Prior to James Naremore’s talk on March 28, there will be a screening of his 1990 film To Sleep With Anger. Vagabond Harry (Danny Glover) pays an unexpected visit to his old chum Gideon (Paul Butler), who accepts the aimless man into his home, despite the fact that the household is already overcrowded. Hard-drinking yet charismatic, Harry both entertains and enrages Gideon and his wife, Suzie (Mary Alice). However, after Gideon falls gravely ill, Harry decides to step in and take his friend’s place in the household. Unfortunately, his intentions are far from pure, and the consequences are tragic.
RENEE MUSSAI / OCTOBER 25 / 107 S KEDZIE / 6PM
London-based curator, writer, and art historian, Renée Mussai is Curator and head of Archive at Autograph ABP, an arts charity that works internationally in photography and film, addressing themes of cultural identity, race, representation and human rights.
TITUS KAPHAR / NOVEMBER 5 / MSU Union Ball Room /6PM
Born in Kalamazoo, Michigan, Titus Kaphar lives and works on the east coast. Kaphar’s
mixed media work, speaks to the most vital discussions happening around race,
diversity, and reconciliation in the U.S. Kaphar exposes how all depictions, no matter
how personal or grandiose, are always fictional, imperfect, and capable of being
remade. He is the distinguished recipient of the Gwendolyn Knight and Jacob Lawrence
Fellowship as well as the 2015 Creative Capital Award and 2016 Rauschenberg Artist
as Activist Fellowship.
For more information about Titus Kaphar, please visit:
Moscow Doesn’t Believe in Tears (Vladimir Menshov, 1980)
Presented by Yelena Kalinsky
Living together in a workers’ dorm, Katerina (Vera Alentova) and her friends are determined to make it in Moscow. But when a boorish cameraman (Juri Wassiliev) forces himself on her, Katerina finds herself pregnant and alone as her friends move on. Twenty years later, she’s fought to become a factory director, outpacing her old roommates career-wise, but still alone but for her daughter. When she meets a genial mechanic (Aleksey Batalov), love seems possible again.
The Forgotten Space (Allan Sekula, 2010)
Presented by Lily Woodruff
The Forgotten Space follows container cargo aboard ships, barges, trains and trucks, listening to workers, engineers, planners, politicians, and those alienated by the global transport system. We visit displaced farmers and villagers in Holland and Belgium, underpaid truck drivers in Los Angeles, seafarers aboard mega-ships shuttling between Asia and Europe, and factory workers in China, whose low wages are the fragile key to the whole puzzle.
Un Coeur en Hiver (Claude Sautet, 1993)
Presented by Bill Vincent
Violin player Camille (Emmanuelle Béart) begins an affair with Maxime (André Dussollier), who is prepared to leave his wife. But then Camille goes to Maxime’s violin repair shop and meets his employee, Stephane (Daniel Auteuil), and she instantly falls in love. While Camille freely expresses her emotions for Stephane, he acts increasingly introverted, shunning her affections even though he cares for her, too. Camille soon becomes obsessed in her determination to win Stephane over.
The Hudsucker Proxy (Joel and Ethan Coen, 1994)
Presented by Dan Smith
New York City, December 1958. Newly arrived from Indiana, Norville Barnes walks into the Hudsucker Building just as the company president leaps to his death from a window high above. When a ruthless executive seeks a new proxy president who is sure to fail, naive Norville is moved from the mailroom to the boardroom. This screwball comedy from the Coen Brothers reinterprets visual and aural styles of earlier directors such as Howard Hawks and Frank Capra while reflecting on the mythology of the office building and the city as work places.
Technology and Identity || Sondra Perry Works
7:00pm • Friday, December 7, 2018 • The Robin Theatre, REO Town, Lansing
Sondra Perry mixes 3D digital animation with found footage from video games, YouTube, and other popular moving image sources to explore representations of blackness in history and popular culture. Often drawing upon personal experiences, her work questions the technologies that shape racial identity today. 6:30 doors, 7:00 start.
—Programmed by Mikki Kressbach
Broad Underground is an ongoing collaboration between the MSU Broad, Film Studies program, and Department of English at MSU. This year’s partnering venue is The Robin Theatre in REO Town, Lansing, with special thanks to the Lansing Public Media Center.