In the wake of recent developments on campus, the Department of Theatre invites ALL MSU Students to:
Open Mic, Open Stage, Open Space at the MSU Auditorium on Sunday, February 18: 7:00-10:00PM.
We offer a warm place for student gathering.
We offer a 3,000+ seat venue for student voice.
We offer a stage from which to present your work, opinion, act, song, spoken word, scene, dance, or whatever you want to share.
No faculty talking.
No administration responses.
Just student voice.
- This is a public forum as identified in the Relationship Violence and Sexual Misconduct (RVSM) Policy and not subject to mandatory reporting. Disclosures at such events are not considered notice to the University for the purposes of this Policy unless a complaint is filed with the Office of Institutional Equity (OIE).
- Sponsored by the MSU Department of Theatre
RENEE MUSSAI / OCTOBER 25 / 107 S KEDZIE / 6PM
London-based curator, writer, and art historian, Renée Mussai is Curator and head of Archive at Autograph ABP, an arts charity that works internationally in photography and film, addressing themes of cultural identity, race, representation and human rights.
LOCUS is a forum for students, faculty and researchers to present works in progress, share ideas, and build relationships. Each LOCUS is built around a broad yet distinct theme, method, or topic. It is offered by MSU Libraries, the College of Arts and Letters, and LEADR, and it is intended to help foster a vibrant, collaborative, and active research community interested in digital humanities and social sciences.
MOREHSHIN ALLAHYARI / FEBRUARY 6 / 326 NATURAL SCIENCE /6PM
Morehshin Allahyari is an Iranian artist, activist, educator, and occasional curator. Her work deals with the political, social, and cultural contradictions we face every day. She thinks about technology as a philosophical tool set to reflect on objects and as a poetic means to document our personal and collective struggles. Allahyari is the co-author of The 3D Additivist Cookbook.
HIVES will be meeting for the first official time on September 12, 2019 in room C607 of Wells Hall (619 Red Cedar Road, East Lansing, MI 48824). This meeting will be primarily to introduce HIVES guiding questions, discuss the trajectory of the workshop for the year, and nourish our bodyminds with pizza and discussion. We would like to begin the buzz of conversation with a discussion of texts and videos, available here, that present some nodes for future engagement. Finally, we will be revealing our fall keynote speaker at the meeting!
This and all future HIVES meetings are open to the public, including but certainly not limited to: students, non-students, artists, curious parties, larvae, comic-lovers, poets, and all others. Please feel welcome to circulate the poster above which has been formatted to be accessible to screen readers. Please fill out this google form if you plan to attend in order to share your preferences and needs for refreshments and access.
HIVES is an ongoing scholarly, artistic, and communal organization dedicated to developing an understanding of the ways in which matter and beings function in interdependent networks. This research workshop seeks to create a generative space for conversations at the intersections of disability studies and animal studies in popular culture. In his book Brilliant Imperfection, Eli Clare emphasizes how “White Western culture goes to extraordinary lengths to deny the vital relationships between water and stone, plant and animal, human and nonhuman, as well as the utter reliance of human upon human” (Clare 136). Clare offers the disability studies notion of interdependence as a way to undo fantastical narratives of independence and the individual. HIVES is an engagement with hiveminds, relationality, and interdependence across and within animal/human divides. This research workshop draws on popular culture in the form of novels, films, and video games and theory from disability studies to critical race theory to queer studies to animal studies in order to think through disrupting white western denials of interdependence. We are guided by the questions: what are the potentials and pitfalls of the overlap between disability and animal studies? what forms of inter-reliance arise from lived disabled existence and/or representations of disabled characters in popular culture? what does (and does not) separate animals and humans? what frictions exist in turning to animal studies to find alternate conceptions of relational being?
The Department of English MUSE Scholars Program presents a lecture by Dr. Omaris Z. Zamora, “Delectable Complicities From El Ni’ E: AfroLatinx Feminisms of Cardi B & La Bella Chanel.” Dr. Zamora is assistant professor of Afro-Latinx Studies at Rutgers University. Her book project, AfroLatina (Trance)formations: Poetics of Black Embodied Archives and Feminist Epistemologies, engages the theoretical formation of AfroLatina feminist epistemologies through an analysis of transnational Dominican women’s narratives in literature and performance. As a spoken-word poet she fuses her poetry with her scholarly work as a way of contributing to a black poetic approach to literature and cultural studies.
Please join us Thursday, October 17th at 4:30pm in Wells Hall room B243.
Join the MUSE scholars program for daily public panels. Presenters on Friday, 10/18 include:
- Gabriella Adriana Davis: “Ecuador is Black: Afro-Ecuadorian Literary Resistance in Drums Under My Skin“
- Havannah Chau Ngoc Tran: “Reading Mythology in Ocean Vuong’s Night Sky With Exit Wounds through ‘Just Memory’“
- Agnes Sastre-Rivera: “Colonial Space, Colonized Bodies and Religions: A Study of Colonial Trauma in Nigel Thomas’ Return to Arcadia and Shani Mooto’s Cereus Blooms at Night”
- Dr. Zarena Aslami: “Victorian Afghanistan and the Poetics of Marginal Sovereignty”
- Dr. Sheila Marie Contreras “Between Settlers: Race, Gender and the Anglo/Mexican land grab in US popular culture“”
Join the MUSE scholars program for daily public panels. Presenters on Saturday, 10/19 include:
- Naajidah Correll: “Double Negative Discourse: On Black Icons and Public Despair”
- Ariana Karina Costales Del Toro: “It Was Powerful Women All Along: Debunking Female Monsters in Nalo Hopkinson’s Brown Girl in the Ring ”
- Ke’Shunta Faye Drake: “When (will) They see Us: Black Womanism, Me, Myself, and the Life and Times of Assata Shakur”
- Jennifer Mojica Santana: “‘Soy Bandolero como el Míster Politiquero’: Tracing Sociopolitical Activism in Don Omar’s and Tego Calderón’s Reggaetón”
- Dr. Tamara Butler: “Worn: Sartorial Politics and Artifacts”
Mystical Phenomena in Modern Catholicism: An Illustrated Talk
with Prof. Paula Kane, Endowed Chair of Contemporary Catholic Studies
Thursday, October 8th, 7:30pm
Among the more unusual elements of Catholic mysticism is the tradition of stigmata, chosen persons who are marked supernaturally with the wounds of the crucified Christ. The lecture will address the case of an American stigmatic of the early twentieth century and the political uses made of such events for a Catholic population trying to adapt to American society.
Please register for the Zoom event:
Please join us on November 19 at 7:30pm (Anishinaabe Eastern Time) via Zoom, for The Norton Anthology of Native Nations Poetry When The Light of the World was Subdued, Our Songs Came Through event. The event will feature readings and panel discussion with anthology editors and contributors. This event is sponsored by the Audrey and John Leslie Endowment, Ziibiwing Center of Anishinaabe Culture and Lifeways, the MSU English Department Creative Writing Program, and the MSU Native American Institute.