RECEPTION January 19, 6-8PM, REMARKS 7PM
Join us Friday, January 19, 2018 from 6-8PM for the opening reception for In the absence of sight, a solo exhibition featuring the work of Alejandro T. Acierto at (SCENE) Metrospace. Opening Remarks will be offerd at 7PM.
In the absence of sight is a new body of work that draws on the erasures of Pilipinx people by American occupiers during the era of US colonialism in the early 1900s. Through an investigation of American archival photographs, postcards, and images housed in various collections in Michigan and Washington DC, this work reimagines erasure as an opening to speculate other forms of presence. While early depictions and characterizations of the Philippines projected a “savage” people “unfit for self-government”, US colonial officers, journalists, and writers used images of Indigenous Pilipinx people as a mechanism of persuasion to justify their sustained occupation to the American public. Though visual abjection often manifested in images of Pilipinx people either dead or in captivity persisting over three decades, this intervention draws on Pilipinx mythology of the Aswang, a shape shifting ghost-like spirit that wreaks havoc on its targets and their communities. In positioning Indigenous and mestizx resistance to US occupation as a metaphorical permutation of the Aswang, this work foregrounds Pilipinx sovereignty as a way to begin to challenge the formations of representation by the American colonial political agenda.
WATER Puerto Rico……Flint a Human Right Exhibition Reception
A solo exhibition featuring Karen Hampton, MSU Artist-in-Residence: Critical Race Studies.
JANUARY 19 – MARCH 23, 2018
RECEPTION JANUARY 19, 5-7PM, REMARKS AT 6:15PM
Join us Friday, January 19, 2018 from 5-7PM for the opening reception for WATER Puerto Rico……Flint a Human Right a solo exhibition featuring the work of Karen Hampton at the MSU Union Art Gallery. Opening Remarks will be offered at 6:15PM.
I am a conceptual mixed media artist, addressing issues of colorism and race in my works. I seek to break stereotypes and address issues related to my life. My artwork is steeped in oral history and expresses the narrative of those whose stories have not yet been fully told. As a storyteller, I impart conceptualized stories about the “other” in society. I view myself as a vehicle for ancestral stories to transcend history and remain part of the historical record. The canvas of my artwork is fabric, which I age and imbue with conceptualized images of a forgotten part of the American story. Using images and text, I embed the cloth with the hopes and visions of my ancestors, particularly those whose stories that have remained invisible. Whether woven or stitched, every time my weft crosses the warp or my needle pierces the cloth, I reach through another layer of scorched earth that slavery has left behind and work to reframe critical issues of race.
Karen Hampton is a Michigan State University, Artist-in-Residence: Critical Race Studies. Hampton joins us from Los Angeles, CA for the 2017-2018 academic year. Her exhibition is sponsored by the Department of Art, Art History, and Design along with the generous support of others including the College of Arts & Letters, Creating Excellence Funding Program from the Office for Inclusion & Intercultural Initiatives, Office of the Provost, and the MSU Federal Credit Union. Additionally she will be offering a public lecture about her work on January 30 at 6PM in 107 S. Kedzie Hall.
- Navah Wolfe is a Hugo and Locus Award-nominated editor at Saga Press. She is also the coeditor of Robots vs Fairies and The Starlit Wood: New Fairy Tales, which won the Shirley Jackson Award and was a finalist for the World Fantasy Award, British Fantasy Award, and the Locus Award. In 2017 she was selected as a Publishers Weekly Rising Star.
- DongWon Song is an agent at Howard Morhaim Literary Agency representing science fiction and fantasy for adults, young adult, and middle grade readers as well as select non-fiction. He was formerly an editor at Orbit and a product manager for the ebook startup, Zola Books.
When: Monday, January 22, 2018, from 6:30 p.m. to roughly 8:00 p.m.
Where: International Center, room 115, on the MSU Campus
Presented by John Valadez
Michigan native Michael Moore’s début film Roger and Me not only broke new ground in its presentation of the documentary essay, but was also a commercial and critical success. Released in 1989 the film is filled with caustic humor, and nearly 30 years later – in a post industrial age – remains relevant today. And with Michigan ingenuity – like so many of our students today – the film was made with little more than a camera, thoughtfulness, and audacity.
Oedipal Effigies & Modern Myths
7pm • Friday, January 26, 2018
Broad Art Museum, Educational Wing
—Programmed by Yelena Kalinsky & Ellen McCallum
Taking a cue from the Broad’s exhibition Michigan Stories: Mike Kelley and Jim Shaw, this program presents three films—two of which are Kelley collaborations—that are dark allegories of modern life: Peggy and Fred and Pete (1988), Kappa (1986), and Blind Country (1989). Children raised by television wander a post-apocalyptic landscape. A hedonistic folk demon satirizes the Oedipus myth. And a castrated buffoon is led through a feminine “realm of the senses.” Traditional sources of authority are unmasked, and we are cast into a dystopian present. As the narrator of Blind Country recites: “Our experience is surely, but gently, becoming pure absence. That is our evolutionary imperative. All prying objects, all things striving to trespass are diminishing. Now there is only acceptance. Accept, accept your loss.”
Broad Underground is an ongoing collaboration between the MSU Broad, Film Studies program, and Department of English at MSU. This year’s partnering venue is The Robin Theatre in REO Town, Lansing, with special thanks to the Lansing Public Media Center.