EVENTS

Calendar

Jan
19
Fri
WATER Puerto Rico……Flint a Human Right Exhibition Reception @ MSU Union Art Gallery
Jan 19 @ 5:00 pm – 7:00 pm
WATER Puerto Rico......Flint a Human Right Exhibition Reception @ MSU Union Art Gallery | East Lansing | Michigan | United States

WATER Puerto Rico……Flint a Human Right Exhibition Reception

A solo exhibition featuring Karen Hampton, MSU Designer-in-Residence: Critical Race Studies.

JANUARY 19 – MARCH 23, 2018
RECEPTION JANUARY 19, 5-7PM, REMARKS AT 6:15PM

Join us Friday, January 19, 2018 from 5-7PM for the opening reception for WATER Puerto Rico……Flint a Human Right a solo exhibition featuring the work of Karen Hampton at the MSU Union Art Gallery. Opening Remarks will be offered at 6:15PM.

Artist Statement:
I am a conceptual mixed media artist, addressing issues of colorism and race in my works. I seek to break stereotypes and address issues related to my life. My artwork is steeped in oral history and expresses the narrative of those whose stories have not yet been fully told. As a storyteller, I impart conceptualized stories about the “other” in society. I view myself as a vehicle for ancestral stories to transcend history and remain part of the historical record. The canvas of my artwork is fabric, which I age and imbue with conceptualized images of a forgotten part of the American story. Using images and text, I embed the cloth with the hopes and visions of my ancestors, particularly those whose stories that have remained invisible. Whether woven or stitched, every time my weft crosses the warp or my needle pierces the cloth, I reach through another layer of scorched earth that slavery has left behind and work to reframe critical issues of race.

Karen Hampton is a Michigan State University, Designer-in-Residence: Critical Race Studies. Hampton joins us from Los Angeles, CA for the 2017-2018 academic year. Her exhibition is sponsored by the Department of Art, Art History, and Design along with the generous support of others including the College of Arts & Letters, Creating Excellence Funding Program from the Office for Inclusion & Intercultural Initiatives, Office of the Provost, and the MSU Federal Credit Union. Additionally she will be offering a public lecture about her work on January 30 at 6PM in 107 S. Kedzie Hall.

IN THE ABSENCE OF SIGHT Exhibition Reception @ (SCENE) Metrospace
Jan 19 @ 6:00 pm – 8:00 pm
IN THE ABSENCE OF SIGHT Exhibition Reception @ (SCENE) Metrospace | East Lansing | Michigan | United States
IN THE ABSENCE OF SIGHT
A Solo Exhibition featuring the work of Alejandro T. Acierto, MSU Artist-in-Residence: Critical Race Studies
January 19 – March 10, 2018
RECEPTION January 19, 6-8PM, REMARKS 7PM

Join us Friday, January 19, 2018 from 6-8PM for the opening reception for In the absence of sight, a solo exhibition featuring the work of Alejandro T. Acierto at (SCENE) Metrospace. Opening Remarks will be offerd at 7PM.

Artist Statement:
In the absence of sight is a new body of work that draws on the erasures of Pilipinx people by American occupiers during the era of US colonialism in the early 1900s. Through an investigation of American archival photographs, postcards, and images housed in various collections in Michigan and Washington DC, this work reimagines erasure as an opening to speculate other forms of presence. While early depictions and characterizations of the Philippines projected a “savage” people “unfit for self-government”, US colonial officers, journalists, and writers used images of Indigenous Pilipinx people as a mechanism of persuasion to justify their sustained occupation to the American public. Though visual abjection often manifested in images of Pilipinx people either dead or in captivity persisting over three decades, this intervention draws on Pilipinx mythology of the Aswang, a shape shifting ghost-like spirit that wreaks havoc on its targets and their communities. In positioning Indigenous and mestizx resistance to US occupation as a metaphorical permutation of the Aswang, this work foregrounds Pilipinx sovereignty as a way to begin to challenge the formations of representation by the American colonial political agenda.

Alejandro T. Acierto is a Michigan State University, Artist-in-Residence: Critical Race Studies. Acierto joins us from Chicago, IL for the 2017-2018 Academic Year. His exhibition is sponsored by the Department of Art, Art History, and Design along with the generous support of others including the College of Arts & Letters, Creating Excellence Funding Program from the Office for Inclusion & Intercultural Initiatives, Office of the Provost, and the MSU Federal Credit Union. Additionally he will be offering a public lecture about his work on February 13 at 6PM in 107 S. Kedzie Hall.
Mar
17
Sat
2018 Department of Art, Art History, and Design Faculty Triennial Exhibition @ Eli and Edythe Broad Art Museum
Mar 17 @ 12:00 pm – May 13 @ 7:00 pm
2018 Department of Art, Art History, and Design Faculty Triennial Exhibition @ Eli and Edythe Broad Art Museum | East Lansing | Michigan | United States

2018 Department of Art, Art History, and Design Faculty Triennial Exhibition

Eli & Edythe Broad Art Museum

March 17-May 13, 2018

Exhibition Reception April 8, 6-8PM

The 2018 Department of Art, Art History, and Design Faculty Triennial Exhibition showcases the recent work of twenty studio art & design faculty members. Recognized nationally and internationally, Michigan State University studio art & design faculty member’s creative research is regularly exhibited in venues all over the world. Collectively they have received recognition and support from Fulbright, the National Endowment for the Arts, and the Pollack-Krasner Foundation. Representing a broad-range of media and contemporary art and design approaches, the exhibition highlights the faculty’s dedication to actively pursuing creative research.

The 2018 MSU Department of Art, Art History, and Design Faculty Triennial exhibition is organized by the Eli and Edythe Broad Art Museum at MSU and guest curated by Christopher Atkins, Curator of Exhibitions & Public Programs at the Minnesota Museum of American Art. Support for this exhibition is provided by the John and Susan Berding Family Endowment.

Apr
16
Mon
BFA Graphic Design Exhibition @ Gallery 101 & 114, Kresge Art Center
Apr 16 – Apr 27 all-day
Jul
27
Fri
DRAWN TO PRINT National Juried Exhibition @ (SCENE) Metrospace
Jul 27 – Aug 31 all-day
DRAWN TO PRINT National Juried Exhibition @ (SCENE) Metrospace | East Lansing | Michigan | United States

DRAWN TO PRINT

A national juried exhibition of drawning and printmaking and everything inbetween.

July 27 – August 31, 2018

Reception July 27, 6-8PM

This exhibition is the result of a national call and features works on paper that explore the ways in which the diverse and inclusive mediums of drawing and printmaking converge and are completely separate.

The path followed by a brayer can begin with a pencil, a mouse, a cut, or a maybe a stencil. There is no limit to the ideas that can be explored through drawing or printmaking. The presence of the artist in these processes can be at the forefront or separated by many layers of information. Surfaces can be additive or subtractive. Lines and forms can be ink, paint, graphite, thread, a cut or a tear. The work in this exhibition meets with the act of one material being pulled across the surface of another.

This exhibition features work from:

CONNOR ACHESON
DANIEL ALYIM
BRANDIN BARÓN
CURTIS BARTONE
ANNE BEIDLER
PATRICIA BENDER
SUZIE BUCHHOLZ
ANTONIO CARDOSO
EVAN CHRISTOPHERSON
DUSTIN CLARK
AMANDA COE
ANDREW DECAEN
HECTOR DEL CAMPO
SUZANNE DITTENBER
MATT DRISSEL
EVAN FERRARO
CYNDI FORD
SARAH HEYWARD
TRAVIS JANSSEN
JOHN JUDGE
CAROL MYERS
JOSH NEWTH
KATHLEEN ROGERS
MARK ROSPENDA
DIANE STAVER
SALLY SCHLUTER TARDELLA
BRUCE THAYER
OLIVIA TIMMONS
MARGI WEIR
JANE ZICH

Oct
16
Tue
Del Harrow Visiting Artist Lecture @ 109 South Kedzie Hall
Oct 16 @ 6:00 pm – 7:30 pm
Del Harrow Visiting Artist Lecture @ 109 South Kedzie Hall | East Lansing | Michigan | United States

DEL HARROW/ OCTOBER 16 / 109 S KEDZIE / 6PM

Spanning the genres of sculpture, ceramics and design, Del Harrow is an Associate Professor at CSU. His art practice integrates traditional manual and skill-based forming processes with digital fabrication technology. His work is an ongoing exploration of the possibility that a tactile physical form might contain, creating sites for the imagination and the thinking of thoughts.

For more information about Del Harrow, please visit:

del harrow

Feb
22
Fri
Comics Forum Keynote Creator Lecture SETH @ MSU Library, 4th Floor Green Room
Feb 22 @ 7:00 pm – 8:30 pm
Comics Forum Keynote Creator Lecture SETH @ MSU Library, 4th Floor Green Room | East Lansing | Michigan | United States

SETH / FEB 22 / MSU LIBRARY GREEN ROOM / 7PM                                                                                                                                

Seth is the award-winning cartoonist behind the comic book series Palookavile. He is also the designer for several classic comics reprint series, notably the collections of work by Charles Schulz, John Stanley, and Doug Wright. Seth is the 2019 Comics Forum Creator Keynote Speaker.

Feb
26
Fri
2021 MSU Comics Forum @ Virtual
Feb 26 @ 8:30 am – Feb 27 @ 5:00 pm
2021 MSU Comics Forum @ Virtual

Please join us for the 14th annual MSU Comics Forum. This is a multi-day, annual event for scholars, creators and fans of the comics medium.  Events include keynote addresses from an award-winning creator and scholar in the field, an artist alley, academic panel discussions, comic book discussion groups and more.  MSU is also home of the Comic Art and Graphic Novel Minor, the MSU Comic Art and Graphic Novel Podcast, and the largest public collection of comic books in the world which is housed in our Special Collections Library.

This event is free and open to the public and this year all of the events will be hosted online.

Artist Alley open February 26 – March 5, 2021
FRIDAY, FEBRUARY 26 & SATURDAY, FEBRUARY 27, 2021
Panel Discussions & Keynote Lectures Schedule:
MSU Comics Forum YouTube Channel
Schedule on MSU Comics Forum Panel Discussions Page

        Friday, February 26, 2021        

8:30 am (EST) Welcome Remarks

9:00 am (EST) Roundtable 1: Comics as Data North America (CaDNA)
Participants:

  • Julian Chambliss, Professor of English, Michigan State University, (Moderator)
  • Justin Wigard, Michigan State University
  • Kate Topham, Digital Humanities Archivist, Michigan State University

10:00 am (EST) Break

10:15 am (EST) Roundtable 2: Graphic Narratives Network
Participants:

  • Valentina Denzel, Associate Professor of French Literature, Michigan State University
  • David Humphrey, Assistant Professor of Japanese and Global Studies, Michigan State University
  • Sadam Issa, Assistant Professor of Arabic Studies, Michigan State University
  • Catherine Ryu, Associate Professor of Japanese Studies, Michigan State University, (Moderator)
  • Lynn Wolff, Associate Professor of German Studies, Michigan State University

11:15 am (EST) Lighting Round #1
Participants:

  • Brianna Anderson, “What Will the World Be Like When I Grow Up?”: Picturing Children’s Eco-Activism in World War 3 Illustrated #46″
  • Samantha Cutrara, “Not all graphic histories are created equal”
  • Jason Lapidus, “Creator communities in the time of quarantine”

12:15 pm – 2:00 pm (EST) Lunch Break

2:00 pm (EST) Roundtable 3:Behind the Scenes in Graphic Novel Publishing
Participants:

  • Gina Gagliano, Publishing Director, Random House Graphic
  • Whitney Leopard, RHG Senior Editor, Random House Graphic
  • Patrick Crotty, RHG Senior Designer, Random House Graphic
  • Gwen Tarbox, Western Michigan University, (Moderator)

3:00 pm – 3:15 pm(EST) Break

3:15 pm (EST) Roundtable 4: Comics as / in / of / History
Participants:

  • Maryanne Rhett, Monmouth University (Moderator)
  • Kaleb Knoblauch, UC Davis
  • Lawrence Abrams, UC Davis
  • Elizabeth Pollard, San Diego State University

4:15 pm – 4:30 pm (EST) Break

4:30 pm (EST) Lightning Round #2

  • Chris Sanagan, “Primary Sources: Inspiration for Storytelling”
  • Sean Carleton, “”Getting Graphic with Activist Histories”
  • Scott Chantler, “BIX: Visualizing Rhythm”
5:30 pm – 7:00 pm (EST) Break

7:00 pm – 8:30 pm (EST) Creator Keynote

Kevin Huizenga’s graphic novels include CursesThe Wild Kingdom, Gloriana, and the recently released The River at Night.  His work has been translated into six languages, garnered five Ignatz awards, as well as nominations for Harvey and Eisner awards.  In 2020, The Guardian named The River at Night one of the best comics of the past decade.  Huizenga lives in Minneapolis where he taught in the Comic Art program at the Minneapolis College of Art and Design from 2015-2019.

       Saturday, February 27, 2021      

9:00 am (EST) Roundtable 5: Graphic Medicine
Participants

  • A. David Lewis, Massachusetts College of Pharmacy and Health Science
  • Candida Rifkind, The University of Winnipeg
  • Teresa Wong, Author and Artist
  • Sam Hester, Author and Artist

10:00am – 10:15 am (EST) Break

10:15 am (EST) Roundtable 6: LGBTQ+ and Comics
Participants:

  • Andre M. Carrington (Moderator), University of California, Riverside
  • Margaret Galvan, University of Florida
  • Justin Hall, Writer
  • Nic Gitau, Librarian & President of Geeks OUT
  • Mariko Tamaki, Artist

11:15 am – 12:00 pm (EST) Break

12:00 pm (EST) Scholar Keynote
Deborah E. Whaley, University of Iowa
Black Women in Sequence: Rethinking and Reinking Black Women in Comics

This talk will explore graphic novel production and comic book fandom, focusing in particular on women of African descent as deployed in television, film, animation, and print representations of comic strip, comic book, and graphic novel characters. Whaley will also discuss Black women artists and writers of sequential art, and how Japanese comics, music, and politics shapes their comic art.

1:00 pm – 1:15 pm (EST) Break

1:15pm (EST) Roundtable 7: Fashion, Bodies, and Sex
Participants:

  • Joan Ormrod, Manchester Metropolitan University,
  • Trina Robbins, Independent scholar and comics creator
  • Sydney Heifler, Ohio State University, (Moderator)

2:15 pm – 2:30 pm (EST) Break

2:30 pm (EST)
Roundtable 8: Representation and Comics
Participants:

  • Julian Chambliss, Michigan State University (Moderator)
  • John Jennings, University of California, Riverside
  • Andy Kunka, University of South Carolina, Sumter
  • Beth LePensee, Michigan State University

3:30 pm – 3:45 pm (EST) Break

3:45 pm (EST) Roundtable 9: Pedagogy and Comics
Participants:

  • Leah Misemer, Georgia Tech
  • Susan Kirtley, Portland State University
  • Jonathan Flowers, Worcester State
  • Zack Kruse, Michigan State University (Moderator)

4:45 pm (EST) Closing Remarks

These events are made possible thanks to support from The MSU College of Arts and Letters, The Department of English, The Journal of Popular Culture, The Department of Art, Art History and Design, Gary Hoppenstand, MSU Muslim Studies, Capital Area District Libraries, The Residential College in the Arts and Humanities, The MSU Libraries Special Collections, The MSU Main Library, MATRIX: The Center for the Humane Arts, Letters, and Social Sciences Online, and BRD Printing.

Mar
17
Wed
Nikita Gale Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom
Mar 17 @ 4:00 pm – 5:30 pm
Nikita Gale Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom

Nikita Gale | March 17 | Virtual on Zoom | 4 PM EST

This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.

https://msu.zoom.us/j/97803340342 pw: mutants

Nikita Gale (b. 1983, Anchorage, Alaska; lives and works in Los Angeles) is an artist living and working in Los Angeles, California and holds a BA in Anthropology with an emphasis in Archaeological Studies from Yale University and earned an MFA in New Genres at UCLA. Gale’s practice is often structured by long-term obsessions with specific objects and the ways these objects gesture towards particular social and political histories. Gale uses ubiquitous consumer technologies as frameworks to consider how individuals potentially reproduce their relationships to objects within their relationships to psychic space and political, social, and economic systems. For Gale, the term “reproduction” is as much a mechanical, technical process as it is a process rooted in sex, biology, and the organic.

On a more physical register, Gale’s work points to the ways that many technologies can be understood as instruments that extend or amplify the body through a relationship to touch. Reproduction connects humans to a desire for extension and amplification both biologically and through industrial processes. By engaging with materials that have properties that are simultaneously acoustic and protective, Gale’s recent work considers the role of the audience as a social arena and examines the ways in which silence and noise function as political positions and conditions.

Nikita’s work has recently been exhibited at MoMA PS1 (New York); LACE (Los Angeles); Commonwealth and Council (Los Angeles); Matthew Marks Gallery (Los Angeles); The Studio Museum in Harlem (New York); Rodeo Gallery (London); Ceysson & Benetiere (Paris); and in “Made in L.A. 2018” at the Hammer Museum (Los Angeles). Gale’s work has appeared in numerous publications including The New York Times, Artforum, Art in America, Art21, AQNB, Frieze, Vogue, and Flash Art. Nikita currently serves on the Board of Directors for GREX, the west coast affiliate of the AK Rice Institute for the Study of Social Systems.

For more information about Nikita Gale and their work, please visit their website.

Mar
24
Wed
Amanda Ross-Ho Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom
Mar 24 @ 4:00 pm – 5:30 pm
Amanda Ross-Ho Mutant Salon Talk Hosted by Young Joon Kwak @ Virtual on Zoom

Amanda Ross-Ho | March 24 | Virtual on Zoom | 4 PM EST

This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.

https://msu.zoom.us/j/97803340342 pw: mutants

Amanda Ross-Ho’s work draws from a broad hierarchy of structures, mapping connectivity within the overlapping ecologies of personal and universal phenomena. Her evolving personal language combines forensic and theatrical gestures, diagramming the reflexive relationships between production, presentation, and the social contracts of viewership. Her sculpture, painting, photography, installation, and most recently, public works have been exhibited widely, nationally, and internationally.

Amanda Ross-Ho holds a BFA from the School of the Art Institute of Chicago and an MFA from the Roski School of Art, University of Southern California.  Solo exhibitions include Cherry and Martin, Los Angeles, Hoet Bekaert, Belgium, The Pomona Museum of Art, Mitchell-Innes and Nash New York, The Visual Arts Center, Austin, TX, Shane Campbell Gallery, Chicago, The Museum of Contemporary Art Los Angeles, Vleeshal Center for Contemporary Art, Middelburg, Netherlands, the Bonner Kunstverein, Bonn, Germany, The Approach, London, and Praz-Delavallade, Paris. Group exhibitions include Artists Space, New York, The Henry Art Gallery, Seattle, The Orange County Museum of Art, The Museum of Contemporary Art, Los Angeles, The Yerba Buena Center for the Arts, San Francisco, The Museum of Contemporary Art, Chicago, The Walker Art Center, Minneapolis, The New Museum, New York, The Museum of Modern Art, New York, and the 2008 Whitney Biennial. In 2013 she debuted her first large-scale commissioned public work at The Museum of Contemporary Art, Chicago, and in 2015, she presented a new large-scale sculpture commission in City Hall Park, New York City through the Public Art Fund. Ross-Ho’s work has been featured in Artforum, The New York Times, ArtReview, Modern Painters, Art in America, Flash Art, Art + Auction, and Frieze among others. She lives and works in Los Angeles.

For more information about Amanda Ross-Ho and their work, please visit their website.