RECEPTION January 19, 6-8PM, REMARKS 7PM
Join us Friday, January 19, 2018 from 6-8PM for the opening reception for In the absence of sight, a solo exhibition featuring the work of Alejandro T. Acierto at (SCENE) Metrospace. Opening Remarks will be offerd at 7PM.
In the absence of sight is a new body of work that draws on the erasures of Pilipinx people by American occupiers during the era of US colonialism in the early 1900s. Through an investigation of American archival photographs, postcards, and images housed in various collections in Michigan and Washington DC, this work reimagines erasure as an opening to speculate other forms of presence. While early depictions and characterizations of the Philippines projected a “savage” people “unfit for self-government”, US colonial officers, journalists, and writers used images of Indigenous Pilipinx people as a mechanism of persuasion to justify their sustained occupation to the American public. Though visual abjection often manifested in images of Pilipinx people either dead or in captivity persisting over three decades, this intervention draws on Pilipinx mythology of the Aswang, a shape shifting ghost-like spirit that wreaks havoc on its targets and their communities. In positioning Indigenous and mestizx resistance to US occupation as a metaphorical permutation of the Aswang, this work foregrounds Pilipinx sovereignty as a way to begin to challenge the formations of representation by the American colonial political agenda.
WATER Puerto Rico……Flint a Human Right Exhibition Reception
A solo exhibition featuring Karen Hampton, MSU Artist-in-Residence: Critical Race Studies.
JANUARY 19 – MARCH 23, 2018
RECEPTION JANUARY 19, 5-7PM, REMARKS AT 6:15PM
Join us Friday, January 19, 2018 from 5-7PM for the opening reception for WATER Puerto Rico……Flint a Human Right a solo exhibition featuring the work of Karen Hampton at the MSU Union Art Gallery. Opening Remarks will be offered at 6:15PM.
I am a conceptual mixed media artist, addressing issues of colorism and race in my works. I seek to break stereotypes and address issues related to my life. My artwork is steeped in oral history and expresses the narrative of those whose stories have not yet been fully told. As a storyteller, I impart conceptualized stories about the “other” in society. I view myself as a vehicle for ancestral stories to transcend history and remain part of the historical record. The canvas of my artwork is fabric, which I age and imbue with conceptualized images of a forgotten part of the American story. Using images and text, I embed the cloth with the hopes and visions of my ancestors, particularly those whose stories that have remained invisible. Whether woven or stitched, every time my weft crosses the warp or my needle pierces the cloth, I reach through another layer of scorched earth that slavery has left behind and work to reframe critical issues of race.
Karen Hampton is a Michigan State University, Artist-in-Residence: Critical Race Studies. Hampton joins us from Los Angeles, CA for the 2017-2018 academic year. Her exhibition is sponsored by the Department of Art, Art History, and Design along with the generous support of others including the College of Arts & Letters, Creating Excellence Funding Program from the Office for Inclusion & Intercultural Initiatives, Office of the Provost, and the MSU Federal Credit Union. Additionally she will be offering a public lecture about her work on January 30 at 6PM in 107 S. Kedzie Hall.
The Michigan State University Comics Forum is a multi-day, annual event for scholars, creators and fans of the comics medium. Events include keynote addresses from an award-winning creator and scholar in the field, an artist alley, academic panel discussions, exhibition of comic art, comic book discussion groups and more.
For full schedule of events, please see: http://comicsforum.msu.edu/schedule/.
Leila Malekadeli BFA Solo Exhibition
Kresge Art Center Gallery 114
February 26-March 2, 2018
Identity is fluid. It is pieced together. It intersects. It can be lost and then found. It can bend, break, and be mended. It is a continuous growth.
SemiTransparent features introspection, reflection, and restraint in an amplified, complex retrieval of identity specific to gender, language, and privacy. Although these works speak to my own identity and experience, they are made to be universal. Through the exertion of working in three-dimensions, I labor through my emotions, stubbornness, and vulnerabilities. It forces me to consistently question ideas of self-worth and arbitrary values within the constructs of social hierarchies. I allow my work to dictate the materials used – metal, paper, wood, clay, textile, electronics – and I allow materiality to shape forms that both substantiate and oppose. The idea of lending oneself to a material aids in underscoring my point of view. Working in mixed media, I derive intimacy from the use of scale and monumentality as well as its reversal. The act of repetition illuminates the obsessive qualities embedded in the processes of my work, while allowing the full context to remain elusive to the viewer.
– Leila Malekadeli
Public Art: Understanding and Practice
Kresge Art Center Gallery 114
February 26- March 2, 2018
This exhibition celebrates the eight artists that took on the challenge of a collaborative Mural project. The mural is on permanent display in the Grove Street Alley in East Lansing’s downtown and is titled: A Colorful Melange; We All Belong Here and was made under the guidance of Professor Benjamin Duke.
I invite you to join us summer 2018 for this year’s project.
This class combines travel with artistic production. We will travel to New York City, Grand Rapids and Detroit to see significant works of Public Art and then make some for our community. We will cover all aspects of production from generating a theme, sourcing the image, putting together a professional public art proposal, to execution and instillation of the work.
This exhibition features works from: