EVENTS

Calendar

Jan
19
Fri
IN THE ABSENCE OF SIGHT Exhibition Reception @ (SCENE) Metrospace
Jan 19 @ 6:00 pm – 8:00 pm
IN THE ABSENCE OF SIGHT Exhibition Reception @ (SCENE) Metrospace | East Lansing | Michigan | United States
IN THE ABSENCE OF SIGHT
A Solo Exhibition featuring the work of Alejandro T. Acierto, MSU Artist-in-Residence: Critical Race Studies
January 19 – March 10, 2018
RECEPTION January 19, 6-8PM, REMARKS 7PM

Join us Friday, January 19, 2018 from 6-8PM for the opening reception for In the absence of sight, a solo exhibition featuring the work of Alejandro T. Acierto at (SCENE) Metrospace. Opening Remarks will be offerd at 7PM.

Artist Statement:
In the absence of sight is a new body of work that draws on the erasures of Pilipinx people by American occupiers during the era of US colonialism in the early 1900s. Through an investigation of American archival photographs, postcards, and images housed in various collections in Michigan and Washington DC, this work reimagines erasure as an opening to speculate other forms of presence. While early depictions and characterizations of the Philippines projected a “savage” people “unfit for self-government”, US colonial officers, journalists, and writers used images of Indigenous Pilipinx people as a mechanism of persuasion to justify their sustained occupation to the American public. Though visual abjection often manifested in images of Pilipinx people either dead or in captivity persisting over three decades, this intervention draws on Pilipinx mythology of the Aswang, a shape shifting ghost-like spirit that wreaks havoc on its targets and their communities. In positioning Indigenous and mestizx resistance to US occupation as a metaphorical permutation of the Aswang, this work foregrounds Pilipinx sovereignty as a way to begin to challenge the formations of representation by the American colonial political agenda.

Alejandro T. Acierto is a Michigan State University, Artist-in-Residence: Critical Race Studies. Acierto joins us from Chicago, IL for the 2017-2018 Academic Year. His exhibition is sponsored by the Department of Art, Art History, and Design along with the generous support of others including the College of Arts & Letters, Creating Excellence Funding Program from the Office for Inclusion & Intercultural Initiatives, Office of the Provost, and the MSU Federal Credit Union. Additionally he will be offering a public lecture about his work on February 13 at 6PM in 107 S. Kedzie Hall.
Aug
3
Fri
THEN NOW Painting and Drawings by Dianne Wolter @ MSU Union Art Gallery
Aug 3 – Oct 5 all-day
THEN NOW Painting and Drawings by Dianne Wolter @ MSU Union Art Gallery | East Lansing | Michigan | United States

THEN NOW

Featuring Dianne Wolter’s paintings and sculptures.

August 3- October 5, 2018

Reception September 8, 3-5PM

 

ARTIST STATEMENT

Painting provides me a process driven opportunity to experiment, discover, manipulate, play, and sometimes even tell a story. I value mark making and like to see evidence of the history of the process in the finished painting. Narrative has been a component of my art that allows me to ask questions and make observations. I use whimsy as a means to enliven or to soften the content. Recurring themes and images return to new environments. Images that possess a personal iconography are infused with content from experiences and memories that hold power. I begin by creating an active ground plane, and then working out to the surface, sometimes finding rather than imposing imagery. I enjoy working figuratively, layering, searching for ideas and inspiration from the manipulation of the media, and often but not always embracing a narrative.

Adding papier-mâché sculpture to my studio involvement has been a logical and natural extension to my previous singular focus of two-dimensional work.  The process is reductive, starting with foam forms that have been created by gluing construction foam into blocks that can be carved. Papier-mâché mulch and layers of paper finish off the surfaces and ease transitions and contours. The torn paper can communicate a new narrative while holding onto its past. I find myself stacking forms which is another way of layering, bringing elements together in proximity or support, contrasting familiar with fantastic.

BIO

Dianne Wolter graduated from Michigan State University in 1965 with a Bachelor of Fine Arts degree and a teaching certificate. Teaching and studio involvement have been the focus of her professional life since then.  She concentrated on fabric collage for the first 14 years of her creative journey, teaching it in public schools throughout southern Michigan sponsored by the Michigan Council for the Arts. In 1979, Wolter began teaching after school art classes in her home studio to area children. Sharing her studio with children was a rewarding and meaningful opportunity. To concentrate more fully on her own art, she retired from teaching in 2002 to focus more on painting. A whim to make a cat riding on a unicycle introduced sculpture as an additional interest. Since then, Wolter has been enjoying both sculpture and painting.

For more information about Dianne’s work please visit her website:

http://www.diannewolter.com/

Jan
21
Mon
The Wash (as it seams) @ MSU Union Art Gallery
Jan 21 @ 12:00 pm – Mar 2 @ 2:00 pm
The Wash (as it seams) @ MSU Union Art Gallery | East Lansing | Michigan | United States

MSU Union Art Gallery

49 Abbott Road, Rm. 230, East Lansing, MI 48824

 

The Wash (As It Seams)

Solo exhibition featuring the work of Babette Shaw.

January 21 – March 2, 2019

Artist Lecture January 31 6pm, Natural Science Rm. 326

Exhibition Reception February 1, 6 ­– 8pm

 

 

Babette Shaw Artist Statement

As human beings, we communicate through language, visual and verbal.  We have within us an innate desire to connect with one another, yet our language, essential to communication, often serves to polarize us both interpersonally and through the maintenance of institutionalized systems of dominance, oppression, and coercion.  Inherent within our language are misogynistic words, phrases, and ideals that inform us and affect the way we interact with one another.

Inception of this work began with a certain group of political leaders speaking mis-information about womxn’s bodies; as a consequence, most womxn, regardless of party alignment, voted against their interests.  Yet, statements and occurrences made public throughout the recent United States election processes reveal what low-base views we are willing to accept about womxn, however damaging or oppressive to the potential growth beyond them.  Misogynistic language, gendered ideals, gendered scripts influence our politics, our laws, our institutions, the wage gap, our public and personal spaces, our social and interpersonal relationships.  These bodies of work are representative of personal narratives and of individual womxn who have chosen to share their stories.

Babette Shaw Bio

Babette Shaw, native to California, is an exhibiting photography-based social practice artist whose work includes photography, sculpture, fiber art, installation, and the written or spoken word.

She received her MFA in Photography from The University of Memphis with undergraduate academic pursuits in fine art photography, creative writing, and gender studies.  As an artist, she addresses issues concerning gender and race constructions and disparities in contemporary culture, as well as their historic and archaic underpinnings. Shaw currently teaches at the University of North Carolina, Greensboro.  Alongside her art practice and her teaching, she has served on numerous panels for organizations, including the National Center for Research on Women (CROW), and has given lectures at various academic and community-based institutions. Her work is in public and private collections across the country.

Shaw is here to engage the Michigan State University campus as Visiting Artist and Scholar to invite students, past and present (as well as other members from the community), to participate in one of her social practice projects, The Panty Project, which is designed to help individuals and communities heal from gendered and sexual trauma and abuse. While on campus, Shaw will be meeting with womxn from the greater MSU community who have chosen to share their stories as part of this ongoing work. If you are interested in participating in The Panty Project, please email b@babetteshaw.com.

Mar
20
Wed
Qais Assali Visiting Artist-in-Residence: Critical Race Studies Lecture @ MSU Broad Art Museum
Mar 20 @ 7:00 pm – 8:15 pm
Qais Assali Visiting Artist-in-Residence: Critical Race Studies Lecture @ MSU Broad Art Museum | East Lansing | Michigan | United States

QAIS ASSALI / MARCH 20 / MSU BROAD / 7PM

Qais Assali is an AAHD Artist in Residence: Critical Race Studies. His interdisciplinary work stages questions between site and the body in relation to his own identity and locale in order to debunk metaphoric surrounding contested geographies. His lecture is presented in association with a solo exhibition at the MSU Union Art Gallery.