WATER Puerto Rico……Flint a Human Right Exhibition Reception
A solo exhibition featuring Karen Hampton, MSU Artist-in-Residence: Critical Race Studies.
JANUARY 19 – MARCH 23, 2018
RECEPTION JANUARY 19, 5-7PM, REMARKS AT 6:15PM
Join us Friday, January 19, 2018 from 5-7PM for the opening reception for WATER Puerto Rico……Flint a Human Right a solo exhibition featuring the work of Karen Hampton at the MSU Union Art Gallery. Opening Remarks will be offered at 6:15PM.
I am a conceptual mixed media artist, addressing issues of colorism and race in my works. I seek to break stereotypes and address issues related to my life. My artwork is steeped in oral history and expresses the narrative of those whose stories have not yet been fully told. As a storyteller, I impart conceptualized stories about the “other” in society. I view myself as a vehicle for ancestral stories to transcend history and remain part of the historical record. The canvas of my artwork is fabric, which I age and imbue with conceptualized images of a forgotten part of the American story. Using images and text, I embed the cloth with the hopes and visions of my ancestors, particularly those whose stories that have remained invisible. Whether woven or stitched, every time my weft crosses the warp or my needle pierces the cloth, I reach through another layer of scorched earth that slavery has left behind and work to reframe critical issues of race.
Karen Hampton is a Michigan State University, Artist-in-Residence: Critical Race Studies. Hampton joins us from Los Angeles, CA for the 2017-2018 academic year. Her exhibition is sponsored by the Department of Art, Art History, and Design along with the generous support of others including the College of Arts & Letters, Creating Excellence Funding Program from the Office for Inclusion & Intercultural Initiatives, Office of the Provost, and the MSU Federal Credit Union. Additionally she will be offering a public lecture about her work on January 30 at 6PM in 107 S. Kedzie Hall.
The 11th annual family literacy event, One World, Many Stories is proud to present Connie Schofield-Morrison’s, I Got the Rhythm, a book about expressing yourself through dance and music and being inspired by the rhythm from the world around us.
Please join us for a book reading by Marble Elementary Principal Josh Robertson. Following the reading, there will be a Family Dance Party featuring DJ Rod Carpenter, accompanied by members of MSU Pompon Team. The first 100 families get a FREE copy of the featured book! The entire event is free and open to the public.
5:30pm-6pm Pizza Dinner
6pm-6:15pm Book Reading by Marble Elementary Principal, Josh Robertson
6:15pm-7:30pm Family Dance Party Featuring DJ Rod Carpenter and Members of the MSU Pompon Team
One World, Many Stories is a community-based program for young children of all cultures. In collaboration with Michigan State University, East Lansing Public Library, and the East Lansing Public Schools, this initiative promotes family reading practices with interactive events that expose children to a variety of cultures and ideas. For the past five years, the books that were selected for this event have highlighted the importance of community participation, global citizenship, and intercultural understanding.
DR. LAWRENCE BARON
PROFESSOR EMERITUS, SAN DIEGO STATE UNIVERSITY
FORMER NASATIR CHAIR OF MODERN JEWISH HISTORY AND DIRECTOR OF THE JEWISH STUDIES PROGRAM
As the Holocaust increasingly has been incorporated into public education, feature films, often based on juvenile Holocaust fiction or classic children’s novels are being made. This lecture looks at this trend starting with Disney’s The Devil in Vienna through The Boy in Striped Pajamas.
CeLTA Student Interaction Grants provide support in reaching oral proficiency goals over the summer months.
Students in Arabic, French, German, Italian, Portuguese, or Spanish classes 202 or above are eligible.
If you are selected, you will receive:
- Diagnostic feedback on how to improve your speaking skills with a specialist from CeLTA
- 5 free conversations with trained native speakers via TalkAbroad (talkabroad.com) – a $50 value
- Free consultations with CeLTA staff to help you structure goals and activities of the conversation sessions
This is an excellent opportunity to advance your speaking skills and to get guided feedback on your speaking proficiency. Because these activities can be done using video conferencing, you do not need to be physically present on campus; a webcam and a good Internet connection are required.
If selected, you are expected to:
- Take a computerized interview to assess your current language speaking ability
- Meet with a CeLTA language specialist for feedback on improving your speaking skills and how to navigate TalkAbroad
- Engage in reflection on your speaking by transcribing one conversation
- Email CeLTA your transcription after your fifth conversation and submit feedback forms on the program
- Complete all activities above by the end of August
If all of the criteria are met, there will be an opportunity to receive 5 more free conversations.
Applications are due April 5, 2018 at 5 pm.
If you have questions, please contact Daniel Trego at email@example.com.
This is an example event on the calendar widget
DRAWN TO PRINT
A national juried exhibition of drawning and printmaking and everything inbetween.
July 27 – August 31, 2018
Reception July 27, 6-8PM
This exhibition is the result of a national call and features works on paper that explore the ways in which the diverse and inclusive mediums of drawing and printmaking converge and are completely separate.
The path followed by a brayer can begin with a pencil, a mouse, a cut, or a maybe a stencil. There is no limit to the ideas that can be explored through drawing or printmaking. The presence of the artist in these processes can be at the forefront or separated by many layers of information. Surfaces can be additive or subtractive. Lines and forms can be ink, paint, graphite, thread, a cut or a tear. The work in this exhibition meets with the act of one material being pulled across the surface of another.
This exhibition features work from:
HECTOR DEL CAMPO
SALLY SCHLUTER TARDELLA
Featuring Dianne Wolter’s paintings and sculptures.
August 3- October 5, 2018
Reception September 8, 3-5PM
Painting provides me a process driven opportunity to experiment, discover, manipulate, play, and sometimes even tell a story. I value mark making and like to see evidence of the history of the process in the finished painting. Narrative has been a component of my art that allows me to ask questions and make observations. I use whimsy as a means to enliven or to soften the content. Recurring themes and images return to new environments. Images that possess a personal iconography are infused with content from experiences and memories that hold power. I begin by creating an active ground plane, and then working out to the surface, sometimes finding rather than imposing imagery. I enjoy working figuratively, layering, searching for ideas and inspiration from the manipulation of the media, and often but not always embracing a narrative.
Adding papier-mâché sculpture to my studio involvement has been a logical and natural extension to my previous singular focus of two-dimensional work. The process is reductive, starting with foam forms that have been created by gluing construction foam into blocks that can be carved. Papier-mâché mulch and layers of paper finish off the surfaces and ease transitions and contours. The torn paper can communicate a new narrative while holding onto its past. I find myself stacking forms which is another way of layering, bringing elements together in proximity or support, contrasting familiar with fantastic.
Dianne Wolter graduated from Michigan State University in 1965 with a Bachelor of Fine Arts degree and a teaching certificate. Teaching and studio involvement have been the focus of her professional life since then. She concentrated on fabric collage for the first 14 years of her creative journey, teaching it in public schools throughout southern Michigan sponsored by the Michigan Council for the Arts. In 1979, Wolter began teaching after school art classes in her home studio to area children. Sharing her studio with children was a rewarding and meaningful opportunity. To concentrate more fully on her own art, she retired from teaching in 2002 to focus more on painting. A whim to make a cat riding on a unicycle introduced sculpture as an additional interest. Since then, Wolter has been enjoying both sculpture and painting.
For more information about Dianne’s work please visit her website:
Please stop into (SCENE) Metrospace to see our latest exhibition traveling to us from Bloomington, Indiana where it was recently on view at I Fell Gallery. COMMAND + N was co-curated by Anna Buckner and Sul-Jee Scully of Command Zine and Bill Bass and Raphael Cornford of Noise Project. This special exhibition brings together the work of nine artists; Roxana Azar, Israel Campos, Zachary Carlisle Davidson, Jonathan McFadden, Rowland Ricketts, Saman Sajasi, Caleb Weintraub, Tyler Wilkinson, and Chad Wys.
I can’t follow everything going on. You can’t either. I can grab a few strands here and there, focusing my reading and my podcast listening and my conversations. Still, I’m falling woefully short. I know that any sources I access have bias, that I’ve been lied to by dominant narratives across media forms, that my experiences have been misrepresented if represented at all.
So let art speak to us all at once and emotively and with information and through reference and via updated, augmented, and even subverted traditions. For art does
indeed reveal our new narratives and emergent mythologies, forces that selectively continue and negate aspects of their older counterparts. “But which art?” you
might ask, “Where? How? Will there be beer?”
NOISE and COMMAND Zine co-curate the exhibition “COMMAND + N,” a traveling group show of artists whosework is invaluable, transformative and alive, acting upon us just as much as we respond in turn. Working across multiple media these artists reveal untold stories, recontexualize traditions, speak from marginalized identities, and play with the boundaries between digital and tangible.
Bringing together an expertise that spans the contemporary fields of painting, textile, printmaking, photography, comics and digital art, the curators present two exhibitions at I Fell in Bloomington, IN and (SCENE) Metrospace in East Lansing, MI, highlighting selected works as simultaneously discrete narrative objects and cohesively indicative of the story of our time.