2018 Department of Art, Art History, and Design Faculty Triennial Exhibition
Eli & Edythe Broad Art Museum
March 17-May 13, 2018
Exhibition Reception April 8, 6-8PM
The 2018 Department of Art, Art History, and Design Faculty Triennial Exhibition showcases the recent work of twenty studio art & design faculty members. Recognized nationally and internationally, Michigan State University studio art & design faculty member’s creative research is regularly exhibited in venues all over the world. Collectively they have received recognition and support from Fulbright, the National Endowment for the Arts, and the Pollack-Krasner Foundation. Representing a broad-range of media and contemporary art and design approaches, the exhibition highlights the faculty’s dedication to actively pursuing creative research.
The 2018 MSU Department of Art, Art History, and Design Faculty Triennial exhibition is organized by the Eli and Edythe Broad Art Museum at MSU and guest curated by Christopher Atkins, Curator of Exhibitions & Public Programs at the Minnesota Museum of American Art. Support for this exhibition is provided by the John and Susan Berding Family Endowment.
June 2 – July 15, 2018
Reception Friday, June 1, 2018 6–8pm
Sometimes Bluebird featuring the work of Marcos Valella, Britta Urness, and Jacquelynn Sullivan. This special exhibition is organized by Britta Urness. Sometimes Bluebird brings the work of three artists together to discover new layers of abstraction, the relationship between humans and experience, and what can materialize as an object – as an artwork – or appear as an activity. All three artists lean on differing subject matter (permanence, action, memory, communication, the self) and the resulting installations can be read as both ephemeral or long-lasting.
Featuring Dianne Wolter’s paintings and sculptures.
August 3- October 5, 2018
Reception September 8, 3-5PM
Painting provides me a process driven opportunity to experiment, discover, manipulate, play, and sometimes even tell a story. I value mark making and like to see evidence of the history of the process in the finished painting. Narrative has been a component of my art that allows me to ask questions and make observations. I use whimsy as a means to enliven or to soften the content. Recurring themes and images return to new environments. Images that possess a personal iconography are infused with content from experiences and memories that hold power. I begin by creating an active ground plane, and then working out to the surface, sometimes finding rather than imposing imagery. I enjoy working figuratively, layering, searching for ideas and inspiration from the manipulation of the media, and often but not always embracing a narrative.
Adding papier-mâché sculpture to my studio involvement has been a logical and natural extension to my previous singular focus of two-dimensional work. The process is reductive, starting with foam forms that have been created by gluing construction foam into blocks that can be carved. Papier-mâché mulch and layers of paper finish off the surfaces and ease transitions and contours. The torn paper can communicate a new narrative while holding onto its past. I find myself stacking forms which is another way of layering, bringing elements together in proximity or support, contrasting familiar with fantastic.
Dianne Wolter graduated from Michigan State University in 1965 with a Bachelor of Fine Arts degree and a teaching certificate. Teaching and studio involvement have been the focus of her professional life since then. She concentrated on fabric collage for the first 14 years of her creative journey, teaching it in public schools throughout southern Michigan sponsored by the Michigan Council for the Arts. In 1979, Wolter began teaching after school art classes in her home studio to area children. Sharing her studio with children was a rewarding and meaningful opportunity. To concentrate more fully on her own art, she retired from teaching in 2002 to focus more on painting. A whim to make a cat riding on a unicycle introduced sculpture as an additional interest. Since then, Wolter has been enjoying both sculpture and painting.
For more information about Dianne’s work please visit her website:
DEL HARROW/ OCTOBER 16 / 109 S KEDZIE / 6PM
Spanning the genres of sculpture, ceramics and design, Del Harrow is an Associate Professor at CSU. His art practice integrates traditional manual and skill-based forming processes with digital fabrication technology. His work is an ongoing exploration of the possibility that a tactile physical form might contain, creating sites for the imagination and the thinking of thoughts.
For more information about Del Harrow, please visit:
The Open House celebration of ISDay (International Sculpture Day) is Saturday, April 27 from 12:00pm-4:00pm, located in the Sculpture Building. The open house features work by graduate students Mary Peacock and Marcos Serafim, as well as graduating senior Richard Tanner. There’s also course work from Construction/Fabrication and Installation/Mixed Media. Come enjoy food, fun, and great conversations!
Current exhibitions featuring sculpture students:
Eli and Edythe Broad Art Museum, The Master of Fine Arts Exhibition
(SCENE) Metrospace: The 2019 Undergraduate Exhibition