2018 Department of Art, Art History, and Design Faculty Triennial Exhibition
Eli & Edythe Broad Art Museum
March 17-May 13, 2018
Exhibition Reception April 8, 6-8PM
The 2018 Department of Art, Art History, and Design Faculty Triennial Exhibition showcases the recent work of twenty studio art & design faculty members. Recognized nationally and internationally, Michigan State University studio art & design faculty member’s creative research is regularly exhibited in venues all over the world. Collectively they have received recognition and support from Fulbright, the National Endowment for the Arts, and the Pollack-Krasner Foundation. Representing a broad-range of media and contemporary art and design approaches, the exhibition highlights the faculty’s dedication to actively pursuing creative research.
The 2018 MSU Department of Art, Art History, and Design Faculty Triennial exhibition is organized by the Eli and Edythe Broad Art Museum at MSU and guest curated by Christopher Atkins, Curator of Exhibitions & Public Programs at the Minnesota Museum of American Art. Support for this exhibition is provided by the John and Susan Berding Family Endowment.
Teaching in, around, and through Whiteness
Emery Petchauer, Associate Professor, Michigan State University
April, 26, 4:30-6pm, Wells Hall B243
Who Framed Roger Rabbit (Robert Zemeckis, 1988)
Presented by Mihaela Mihailova
Who Framed Roger Rabbit is a live-action/animated film based on Gary K. Wolf’s 1981 novel Who Censored Roger Rabbit? In this movie’s version of 1940s Hollywood, the cartoon inhabitants of the animated Toontown regularly work and interact with human characters. After Roger Rabbit, a toon, becomes the prime suspect in the murder of human businessman Marvin Acme, it is up to private eye Eddie Valiant (Bob Hoskins) to unravel the truth. The film, which celebrates its thirtieth anniversary this year, remains a landmark in both animation filmmaking and the history of American entertainment more broadly. Despite not being the first live-action/animation hybrid, Who Framed Roger Rabbit elevated the fusion between these two cinematic modes aesthetically and technologically, resulting in a visually stunning and hilarious love letter to classical animation and film noir.