Costume Party at the Moslem Temple
An exhibition featuring MSU Artist-in-Residence: Critical Race Studies Qais Assali.
March 15- May 11, 2019
Reception: March 15, 2019 6–8PM
Artist Lecture: March 20, 2019 @MSU Broad Art Museum, 7PM
Please join the MSU Union Art Gallery and the MSU Department of Art, Art History, and Design in celebrating the opening of Costume Party at the Moslem Temple on Friday, March 15 beginning at 6pm, remarks will be offered at 6:30pm. This solo exhibition features the work of MSU Artist-in-Residence: Critical Race Studies Qais Assali.
Assali’s interdisciplinary work stages questions between site and the body in relation to his own identity and locale in order to debunk metaphoric surrounding contested geographies. This exhibition was made possible thanks to collaborations with many others. Parade Float was made in collaboration with Syrian-American Artist Amanda Assaley. Mosaic Fountain was made by Syrian-American Artist Michael Howard. O My Lord, Increase me in Knowledge, was painted by Syrian-American Artist Reem Taki.
Costume Party at the Moslem Temple is organized by the MSU Union Art Gallery at Michigan State University. Support for this exhibition and associated programming is provided by the MSU Federal Credit Union, the MSU College of Arts & Letters, MSU Department of Art, Art History, and Design, the MSU Eli & Edythe Broad Art Museum, MSU Museum, MSU Library Digital Scholarship Lab, MSU Library Special Collections, MSU Muslim Studies Program, MSU Students United for Palestinian Rights, University of Michigan Special Collections Research Center, and the Arab American National Museum. Special thanks to Deborah Margolis, Jose Luis Benavides, Sally Howell, Penny Gardner, Becky Gaines, and Michael Dean.
Qais Assali (b. 1987 Palestine) is currently a Visiting Assistant Professor and Artist-in-Residence at Michigan State University. His works with video, installation, lecture performance, sound, photography, and in the archives seek to engage and subvert national geopolitical power dynamics. His interdisciplinary work stages questions between site and the body in relation to his own identity and locale in order to debunk metaphoric surrounding contested geographies.
Assali’s work has been internationally exhibited at Jeune création, Paris (2016); 6018North, Chicago (2018); Festival Artes Vertentes de Tiradentes, Brazil (2016); The Overlook Place, Chicago (2018); solo exhibitions at Akademirommet, Kunstnernes Hus, Oslo (2015); and Khan Al Wakala, Nablus (2016). Assali has been a faculty member at a number of academic institutions in Palestine including Al-Ummah College, Jerusalem, Palestine. Assali holds two master’s degrees – an MA in Art Education from the School of the Art Institute of Chicago and MFA from Bard College Milton Avery Graduate School.
QAIS ASSALI / MARCH 20 / MSU BROAD / 7PM
Qais Assali is an AAHD Artist in Residence: Critical Race Studies. His interdisciplinary work stages questions between site and the body in relation to his own identity and locale in order to debunk metaphoric surrounding contested geographies. His lecture is presented in association with a solo exhibition at the MSU Union Art Gallery.
Nostalgia for the Light
7:00pm || Wednesday, September 18, 2019 || Abrams Planetarium
755 Science Rd, East Lansing, MI 48824
Patricio Guzman’s 2010 documentary, Nostalgia for the Light, calls upon viewers to explore the aesthetics, ethics, and technologies of memorialization amidst and in the wake of oppressive regimes. Rooted in the arid ecology of the Atacama Desert—a celebrated site for cutting-edge astronomical research and archaeological survey—the film parses the similarities between astronomers’ search for deep human history among the stars and Chilean women’s search for “disappeared” loved ones in the desert’s parched earth. This screening and discussion of Nostalgia for the Lighttraces the ecosystem of people, landscapes, technologies, and politics that has shaped the memorialization of Augusto Pinochet’s victims. This event is offered in connection with “The Edge of Things: Dissident Art Under Repressive Regimes” on view at the MSU Broad through January 5, 2020.
—Programmed by Scott Boehm & Shannon Schmoll
Broad Underground is an ongoing collaboration between the MSU Broad, Film Studies Program, and Department of English at MSU. This year’s partnering venue is The Robin Theatre in REO Town, Lansing, with special thanks to the Lansing Public Media Center.
Cosponsored by the MSU Comics Forum