Featuring Dianne Wolter’s paintings and sculptures.
August 3- October 5, 2018
Reception September 8, 3-5PM
Painting provides me a process driven opportunity to experiment, discover, manipulate, play, and sometimes even tell a story. I value mark making and like to see evidence of the history of the process in the finished painting. Narrative has been a component of my art that allows me to ask questions and make observations. I use whimsy as a means to enliven or to soften the content. Recurring themes and images return to new environments. Images that possess a personal iconography are infused with content from experiences and memories that hold power. I begin by creating an active ground plane, and then working out to the surface, sometimes finding rather than imposing imagery. I enjoy working figuratively, layering, searching for ideas and inspiration from the manipulation of the media, and often but not always embracing a narrative.
Adding papier-mâché sculpture to my studio involvement has been a logical and natural extension to my previous singular focus of two-dimensional work. The process is reductive, starting with foam forms that have been created by gluing construction foam into blocks that can be carved. Papier-mâché mulch and layers of paper finish off the surfaces and ease transitions and contours. The torn paper can communicate a new narrative while holding onto its past. I find myself stacking forms which is another way of layering, bringing elements together in proximity or support, contrasting familiar with fantastic.
Dianne Wolter graduated from Michigan State University in 1965 with a Bachelor of Fine Arts degree and a teaching certificate. Teaching and studio involvement have been the focus of her professional life since then. She concentrated on fabric collage for the first 14 years of her creative journey, teaching it in public schools throughout southern Michigan sponsored by the Michigan Council for the Arts. In 1979, Wolter began teaching after school art classes in her home studio to area children. Sharing her studio with children was a rewarding and meaningful opportunity. To concentrate more fully on her own art, she retired from teaching in 2002 to focus more on painting. A whim to make a cat riding on a unicycle introduced sculpture as an additional interest. Since then, Wolter has been enjoying both sculpture and painting.
For more information about Dianne’s work please visit her website:
Join the Department of Art, Art History, and Design on Friday, November 2 from 2-4pm in the MSU Main Library 4th Floor Green Room for the Biennial Art History and Visual Culture Alumni Symposium. This is an opportunity to hear from MSU Alumni pursuing careers in a variety of arts and culture related fields.
Eric Booker: Education and outreach at the Studio Museum, New York
Sydney Richards: Matthaei Gardens at University of Michigan, Ann Arbor
Janine Yorimoto Boldt: Curator at American Philosophical Society, Philadelphia
Lisa Wolter: Vice President of ArtsWave Community Campaign, Cincinnati
MSU Union Art Gallery
49 Abbott Road, Rm. 230, East Lansing, MI 48824
The Wash (As It Seams)
Solo exhibition featuring the work of Babette Shaw.
January 21 – March 2, 2019
Artist Lecture January 31 6pm, Natural Science Rm. 326
Exhibition Reception February 1, 6 – 8pm
Babette Shaw Artist Statement
As human beings, we communicate through language, visual and verbal. We have within us an innate desire to connect with one another, yet our language, essential to communication, often serves to polarize us both interpersonally and through the maintenance of institutionalized systems of dominance, oppression, and coercion. Inherent within our language are misogynistic words, phrases, and ideals that inform us and affect the way we interact with one another.
Inception of this work began with a certain group of political leaders speaking mis-information about womxn’s bodies; as a consequence, most womxn, regardless of party alignment, voted against their interests. Yet, statements and occurrences made public throughout the recent United States election processes reveal what low-base views we are willing to accept about womxn, however damaging or oppressive to the potential growth beyond them. Misogynistic language, gendered ideals, gendered scripts influence our politics, our laws, our institutions, the wage gap, our public and personal spaces, our social and interpersonal relationships. These bodies of work are representative of personal narratives and of individual womxn who have chosen to share their stories.
Babette Shaw Bio
Babette Shaw, native to California, is an exhibiting photography-based social practice artist whose work includes photography, sculpture, fiber art, installation, and the written or spoken word.
She received her MFA in Photography from The University of Memphis with undergraduate academic pursuits in fine art photography, creative writing, and gender studies. As an artist, she addresses issues concerning gender and race constructions and disparities in contemporary culture, as well as their historic and archaic underpinnings. Shaw currently teaches at the University of North Carolina, Greensboro. Alongside her art practice and her teaching, she has served on numerous panels for organizations, including the National Center for Research on Women (CROW), and has given lectures at various academic and community-based institutions. Her work is in public and private collections across the country.
Shaw is here to engage the Michigan State University campus as Visiting Artist and Scholar to invite students, past and present (as well as other members from the community), to participate in one of her social practice projects, The Panty Project, which is designed to help individuals and communities heal from gendered and sexual trauma and abuse. While on campus, Shaw will be meeting with womxn from the greater MSU community who have chosen to share their stories as part of this ongoing work. If you are interested in participating in The Panty Project, please email firstname.lastname@example.org.
The primary activity at this event will be low-stakes, open house-style Table Presentations with “lightning talks” focusing specifically on Computer Assisted Language Learning (CALL) and ed tech tools and practices more generally. MSU’s Center for Language Training and Advancement (CeLTA) and hosts Adam Gacs (German) and Shannon Spasova (Russian) will also facilitate several presentations that will be broadcast and recorded for online participants.
QAIS ASSALI / MARCH 20 / MSU BROAD / 7PM
Qais Assali is an AAHD Artist in Residence: Critical Race Studies. His interdisciplinary work stages questions between site and the body in relation to his own identity and locale in order to debunk metaphoric surrounding contested geographies. His lecture is presented in association with a solo exhibition at the MSU Union Art Gallery.
This mini-conference event brings researchers and teachers together in dialogue around the questions “Do teachers care about research?” and “Do researchers care about teachers?” Plenary session presentations by researcher Dr. Masatoshi Sato (Universidad Andrés Bello, Chile) and a language educator (TBD) will be followed by a mixer in smaller break-out rooms, where language researchers and language teachers will engage in guided but informal dialogue. The event will conclude with a Town Hall-style forum, facilitated by MSU’s Second Language Studies program chair, Dr. Shawn Loewen.
Elusive Conversations Symposium
hosted by MSU Philosophy & Environmental Governance
Two day symposium with three keynote speakers.
York University’s Osgoode
Hall Law School
University of Montana
George Mason University & World Resources Institute
The richness and diversity of contemporary environmental philosophy remains largely absent from the everyday dis- course and decision-making processes of
environmental governance. One reason for this is a sincere difficulty in translating the less tangible and measurable aspects of our environmental relationships into community practices and governing policies. More difficult still, the mechanisms of environmental decision-making have been historically structured
under the influence of latent environmental philosophies that are neither neutral nor equally welcoming to all considerations. The best plans too often produce the same impoverished results.
THIS SYMPOSIUM seeks to envision a richer and more inclusive environmental governance, proposing specific steps for how environmental philosophy can better engage current governance practices.