nostalgia, but also opportunities for fantasy, play, and critique—for imagining different modes of dwelling. Many filmmakers have turned to the “amateur” genre of the home movie as a site of experimentation with the routines, normative roles, and restrictive politics of domestic life. Intersecting with themes in the 2021 AAHD Faculty Triennial: Where We Dwell, this program explores a series of innovative takes on the concept of the “home movie.” Ranging from canonical works of the avant-garde and contemporary essay films to amateur, educational, and sponsored films, our program features experiments in dwelling that open this “private” genre into a public, even ecological space for imagining community and building solidarity. Featured filmmakers include: Cheryl Dunye, Helen Hill, Sky Hopinka, Guy Maddin, Jan Oxenberg, Elisa Giardina Papa, and Andy Warhol.