EVENTS

Calendar

Mar
15
Fri
Costume Party at the Moslem Temple, Qais Assali, Artist/Designer in Residence: Critical Race Studies @MSU Union Art Gallery @ MSU Union Art Gallery
Mar 15 – May 11 all-day
Costume Party at the Moslem Temple, Qais Assali, Artist/Designer in Residence: Critical Race Studies @MSU Union Art Gallery @ MSU Union Art Gallery | East Lansing | Michigan | United States

Costume Party at the Moslem Temple

An exhibition featuring MSU Artist-in-Residence: Critical Race Studies Qais Assali.

March 15- May 11, 2019

Reception: March 15, 2019 6–8PM

Artist Lecture: March 20, 2019 @MSU Broad Art Museum, 7PM

 

Please join the MSU Union Art Gallery and the MSU Department of Art, Art History, and Design in celebrating the opening of Costume Party at the Moslem Temple on Friday, March 15 beginning at 6pm, remarks will be offered at 6:30pm. This solo exhibition features the work of MSU Artist-in-Residence: Critical Race Studies Qais Assali.

Assali’s interdisciplinary work stages questions between site and the body in relation to his own identity and locale in order to debunk metaphoric surrounding contested geographies. This exhibition was made possible thanks to collaborations with many others. Parade Float was made in collaboration with Syrian-American Artist Amanda Assaley. Mosaic Fountain was made by Syrian-American Artist Michael Howard. O My Lord, Increase me in Knowledge, was painted by Syrian-American Artist Reem Taki.

Costume Party at the Moslem Temple is organized by the MSU Union Art Gallery at Michigan State University. Support for this exhibition and associated programming is provided by the MSU Federal Credit Union, the MSU College of Arts & Letters, MSU Department of Art, Art History, and Design, the MSU Eli & Edythe Broad Art Museum, MSU Museum, MSU Library Digital Scholarship Lab, MSU Library Special Collections, MSU Muslim Studies Program,  MSU Students United for Palestinian Rights, University of Michigan Special Collections Research Center, and the Arab American National Museum. Special thanks to Deborah Margolis, Jose Luis Benavides, Sally Howell, Penny Gardner, Becky Gaines, and Michael Dean.

Qais Assali (b. 1987 Palestine) is currently a Visiting Assistant Professor and Artist-in-Residence at Michigan State University. His works with video, installation, lecture performance, sound, photography, and in the archives seek to engage and subvert national geopolitical power dynamics. His interdisciplinary work stages questions between site and the body in relation to his own identity and locale in order to debunk metaphoric surrounding contested geographies.

Assali’s work has been internationally exhibited at Jeune création, Paris (2016); 6018North, Chicago (2018); Festival Artes Vertentes de Tiradentes, Brazil (2016); The Overlook Place, Chicago (2018); solo exhibitions at Akademirommet, Kunstnernes Hus, Oslo (2015); and Khan Al Wakala, Nablus (2016). Assali has been a faculty member at a number of academic institutions in Palestine including Al-Ummah College, Jerusalem, Palestine. Assali holds two master’s degrees – an MA in Art Education from the School of the Art Institute of Chicago and MFA from Bard College Milton Avery Graduate School.

May
17
Fri
Textscape @ MSU Union Art Gallery
May 17 @ 12:00 pm – Jul 12 @ 7:00 pm
Textscape @ MSU Union Art Gallery | East Lansing | Michigan | United States

TEXTSCAPE

Hongtao Zhou

Textscapes are 3D printed documents to reemphasis printing in modern technological world.

May 17 – July 12, 2019

 

Textscapes are 3D printed documents to reemphasis printing in modern technological world. Printing technology was first created in ancient China to reproduce text using woodblocks, however today’s definition had been widely adopted in 3D printing, an additive process more often to create objects instead of duplicate text. Textscape generates letter-sized 3D documents to visually profile the subject matters of the texts, such as cities, landscapes or figures. These documents make reading process interactive for general audience or blind people, as knowledge as well as art. This series of work has variations of braille, language characters, calligraphies and number systems to bridge the contents and its visuality in architecture, landscape, portraits and abstract matters.

Hongtao Zhou is an interdisciplinary scholar and artist, he researches, practices and teaches in the areas of Design, Architecture, Exhibition Design, Furniture Design & Fabrication and Contemporary Sculpture & Installation. Hongtao holds a PhD from Purdue University, a MFA from University of Wisconsin-Madison and a MS from Northeast Forest University of China. He is a professor at Tongji College of Design and Innovation (D&I) and a visiting professor at University of Hawaii-Manoa (UHM). Hongtao had been serving as the Director of the UHM Haigo and Irene Shen Architecture Gallery. Currently he is Executive Member and Curator of the National Association of Chinese Artists in American Academia.

Hongtao has exhibited nationally & internationally including Centre Pompidou, Gwangju Design Biennale-South Korea, National Museum of China, Milan Design Week, Milwaukee Art Museum, Chazen Museum of Art, Haggerty Museum of Art, Indiana State Museum and Historic Sites, Charles Allis Art Museum, Honolulu Museum of Art School, Philadelphia Art Alliance, Houston Center for Contemporary Craft, Museum of Contemporary Craft in Portland, Central Academy of Fine Arts Museum in Beijing and Taiwan Design Center. He published his work and research in Interior Design, Interni, Design Bureau, Transmaterial, Metropolis, American Craft, Artdaily Zhuangshi Magazine, Modern Weekly and Huffington Post. Centre Pompidou and the University of Virginia collected his work. Hongtao’s work is currently on view in the 2019 Venice Biennale in collaboration with TONTSEN DESIGN in the European Cultural Centre Exhibition.

This exhibition made possible thanks to the MSU College of Arts and Letters, Department of Art, Art History, and Design. Special Thanks to Xia Gao, Associate Professor of Apparel and Textile Design. Work shown made possible by Jiabao Zhu, Project Assistant, Making Lab, Tongji University, College of Design and Innovation (D&I).

Sep
23
Mon
Global Studies in the Arts and Humanities Student Meet and Greet @ B342 Wells Hall
Sep 23 @ 3:00 pm – 5:00 pm
Global Studies in the Arts and Humanities Student Meet and Greet @ B342 Wells Hall | East Lansing | Michigan | United States

Students currently in the GSAH major or minor, and any other student interested in Global Studies:

  • Learn about the degree options in Global Studies in the Arts and Humanities.
  • Meet other students, the advisor, the program director, and faculty.
  • Meet comic book artists and authors John Jennings and Stacy Robinson.
  • Enjoy snacks and pick up MSU swag.

Global Studies in the Arts and Humanities has partnered with Professor Julian Chambliss who is bringing to MSU the creators of Black Kirby. John Jennings and Stacy Robinson will do a brief presentation on their work at the student meet and greet. Read about their visit to MSU here:

https://msutoday.msu.edu/news/2019/visiting-artists-scholars-to-focus-on-race-gender-and-power-in-afrofuturism/

After the discussion with Jennings and Robinson, Kate Rendi, the GSAH student advisor, and Professor Salah Hassan, the GSAH Program Director, will lead an informal advising session on our Global Studies degrees.

This event is open to all students and faculty

Oct
8
Tue
Oct
11
Fri
C4I Lecture–Megan Halpern @ Spartan Room at International Ctr.
Oct 11 @ 12:00 pm – 1:00 pm
C4I Lecture--Megan Halpern @ Spartan Room at International Ctr. | East Lansing | Michigan | United States

Science as Experience: A New Approach to Science Communication    

Megan Halpern draws on Dewey’s theory of aesthetic experience to develop a model that can reshape how we research, practice, and evaluate science communication. Drawing on her work in art-science collaboration and design-inspired public engagement with science and technology, Halpern illustrates three principles of her model. First, experiences are cumulative rather than transformative, second, that context shapes experiences; and third, that ultimately, audiences have agency in shaping the meanings they draw from their interactions with scientific content. Finally, Halpern offers insights into how to develop projects from an experience perspective.

Coffee and Cookies provided.

Plan to stay after the lecture for additional coffee and networking time.