UNDERGRADUATE EXHIBITION 2019
RECEPTION: Friday, April 5th
6:00-8:00PM // Remarks & Awards at 7PM
SHOW DATES: April 5 – April 28
Join us on Friday, April 5th from 6:00-8:00PM for the opening reception for the 2019 Undergraduate Exhibition at (SCENE) Metrospace. The 2019 Department of Art, Art History, and Design Undergraduate Exhibition marks an important achievement for our student exhibitors. These students continue a long history preceded by thousands of alumni who have shown in past Undergraduate Exhibitions at MSU. Centered in a learning environment that values the development of personal vision, critical inquiry, and philosophical reflection, undergraduate students across all disciplines make intellectual and artistic discoveries. This exhibition features a sampling of coursework from Apparel & Textile Design, Ceramics, Comics, Drawing, Electronic Art & Intermedia, Graphic Design, Photography, Painting, Printmaking, and Sculpture.
Alison Wong, Guest Juror
Alison Wong is first-generation Chinese American artist, curator, and educator based in Detroit, MI. Wong received her MFA from Cranbrook Academy of Art in Bloomfield Hills, MI and her BFA from Maryland Institute College of Art in Baltimore, MD. Primarily working in the field of painting and drawing, Wong takes inspiration from her personal histories and her professional practice as and Director and Curator of Wasserman Projects, founder of Butter Projects, and Adjunct Faculty at College for Creative Studies.
HIVES will be meeting for the first official time on September 12, 2019 in room C607 of Wells Hall (619 Red Cedar Road, East Lansing, MI 48824). This meeting will be primarily to introduce HIVES guiding questions, discuss the trajectory of the workshop for the year, and nourish our bodyminds with pizza and discussion. We would like to begin the buzz of conversation with a discussion of texts and videos, available here, that present some nodes for future engagement. Finally, we will be revealing our fall keynote speaker at the meeting!
This and all future HIVES meetings are open to the public, including but certainly not limited to: students, non-students, artists, curious parties, larvae, comic-lovers, poets, and all others. Please feel welcome to circulate the poster above which has been formatted to be accessible to screen readers. Please fill out this google form if you plan to attend in order to share your preferences and needs for refreshments and access.
HIVES is an ongoing scholarly, artistic, and communal organization dedicated to developing an understanding of the ways in which matter and beings function in interdependent networks. This research workshop seeks to create a generative space for conversations at the intersections of disability studies and animal studies in popular culture. In his book Brilliant Imperfection, Eli Clare emphasizes how “White Western culture goes to extraordinary lengths to deny the vital relationships between water and stone, plant and animal, human and nonhuman, as well as the utter reliance of human upon human” (Clare 136). Clare offers the disability studies notion of interdependence as a way to undo fantastical narratives of independence and the individual. HIVES is an engagement with hiveminds, relationality, and interdependence across and within animal/human divides. This research workshop draws on popular culture in the form of novels, films, and video games and theory from disability studies to critical race theory to queer studies to animal studies in order to think through disrupting white western denials of interdependence. We are guided by the questions: what are the potentials and pitfalls of the overlap between disability and animal studies? what forms of inter-reliance arise from lived disabled existence and/or representations of disabled characters in popular culture? what does (and does not) separate animals and humans? what frictions exist in turning to animal studies to find alternate conceptions of relational being?
The Department of English MUSE Scholars Program presents a lecture by Dr. Omaris Z. Zamora, “Delectable Complicities From El Ni’ E: AfroLatinx Feminisms of Cardi B & La Bella Chanel.” Dr. Zamora is assistant professor of Afro-Latinx Studies at Rutgers University. Her book project, AfroLatina (Trance)formations: Poetics of Black Embodied Archives and Feminist Epistemologies, engages the theoretical formation of AfroLatina feminist epistemologies through an analysis of transnational Dominican women’s narratives in literature and performance. As a spoken-word poet she fuses her poetry with her scholarly work as a way of contributing to a black poetic approach to literature and cultural studies.
Please join us Thursday, October 17th at 4:30pm in Wells Hall room B243.
Join the MUSE scholars program for daily public panels. Presenters on Friday, 10/18 include:
- Gabriella Adriana Davis: “Ecuador is Black: Afro-Ecuadorian Literary Resistance in Drums Under My Skin“
- Havannah Chau Ngoc Tran: “Reading Mythology in Ocean Vuong’s Night Sky With Exit Wounds through ‘Just Memory’“
- Agnes Sastre-Rivera: “Colonial Space, Colonized Bodies and Religions: A Study of Colonial Trauma in Nigel Thomas’ Return to Arcadia and Shani Mooto’s Cereus Blooms at Night”
- Dr. Zarena Aslami: “Victorian Afghanistan and the Poetics of Marginal Sovereignty”
- Dr. Sheila Marie Contreras “Between Settlers: Race, Gender and the Anglo/Mexican land grab in US popular culture“”
Join the MUSE scholars program for daily public panels. Presenters on Saturday, 10/19 include:
- Naajidah Correll: “Double Negative Discourse: On Black Icons and Public Despair”
- Ariana Karina Costales Del Toro: “It Was Powerful Women All Along: Debunking Female Monsters in Nalo Hopkinson’s Brown Girl in the Ring ”
- Ke’Shunta Faye Drake: “When (will) They see Us: Black Womanism, Me, Myself, and the Life and Times of Assata Shakur”
- Jennifer Mojica Santana: “‘Soy Bandolero como el Míster Politiquero’: Tracing Sociopolitical Activism in Don Omar’s and Tego Calderón’s Reggaetón”
- Dr. Tamara Butler: “Worn: Sartorial Politics and Artifacts”