MOREHSHIN ALLAHYARI / FEBRUARY 6 / 326 NATURAL SCIENCE /6PM
Morehshin Allahyari is an Iranian artist, activist, educator, and occasional curator. Her work deals with the political, social, and cultural contradictions we face every day. She thinks about technology as a philosophical tool set to reflect on objects and as a poetic means to document our personal and collective struggles. Allahyari is the co-author of The 3D Additivist Cookbook.
HELINA METAFERIA / FEBRUARY 20 / MSU BROAD / 7PM
Helina Metaferia is an AAHD Artist in Residence: Critical Race Studies. Metaferia is an interdisciplinary artist working in performance, video, installation, and collage. Her research is devoted to asserting the black body into sites of systemic oppression. Her lecture is presented in association with a solo exhibition at (SCENE) Metrospace.
This lecture is additionally sponsored by the MSU Federal Credit Union.
The primary activity at this event will be low-stakes, open house-style Table Presentations with “lightning talks” focusing specifically on Computer Assisted Language Learning (CALL) and ed tech tools and practices more generally. MSU’s Center for Language Training and Advancement (CeLTA) and hosts Adam Gacs (German) and Shannon Spasova (Russian) will also facilitate several presentations that will be broadcast and recorded for online participants.
This mini-conference event brings researchers and teachers together in dialogue around the questions “Do teachers care about research?” and “Do researchers care about teachers?” Plenary session presentations by researcher Dr. Masatoshi Sato (Universidad Andrés Bello, Chile) and a language educator (TBD) will be followed by a mixer in smaller break-out rooms, where language researchers and language teachers will engage in guided but informal dialogue. The event will conclude with a Town Hall-style forum, facilitated by MSU’s Second Language Studies program chair, Dr. Shawn Loewen.
Nostalgia for the Light
7:00pm || Wednesday, September 18, 2019 || Abrams Planetarium
755 Science Rd, East Lansing, MI 48824
Patricio Guzman’s 2010 documentary, Nostalgia for the Light, calls upon viewers to explore the aesthetics, ethics, and technologies of memorialization amidst and in the wake of oppressive regimes. Rooted in the arid ecology of the Atacama Desert—a celebrated site for cutting-edge astronomical research and archaeological survey—the film parses the similarities between astronomers’ search for deep human history among the stars and Chilean women’s search for “disappeared” loved ones in the desert’s parched earth. This screening and discussion of Nostalgia for the Lighttraces the ecosystem of people, landscapes, technologies, and politics that has shaped the memorialization of Augusto Pinochet’s victims. This event is offered in connection with “The Edge of Things: Dissident Art Under Repressive Regimes” on view at the MSU Broad through January 5, 2020.
—Programmed by Scott Boehm & Shannon Schmoll
Broad Underground is an ongoing collaboration between the MSU Broad, Film Studies Program, and Department of English at MSU. This year’s partnering venue is The Robin Theatre in REO Town, Lansing, with special thanks to the Lansing Public Media Center.
Cosponsored by the MSU Comics Forum
Ed Tech Brown Bag #1: Speed Dating
Wed., Feb 5. 12:00-1:00pm. Wells Hall B342
ELC Ed Tech Specialist Austin Kaufmann will give a 2-minute Speed Dating pitch for each of his Ten Most Frequently Used Ed Tech Tools. Participants will note down which tools they are most interested in, and based on their top choices, Austin will create a semester schedule for smaller group trainings. (Feel free to bring your lunch!)
LxFF 2020 features five days of independent latinx cinema, live music, new media and special events, most of which is free and open to the public.
Come out of the cold to see great films from Colombia, Panama, Chile, Argentina, Peru, Cuba, Paraguay, Costa Rica, the United States and more. We’ve got dramas, comedies, thrillers, documentaries, short films and a family adventure movie from across the Americas.
Connect with us on social media and spread the word: #LxFF2020
This event is co-sponsored with the Center for Poetry, College of Law, College of Arts and Letters, Facility for Rare Isotope Beams, College of Education, James Madison College, and Lyman Briggs College.
A widely requested speaker, Betts often gives talks about his own experience, detailing his trek from incarceration to Yale Law School and the role that grit, perseverance, and literature played in his success. Also, he has given lectures on topics ranging from mass incarceration to contemporary poetry and the intersection of literature and advocacy. Between his work in public defense, his years of advocacy, and Betts’s own experiences as a teenager in maximum security prisons uniquely position him to speak to the failures of the current criminal justice system and present encouraging ideas for change. That work has led Betts to be appointed by President Barack Obama to appoint him to the Coordinating Council of the Office of Juvenile Justice and Delinquency Prevention and more recently for Governor Ned Lamont of Connecticut to appoint him to the Criminal Justice Commission, the state body responsible for hiring prosecutors in Connecticut. His recently released book of poetry, Felon, which is a collection of poems he wrote in reflection of life after prison. Reginald Dwayne Betts transformed is a critically acclaimed writer and graduate of the Yale Law School.
Kelly Akashi | February 24 | Virtual on Zoom | 4 PM EST
This event does not require pre-registration, if you are interested in joining our zoom webinar, please do so using the link and password below.
https://msu.zoom.us/j/97803340342 pw: mutants
Material tactility, its possibilities, limitations, and transformation form the core of Kelly Akashi’s practice. Originally trained in analog photography, traditional processes and the materiality of documents continue to inform and fuel her sculptural explorations. Working in a variety of media, such as wax, bronze, fire, glass, silicone, copper, and rope, Akashi investigates the capacity and boundaries of these elements and their ability to construct and challenge conventional concepts of form.
Born in 1983 in Los Angeles, Kelly Akashi currently lives and works in Los Angeles, California. The artist graduated with a MFA from University of Southern California in 2014. Akashi studied at the Staatliche Hochschule für Bildende Künste – Städelschule in Frankfurt am Main and received her BFA at Otis College of Art and Design in 2006.
Currently on view at the Aspen Art Museum is a new commissioned sculpture, Cultivator, which will be on view at the museum’s Crown Commons through March 2021. Winner of the 2019 Carolyn Glasoe Bailey Foundation Art Prize the artist had a residency at the foundation in Ojai, California. Other residencies include ARCH Athens, Greece (2019) and at Headlands Center for the Arts, Sausalito, CA (2019) – both of which concluded with a solo exhibition. Other important solo exhibitions include Long Exposure curated by Ruba Katrib at the SculptureCenter, New York (2017). The artist’s work is currently featured in Ground/work at the Clark Art Institute and Possédé·e·s at MoCo Montpellier Contemporain in France. Other notable group exhibitions include the Hammer Museum’s biennial, Made in L.A. (2016); Museum of Contemporary Art, Detroit (2017); LA: A Fiction, Musée d’art contemporain de Lyon, France (2017); Take me (I’m Yours), curated by Hans Ulrich Obrist, Jens Hoffmann, and Kelly Taxter, Jewish Museum, New York (2016); Can’t Reach Me There, Midway Contemporary Art, Minneapolis (2015).
For more information about Kelly Akashi and their work, please visit their website.