EVENTS

Calendar

Nov
30
Thu
Visiting Artist Feather Metsch Public Lecture @ Abrams Planetarium
Nov 30 @ 6:00 pm – 7:30 pm
Visiting Artist Feather Metsch Public Lecture @ Abrams Planetarium | East Lansing | Michigan | United States

Thursday, November 30th 6pm, Public Artist’s Lecture, Feather Metsch, “Blood/Quantum/Physics”

Blood

noun

  1. The red liquid that circulates in the arteries and veins of humans and other vertebrate animals, carrying oxygen to and carbon dioxide from the tissues of the body.
  2. Violence involving bloodshed.

verb

  1. Initiate (someone) in a particular activity.

Quantum

  1. a: Quantity, Amount

b: Portion, Part

c: Gross Quantity: Bulk

  1. a:  Any of the very small increments or parcels into which many forms of energy are subdivided.

b:  Any of the small subdivisions of a quantized physical magnitude (such as magnetic moment).

Physics

  1. A science that deals with matter and energy and their interactions.
  2. a: The physical processes and phenomena of a particular system.

b: The physical properties and composition of something.

Feather Metsch (Little Traverse Bay Band of Odawa Indians) is a digital artist and researcher whose mediums vary across several fields of art, science and technology, but most often focus on site specific immersive and interactive performance and installation. Feather studied fashion at Parsons University before becoming more interested in the materials themselves, later transferring to The School of the Art Institute of Chicago to study in the Fiber and Material Studies program. She most recently graduated from the Institute for American Indian Arts in 2017, with a BFA in Digital Art. Feather will be attending a technology and art-based interdisciplinary Master’s program in the fall of 2018. Feather’s recent projects have examined the duality of being half Native American and adopted by a non-indigenous family. She explores issues through the complicated lens of blood quantum in her ongoing series Blood/Quantum/Physics, as well as another ongoing series, including Watercycles, where she explores the pervasive yet invisible role that water plays in our lives, something that resonates deeply for the artist, and how she was taught to speak to her ancestors. 

Her visit is made possible by the Abrams Planetarium, WKAR, American Indian and Indigenous Studies, Lyman Briggs College, and the Department of Art, Art History and Design.

Jan
19
Fri
IN THE ABSENCE OF SIGHT Exhibition Reception @ (SCENE) Metrospace
Jan 19 @ 6:00 pm – 8:00 pm
IN THE ABSENCE OF SIGHT Exhibition Reception @ (SCENE) Metrospace | East Lansing | Michigan | United States
IN THE ABSENCE OF SIGHT
A Solo Exhibition featuring the work of Alejandro T. Acierto, MSU Artist-in-Residence: Critical Race Studies
January 19 – March 10, 2018
RECEPTION January 19, 6-8PM, REMARKS 7PM

Join us Friday, January 19, 2018 from 6-8PM for the opening reception for In the absence of sight, a solo exhibition featuring the work of Alejandro T. Acierto at (SCENE) Metrospace. Opening Remarks will be offerd at 7PM.

Artist Statement:
In the absence of sight is a new body of work that draws on the erasures of Pilipinx people by American occupiers during the era of US colonialism in the early 1900s. Through an investigation of American archival photographs, postcards, and images housed in various collections in Michigan and Washington DC, this work reimagines erasure as an opening to speculate other forms of presence. While early depictions and characterizations of the Philippines projected a “savage” people “unfit for self-government”, US colonial officers, journalists, and writers used images of Indigenous Pilipinx people as a mechanism of persuasion to justify their sustained occupation to the American public. Though visual abjection often manifested in images of Pilipinx people either dead or in captivity persisting over three decades, this intervention draws on Pilipinx mythology of the Aswang, a shape shifting ghost-like spirit that wreaks havoc on its targets and their communities. In positioning Indigenous and mestizx resistance to US occupation as a metaphorical permutation of the Aswang, this work foregrounds Pilipinx sovereignty as a way to begin to challenge the formations of representation by the American colonial political agenda.

Alejandro T. Acierto is a Michigan State University, Artist-in-Residence: Critical Race Studies. Acierto joins us from Chicago, IL for the 2017-2018 Academic Year. His exhibition is sponsored by the Department of Art, Art History, and Design along with the generous support of others including the College of Arts & Letters, Creating Excellence Funding Program from the Office for Inclusion & Intercultural Initiatives, Office of the Provost, and the MSU Federal Credit Union. Additionally he will be offering a public lecture about his work on February 13 at 6PM in 107 S. Kedzie Hall.
Jan
20
Sat
IN THE ABSENCE OF SIGHT Exhibition @ (SCENE) Metrospace
Jan 20 – Mar 10 all-day
IN THE ABSENCE OF SIGHT Exhibition @ (SCENE) Metrospace | East Lansing | Michigan | United States
IN THE ABSENCE OF SIGHT
A Solo Exhibition featuring the work of Alejandro T. Acierto, MSU Artist-in-Residence: Critical Race Studies
January 19 – March 10, 2018
RECEPTION January 19, 6-8PM, REMARKS 7PM

Join us Friday, January 19, 2018 from 6-8PM for the opening reception for In the absence of sight, a solo exhibition featuring the work of Alejandro T. Acierto at (SCENE) Metrospace. Opening Remarks will be offerd at 7PM.

Artist Statement:
In the absence of sight is a new body of work that draws on the erasures of Pilipinx people by American occupiers during the era of US colonialism in the early 1900s. Through an investigation of American archival photographs, postcards, and images housed in various collections in Michigan and Washington DC, this work reimagines erasure as an opening to speculate other forms of presence. While early depictions and characterizations of the Philippines projected a “savage” people “unfit for self-government”, US colonial officers, journalists, and writers used images of Indigenous Pilipinx people as a mechanism of persuasion to justify their sustained occupation to the American public. Though visual abjection often manifested in images of Pilipinx people either dead or in captivity persisting over three decades, this intervention draws on Pilipinx mythology of the Aswang, a shape shifting ghost-like spirit that wreaks havoc on its targets and their communities. In positioning Indigenous and mestizx resistance to US occupation as a metaphorical permutation of the Aswang, this work foregrounds Pilipinx sovereignty as a way to begin to challenge the formations of representation by the American colonial political agenda.

Alejandro T. Acierto is a Michigan State University, Artist-in-Residence: Critical Race Studies. Acierto joins us from Chicago, IL for the 2017-2018 Academic Year. His exhibition is sponsored by the Department of Art, Art History, and Design along with the generous support of others including the College of Arts & Letters, Creating Excellence Funding Program from the Office for Inclusion & Intercultural Initiatives, Office of the Provost, and the MSU Federal Credit Union. Additionally he will be offering a public lecture about his work on February 13 at 6PM in 107 S. Kedzie Hall.
Feb
26
Mon
“Test of Faith: Signs, Serpents, Salvation” with Lauren Pond @ Wells Hall, A118
Feb 26 @ 4:00 pm
"Test of Faith: Signs, Serpents, Salvation" with Lauren Pond @ Wells Hall, A118 | East Lansing | Michigan | United States

For more than a century, Pentecostal Signs Followers have handled venomous snakes during worship services, risking death as evidence of their unwavering faith. What is their faith about, and what motivates them to continue their potentially lethal practices across generations?

Mar
17
Sat
2018 Department of Art, Art History, and Design Faculty Triennial Exhibition @ Eli and Edythe Broad Art Museum
Mar 17 @ 12:00 pm – May 13 @ 7:00 pm
2018 Department of Art, Art History, and Design Faculty Triennial Exhibition @ Eli and Edythe Broad Art Museum | East Lansing | Michigan | United States

2018 Department of Art, Art History, and Design Faculty Triennial Exhibition

Eli & Edythe Broad Art Museum

March 17-May 13, 2018

Exhibition Reception April 8, 6-8PM

The 2018 Department of Art, Art History, and Design Faculty Triennial Exhibition showcases the recent work of twenty studio art & design faculty members. Recognized nationally and internationally, Michigan State University studio art & design faculty member’s creative research is regularly exhibited in venues all over the world. Collectively they have received recognition and support from Fulbright, the National Endowment for the Arts, and the Pollack-Krasner Foundation. Representing a broad-range of media and contemporary art and design approaches, the exhibition highlights the faculty’s dedication to actively pursuing creative research.

The 2018 MSU Department of Art, Art History, and Design Faculty Triennial exhibition is organized by the Eli and Edythe Broad Art Museum at MSU and guest curated by Christopher Atkins, Curator of Exhibitions & Public Programs at the Minnesota Museum of American Art. Support for this exhibition is provided by the John and Susan Berding Family Endowment.

Oct
8
Mon
Zig Jackson Visiting Artist Lecture @ B310 Wells Hall
Oct 8 @ 7:30 pm – 9:00 pm
Zig Jackson Visiting Artist Lecture @ B310 Wells Hall | East Lansing | Michigan | United States

ZIG JACKSON / OCTOBER 8 / B310 WELLS / 7PM

Photographer and Professor at SCAD, Zig Jackson identifies and tackles issues that sometimes radically different Native American tribes have in common such as how to deal with tourism. marketing, myth, traditions, and stereotyping. He uses his work to raise awareness about cultural identity, representation, and appropriation to touch on issues like paternalism, sovereignty, and commodification.

For more information about Zig Jackson, please visit:

http://www.risingbuffaloarts.com/bio.html

Oct
25
Thu
Renée Mussai Visiting Scholar Lecture @ 107 South Kedzie
Oct 25 @ 6:00 pm – 7:30 pm
Renée Mussai Visiting Scholar Lecture @ 107 South Kedzie | East Lansing | Michigan | United States

RENEE MUSSAI / OCTOBER 25 / 107 S KEDZIE / 6PM

London-based curator, writer, and art historian, Renée Mussai is Curator and head of Archive at Autograph ABP, an arts charity that works internationally in photography and film, addressing themes of cultural identity, race, representation and human rights.

 

Jan
21
Mon
The Wash (as it seams) @ MSU Union Art Gallery
Jan 21 @ 12:00 pm – Mar 2 @ 2:00 pm
The Wash (as it seams) @ MSU Union Art Gallery | East Lansing | Michigan | United States

MSU Union Art Gallery

49 Abbott Road, Rm. 230, East Lansing, MI 48824

 

The Wash (As It Seams)

Solo exhibition featuring the work of Babette Shaw.

January 21 – March 2, 2019

Artist Lecture January 31 6pm, Natural Science Rm. 326

Exhibition Reception February 1, 6 ­– 8pm

 

 

Babette Shaw Artist Statement

As human beings, we communicate through language, visual and verbal.  We have within us an innate desire to connect with one another, yet our language, essential to communication, often serves to polarize us both interpersonally and through the maintenance of institutionalized systems of dominance, oppression, and coercion.  Inherent within our language are misogynistic words, phrases, and ideals that inform us and affect the way we interact with one another.

Inception of this work began with a certain group of political leaders speaking mis-information about womxn’s bodies; as a consequence, most womxn, regardless of party alignment, voted against their interests.  Yet, statements and occurrences made public throughout the recent United States election processes reveal what low-base views we are willing to accept about womxn, however damaging or oppressive to the potential growth beyond them.  Misogynistic language, gendered ideals, gendered scripts influence our politics, our laws, our institutions, the wage gap, our public and personal spaces, our social and interpersonal relationships.  These bodies of work are representative of personal narratives and of individual womxn who have chosen to share their stories.

Babette Shaw Bio

Babette Shaw, native to California, is an exhibiting photography-based social practice artist whose work includes photography, sculpture, fiber art, installation, and the written or spoken word.

She received her MFA in Photography from The University of Memphis with undergraduate academic pursuits in fine art photography, creative writing, and gender studies.  As an artist, she addresses issues concerning gender and race constructions and disparities in contemporary culture, as well as their historic and archaic underpinnings. Shaw currently teaches at the University of North Carolina, Greensboro.  Alongside her art practice and her teaching, she has served on numerous panels for organizations, including the National Center for Research on Women (CROW), and has given lectures at various academic and community-based institutions. Her work is in public and private collections across the country.

Shaw is here to engage the Michigan State University campus as Visiting Artist and Scholar to invite students, past and present (as well as other members from the community), to participate in one of her social practice projects, The Panty Project, which is designed to help individuals and communities heal from gendered and sexual trauma and abuse. While on campus, Shaw will be meeting with womxn from the greater MSU community who have chosen to share their stories as part of this ongoing work. If you are interested in participating in The Panty Project, please email b@babetteshaw.com.

Jan
31
Thu
Babette Shaw Visiting Artist Lecture @ 326 Natural Science
Jan 31 @ 6:00 pm – 7:30 pm
Babette Shaw Visiting Artist Lecture @ 326 Natural Science | East Lansing | Michigan | United States

BABETTE SHAW / JANUARY 31 / 326 NATURAL SCIENCE / 6PM                                                                                 Photography-based social practice artist, Babette Shaw addresses issues concerning gender and race constructions and disparities in contemporary culture, as well as their archaic underpinnings. Shaw teaches at UNC, Greensboro and her lecture accompanies a solo exhibition at the MSU Union Art Gallery.

Sep
16
Mon
Atul Bhalla Visiting Artist Lecture @ 105 S. Kedzie Hall
Sep 16 @ 6:00 pm – 7:30 pm
Atul Bhalla Visiting Artist Lecture @ 105 S. Kedzie Hall | East Lansing | Michigan | United States

Atul Bhalla | Monday, September 16 | 105 S. Kedzie | 6pm

Atul Bhalla is a conceptual artist who uses photography, performance, video, sculpture, and installation to immerse himself in the physical, historical, spiritual, and political significance of water. Bhalla is a Professor in the Department of Art and Performance Art at Shiv Nadar University in India.