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May
17
Fri
Textscape @ MSU Union Art Gallery
May 17 @ 12:00 pm – Jul 12 @ 7:00 pm
Textscape @ MSU Union Art Gallery | East Lansing | Michigan | United States

TEXTSCAPE

Hongtao Zhou

Textscapes are 3D printed documents to reemphasis printing in modern technological world.

May 17 – July 12, 2019

 

Textscapes are 3D printed documents to reemphasis printing in modern technological world. Printing technology was first created in ancient China to reproduce text using woodblocks, however today’s definition had been widely adopted in 3D printing, an additive process more often to create objects instead of duplicate text. Textscape generates letter-sized 3D documents to visually profile the subject matters of the texts, such as cities, landscapes or figures. These documents make reading process interactive for general audience or blind people, as knowledge as well as art. This series of work has variations of braille, language characters, calligraphies and number systems to bridge the contents and its visuality in architecture, landscape, portraits and abstract matters.

Hongtao Zhou is an interdisciplinary scholar and artist, he researches, practices and teaches in the areas of Design, Architecture, Exhibition Design, Furniture Design & Fabrication and Contemporary Sculpture & Installation. Hongtao holds a PhD from Purdue University, a MFA from University of Wisconsin-Madison and a MS from Northeast Forest University of China. He is a professor at Tongji College of Design and Innovation (D&I) and a visiting professor at University of Hawaii-Manoa (UHM). Hongtao had been serving as the Director of the UHM Haigo and Irene Shen Architecture Gallery. Currently he is Executive Member and Curator of the National Association of Chinese Artists in American Academia.

Hongtao has exhibited nationally & internationally including Centre Pompidou, Gwangju Design Biennale-South Korea, National Museum of China, Milan Design Week, Milwaukee Art Museum, Chazen Museum of Art, Haggerty Museum of Art, Indiana State Museum and Historic Sites, Charles Allis Art Museum, Honolulu Museum of Art School, Philadelphia Art Alliance, Houston Center for Contemporary Craft, Museum of Contemporary Craft in Portland, Central Academy of Fine Arts Museum in Beijing and Taiwan Design Center. He published his work and research in Interior Design, Interni, Design Bureau, Transmaterial, Metropolis, American Craft, Artdaily Zhuangshi Magazine, Modern Weekly and Huffington Post. Centre Pompidou and the University of Virginia collected his work. Hongtao’s work is currently on view in the 2019 Venice Biennale in collaboration with TONTSEN DESIGN in the European Cultural Centre Exhibition.

This exhibition made possible thanks to the MSU College of Arts and Letters, Department of Art, Art History, and Design. Special Thanks to Xia Gao, Associate Professor of Apparel and Textile Design. Work shown made possible by Jiabao Zhu, Project Assistant, Making Lab, Tongji University, College of Design and Innovation (D&I).

Sep
16
Mon
Atul Bhalla Visiting Artist Lecture @ 105 S. Kedzie Hall
Sep 16 @ 6:00 pm – 7:30 pm
Atul Bhalla Visiting Artist Lecture @ 105 S. Kedzie Hall | East Lansing | Michigan | United States

Atul Bhalla | Monday, September 16 | 105 S. Kedzie | 6pm

Atul Bhalla is a conceptual artist who uses photography, performance, video, sculpture, and installation to immerse himself in the physical, historical, spiritual, and political significance of water. Bhalla is a Professor in the Department of Art and Performance Art at Shiv Nadar University in India.

Oct
16
Wed
C4I Lecture Lily Woodruff
Oct 16 @ 5:32 pm – 6:32 pm
C4I Lecture Lily Woodruff
Please Join us!  This event is open to faculty, staff, students and the general public.
 Speaker: Lily Woodruff

Associate Professor, Art History

Natural History of the Sixth Extinction in Ann Hamilton’s the common S E N S E

October 18, 2019 , 12:00-1:00 pm, Flex Space at the Digital Scholarship Lab MSU Library, 2nd floor.

Coffee and refreshments provided

Ann Hamilton’s 2014 the common SENSE presented an extensive collection of animal images and objects from the natural history and library collections of the University of Washington in a participatory installation that invited visitors to consider the impact of their own desires to consume non-human animals. This paper analyzes Hamilton’s work relation to early natural history museum ambitions and displays, and to the current mass extinction that is underway, and argues that Hamilton’s use of archival materials creates a mode of narrating history that responds to current feelings about threats to the future.